Text and images of Ovid in the Trecento.The manuscript of Berchorius Gotha, Forschungsbibliothek, Membr. I 98 and its cultural context

奥维德在 Trecento 中的文本和图像。贝尔科里乌斯·哥达的手稿，研究图书馆，会员。

• 批准号: 238805882
• 负责人: Professor Dr. Dieter Blume
• 金额: --
• 依托单位: Exzellenzcluster Religion und Politik
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2013
• 资助国家: 德国
• 起止时间: 2012-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/238805882?language=en
• 关键词: Text; images; Ovid; Trecento.The; manuscript

After the rediscovery of Ovid in the 12th and 13th centuries starts in the 14th century a new and very intensive adoption of the Metamorphoses. In this context originate also the Ovidius moralizatus of Petrus Berchorius. The first version of this text was written in Avignon around 1340. The systematic interpretation of all the stories told by Ovid is directed at a legitimation and an increase in value of the ancient poetry. Already around 1350 there was made in Bologna, probably for Bruzio Visconti, a cycle of illustrations, which should include over 200 images. The narrative content and the emotional tension of the myths is the main focus of the miniatures. The painters have a special interest in the many metamorphoses from men in animals or plant, which has a psychological effect as well as one in natural history. The cycle of miniatures is nearly unknown and we will analyses id in the relationship between text and images and also contextualize id in the culture of early humanism. The manuscript in Gotha has a key-position for the debate on the ancient myths in the 14th century.

在12世纪和13世纪重新发现奥维德之后，在14世纪开始了一次新的、非常密集的变形术。在这一背景下，还起源于Petrus Berchorius的Ovidius moralizatus。这本书的第一个版本是在1340年左右用阿维尼翁写的。对奥维德所讲述的所有故事进行系统的解读，是为了使古代诗歌合法化，增加其价值。大约在1350年左右，就已经有了博洛尼亚的作品，可能是为布鲁齐奥·维斯康蒂制作的，这是一个插图周期，应该包括200多幅图像。神话的叙事内容和情感张力是微缩作品的主要关注点。画家们对人对动物或植物的许多变形特别感兴趣，这不仅对自然历史有心理影响，而且对心理也有影响。微缩模型的循环几乎是未知的，我们将在文字和图像之间的关系中分析本我，并在早期人文主义文化中对本我进行语境分析。哥达的手稿在14世纪关于古代神话的辩论中具有关键地位。