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Giorgio de Chiricos construction of artistic identity. His autobiographical writings and art theory in the context of Valori Plastici

乔治·德·基里科对艺术身份的建构。

基本信息

批准号：
239343759
负责人：
Professorin Dr. Verena Krieger
金额：
--
依托单位：
Seminar für Kunstgeschichte und Filmwissenschaft
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2013
资助国家：
德国
起止时间：
2012-12-31 至 2017-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/239343759?language=en
关键词：
Giorgio de Chiricos construction artistic

项目摘要

The research project will for the first time examine the extensive written oeuvre of Giorgio de Chirico (1888-1978) by a methodological approach of discourse analysis. It is based on a recent branch of research within studies on the figure of the artist focusing on the questions of self-representation, identity and the function of the author. In an initial hypothesis it is assumed that the artist applied a collage-like addition of different, often conflicting ideas of artistic identity to stage his autobiographical self. The aim of the research project is to disclose the concepts of artistic identity de Chirico formulated in his autobiographical texts and art theory, to be appropriations and transformations of traditional and recent forms of habitus and topoi. In addition, the project seeks to highlight their constructive and processual character. We argue that they result from the interaction of audience expectations and commercial strategies of the artist, which were developed in contemporary discourses. The analysis focuses on the participation of de Chirico in the artist magazine Valori Plastici, while at the same time stressing the interaction between contemporary art criticism and art historiography. It will not only redefine de Chiricos role as the alleged leader of the group in the context of the Ritorno all ordine, but it will also determine his position between modernity and programmatic anti-modernism.

该研究项目将首次采用话语分析的方法来研究乔治·德·基里科（1888-1978）的大量作品。它是基于最近的分支研究内的数字的艺术家集中在自我代表，身份和作者的功能的问题的研究。在最初的假设中，艺术家将不同的、往往相互冲突的艺术身份观念拼贴在一起，以展示他的自传体自我。本研究的目的是揭示奇里科在自传文本和艺术理论中所阐述的艺术身份概念，即对传统和现代形式的惯习和拓扑的挪用和转换。此外，该项目力求突出其建设性和程序性。我们认为，它们是观众的期望和艺术家的商业策略，这是在当代话语发展的相互作用的结果。分析的重点是德基里科在艺术家杂志Valori Plasstrom的参与，同时强调当代艺术批评和艺术史学之间的互动。它不仅将重新定义德·基里科作为Ritorno all ordine背景下该团体所谓领导人的角色，而且还将确定他在现代性和纲领性反现代主义之间的位置。