Music as a medium in interreligious dialogue. A contribution towards a theology of dialogue

音乐作为宗教间对话的媒介。

• 批准号: 245882141
• 负责人: Dr. Verena Grüter
• 金额: --
• 依托单位: Lehrstuhl Interkulturelle Theologie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2014
• 资助国家: 德国
• 起止时间: 2013-12-31 至 2014-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/245882141?language=en
• 关键词: Music; medium; interreligious; dialogue.; contribution

During the last twenty years interreligious music projects were initiated world wide with the aim to enhance mutual understanding and peace between religious communities. Theological research dedicated to interreligious dialogue so far has not involved in the role of music in these processes. Religious science since its "esthetic turn" has focussed on esthetic codes and the significance of sound in religions. As a matter of fact, all religious communities benefit from sound codes for their messages and to shape religious behaviour. Recent research projects focussed on the role of music in the construction of religious identities. The use of music in order to contribute to interreligious dialogue has not yet been studied.Intercultural Theology as an emerging discipline and heredetary of Mission and Ecumenism is compelled to deal with cultural shapes of religious traditions. Until today, only visual arts have been taken into account by theological research. Although some scholars call for the extension towards sound phenomena, until today this has not been put into practice.The present research project reflects music as a medium of interreligious dialogue. The theological framework comes from Intercultural and Comparative Theological studies on methods and hermeneutics of interreligious dialogues and their history in mission and ecumenism. First results of research on the role of music as a medium of cultural transformation in mission will be taken into account. The empirical foundation are several interreligious music projects. A field study has been accomplished during the festival of Musica Sacra International in Marktoberdorf 2012 and is being evaluated. Two more projects are exemplarily analyzed by means of CD´s. The biggest interreligious music festival has been realised for the last twenty years in Fès/Marocco. To my knowledge, it is the only one in a muslim context and,therefore, represents an important point of comparison with the other projects performed by Christian initiatives.Finally, I will discuss the results in the context of the "esthetic turn" in Practical and Systematic Theology: Could they be a step towards a "theology of culture of cultures"?

在过去的二十年里，宗教间音乐项目在世界各地发起，目的是加强宗教社区之间的相互理解与和平。迄今为止，致力于宗教间对话的神学研究尚未涉及音乐在这些过程中的作用。宗教科学自其“美学转向”以来，一直专注于美学代码和声音在宗教中的意义。事实上，所有宗教团体都受益于其信息和塑造宗教行为的健全准则。最近的研究项目集中在音乐在宗教身份建设中的作用。利用音乐来促进宗教间对话的问题尚未得到研究。跨文化神学作为一门新兴学科和使命和普世主义的继承者，被迫处理宗教传统的文化形态。直到今天，只有视觉艺术被神学研究所考虑。虽然有些学者呼吁将音乐延伸到声音现象，但直到今天，这还没有付诸实践。本研究项目反映了音乐作为宗教间对话的媒介。神学框架来自跨文化和比较神学研究的方法和解释学的宗教间对话和他们的历史在使命和普世。将考虑到关于音乐作为使命中文化转型媒介的作用的第一批研究结果。经验基础是几个宗教间的音乐项目。在2012年马克托贝多夫国际音乐节期间完成了一项实地研究，目前正在进行评估。另外两个项目是通过CD的示范分析。最大的宗教间音乐节已经在非斯/摩洛哥实现了过去二十年。据我所知，这是唯一一个在穆斯林背景下的，因此，代表了一个重要的比较点，与其他项目所执行的基督教倡议。最后，我将讨论的结果，在“审美转向”的背景下，在实践和系统神学：他们可能是一个步骤，向“文化的文化神学”？