Digitisation / Cataloguing of non-textual objects: Digitalisation of historical and contemporary musical instruments in extended visualisations

非文本对象的数字化/编目：扩展可视化中历史和当代乐器的数字化

• 批准号: 203751116
• 负责人: Professor Dr. Lars-Christian Koch
• 金额: --
• 依托单位: Ethnologisches Museum
• 依托单位国家: 德国
• 项目类别: Cataloguing and Digitisation (Scientific Library Services and Information Systems)
• 财政年份: 2012
• 资助国家: 德国
• 起止时间: 2011-12-31 至 2014-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/203751116?language=en
• 关键词: Digitisation; Cataloguing; non; textual; objects

The aim of the project is the digitisation of historical and contemporary South Asian musical instruments – with a focus on the collection of Sourindo Mohan Tagore (1840 – 1914 Kolkata) – in extended visualisations and enlarged metadata structures as basis for the development of a reconstruction research including music archaeological methods.The first step will be the digitisation of S.M. Tagore’s collection by means of 3D and CT scans. Additionally other South Asian objects from the museum’s collection will be digitised in the same manner for comparison (approx. 430 instruments).The acquired data will allow studies on chronology, material properties, cultural determined applications (patina, traces of usage), aesthetical principles and craftsmanship; studies that would usually require elaborated research in the field.A database will be set up in that context as a basis – complemented by additional research in other European and Indian collections – for the reconstruction and to a smaller extent the reproduction of damaged or destroyed instruments. At the same time the data will help to create the premise for the construction of pan-European database that can serve as a model for similar projects in the research of musical instruments.

该项目的目的是将南亚历史和当代乐器数字化，重点是Sourindo Mohan Tagore（1840 - 1914 Kolkata）的收藏，扩展可视化和扩大元数据结构，作为包括音乐考古方法在内的重建研究发展的基础。第一步将是S.M.泰戈尔的收藏品通过3D和CT扫描。此外，博物馆收藏的其他南亚物品也将以同样的方式进行数字化，以供比较（约为2000年）。430种仪器）。获得的数据将允许研究年代学、材料属性、文化决定的应用（包浆、使用痕迹）、美学原则和工艺;通常需要在该领域进行详细研究的研究。将在此背景下建立一个数据库作为基础，并辅之以对其他欧洲和印度收藏品的额外研究，用于重建和较小程度上复制损坏或毁坏的乐器。同时，这些数据将有助于为泛欧数据库的建设创造前提，该数据库可以作为乐器研究中类似项目的模型。