Ignaz Günther in the context of European artistic transfer in the Baroque and Rococo period

虽然Ignaz Günther被公认为南德洛可可时期最重要的雕塑家之一，但对这位多才多艺、敬业的艺术家仍然没有全面的评价。到目前为止，人们对他的雕塑成就的评价过于片面，只被视为巴伐利亚传统的雕塑家。Ignaz Günther的艺术专著的丢失引起了普遍的悲痛。Ignaz Günther将被放在17世纪和18世纪欧洲艺术转移的背景下考虑。我们将探讨超越巴伐利亚州边界的可能的榜样及其影响的问题，并将记录伊格纳兹·冈瑟作为祭坛建筑师的作品。这样，保罗·埃格尔和约翰·伯恩哈德·费舍尔·冯·埃拉赫对于君特的雕塑作品和祭坛建筑的重要性就可以得到展示，也可以展示他是如何通过书籍的媒介吸收罗马和法国的高级巴洛克风格的。通过研究他的部分可重建的图书馆和几封幸存的信件，我们已经评估了来源，这些信件可以为他丢失的教科书提供一定的替代价值，可以评估他的艺术技能和学习的程度。他对艺术的想法可以被理解，他对祭坛的规划和建造的方法也可以被说明。

Although Ignaz Günther is recognized as one of the most important sculptors of the South German Rococo period, there is still no comprehensive evaluation of this multi-talented and dedicated artist. Up to now, the appraisal of his sculptural accomplishments has been too one-sided and he has been seen solely as a sculptor in the Bavarian tradition. The loss of his treatise on art has been generally lamented.Ignaz Günther will be considered in the context of the European artistic transfer of the 17th and 18th centuries. The question of possible role models beyond the bounds of Bavaria and their influence will be explored, and Ignaz Günther's works as an altar architect will be recorded. In this way, the importance of Paul Egell and Johann Bernhard Fischer von Erlach for Günther's sculptural work and altar architecture can be demonstrated and also how he absorbed the Roman and French High Baroque through the medium of books. By examining his partially reconstructable library and several surviving letters, which, wenn sources have been evaluated, can offer a certain replacement value for his lost textbook, the extent of his artistic skills and learning can be assessed. His own ideas on art can be understood and his approach to the planning and building of an altar can be illustrated.