The Literariness of New Media Art

这是一个跨学科的研究项目，从文学研究的角度对媒体艺术进行分析。其指导思想是文学性，这是由俄国形式主义发展起来的。这个词指的是非语用语言所产生的诗意的“剩余”意义。该项目探索通过语言、声音和脚本产生的意义。它旨在揭示和区分文学元素，如诗歌标题、文本片段、有声语言段落、抒情演讲、叙事结构或戏剧情节进展。一百件艺术品。这项研究根据四个主要策略对这些材料进行分组：(1)口头语言和声音的使用；(2)书面文本或剧本元素的美学整合；(3)在媒体艺术中对文学体裁(诗歌、戏剧和散文)的探索和改编；(4)将具体的文学作品转化为基于时间的视听艺术。

This transdisciplinary research project investigates the analysis of media art from the perspective of literary studies. The guiding concept is literariness, as developed by Russian Formalism. The term denotes the poetic "surplus" of meaning, emanating from a non-pragmatic use of language. The project explores signification generated through language, voice, and script. It aims at disclosing and distinguishing literary elements, such as poetic titles, text segments, acoustic language passages, lyrical speech, narrative structures or dramatic plot progressions, in a corpus of approx. one hundred artworks. The study groups this material according to four leading strategies: (1) the use of oral language and the voice; (2) the aesthetic integration of written texts or elements of script; (3) the exploration and adaptation of the literary genres (poetry, drama and prose) in media art; (4) the transformation of concrete works of literature into audio-visual time based art.