"Teatro" Architectural, Performative and Acoustic Qualities of Renaissance Theatres. A Joint Research Project of Architectural History and Acoustic Sciences.

“Teatro”文艺复兴时期剧院的建筑、表演和声学质量。

• 批准号: 237915257
• 负责人: Professor Dr.-Ing. Christian Raabe, since 1/2014
• 金额: --
• 依托单位: Fachgebiet Audiokommunikation
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2013
• 资助国家: 德国
• 起止时间: 2012-12-31 至 2018-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/237915257?language=en
• 关键词: Teatro; Architectural; Performative; Acoustic; Qualities

The interdisciplinary project brings together the specific approaches and competences of both architectural history and acoustic sciences, aiming at a profound comparative analysis of all six Renaissance theatres preserved to the present day: i.e. the Teatri Olimpici of Vicenza (1580) and Sabbioneta (1587), the Teatro Farnese in Parma (1618), the theatre courts of the Villa Imperiale (Pesaro, 1530), the Corte Cornaro (Padua, 1524) and the Château de Maulnes (Burgundy, 1560). Based on detailed surveys and documentations, which will allow definite allocations of all stage and back-stage functions to specific spaces, the acoustic and performative qualities of these theatres will be studied, both experimentally in situ as well as by means of computer-generated virtual models.The results will lead to a better understanding of Renaissance knowledge of acoustics, as applied to 16th century theatre architecture. Furthermore, they will help to clarify the difficult relation between the empirics of practical building and the literary reception of antique acoustic theories. Thus, it is hoped, the project will substantially contribute to the study of post-antique theatre architecture and performative practice.

该跨学科项目汇集了建筑史和声学科学的具体方法和能力，旨在对保存至今的所有六个文艺复兴时期剧院进行深刻的比较分析：即维琴察奥林匹克剧院（1580年）和萨比奥内塔剧院（1587年），帕尔马法尔内塞剧院（1618年），帝国别墅剧院（佩萨罗，1530年），Corte Cornaro（帕多瓦，1524年）和ch<e:1> teau de Maulnes（勃艮第，1560年）。根据详细的调查和文件，将所有舞台和后台功能明确分配到特定的空间，这些剧院的声学和表演质量将被研究，既可以在现场实验，也可以通过计算机生成的虚拟模型进行研究。研究结果将有助于更好地理解文艺复兴时期的声学知识，并将其应用于16世纪的剧院建筑。此外，它们将有助于澄清实践建筑经验与古典声学理论的文学接受之间的困难关系。因此，希望该项目将对后古董剧院建筑和表演实践的研究做出实质性的贡献。