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Formation and Heritage of the Brazilian Constructivism and Neoconcretismo in the Transcultural Contexts of West German Conceptions of Modernity in the 1950s and 1960s

20世纪50年代和1960年代西德现代性概念跨文化背景下巴西建构主义和新具体主义的形成和传承

基本信息

批准号：
249387263
负责人：
Dr. Susanne Neubauer
金额：
--
依托单位：
Pontificia Universidade Catolica do Rio de Janeiro (PUC)
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2014
资助国家：
德国
起止时间：
2013-12-31 至 2017-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/249387263?language=en
关键词：
Formation Heritage Brazilian Constructivism Neoconcretismo

项目摘要

The focus of the research project is the investigation into the development of post war modernism in the diplomatic context of the young German Federal Republic considering the emergence of Brazilian art in Germany between 1945 and 1960 and proposes an altered reading of the its traditionally western concept. The project elaborates on the important contribution of Brazilian artists working in different genres to the dynamic and increasing differentiation of the West German art scene. A particular focus lies on the analysis of interpersonal contacts and of cultural misunderstandings, misappropriations and practices of westernization of Brazilian concepts into German contexts which have not afflicted the eurocentristic history of art. Brazilian discourses on art recurring to concretism and neoconretismo appeared in Germany in exhibitions of modern art and were absorbed in graphic design. The development of Concrete Poetry in Brazil was equally linked to concrete painting of the country and arrived in Germany through existing networks. The interdisciplinary research investigates into the necessary expansion of art historical debates about abstraction as international language in differentiation to the development of socialist art of the GDR and examines the recent discussion about the plurality of modernity. The research complements previous German-American and German-French studies on the history of West German self-exposure and cultural political initiatives after 1945 by a new external perspective making use of extensive archival based research. Furthermore, the research project makes a significant methodological contribution by linking contemporary transcultural research concepts of the history of art in a global context and the history of exhibitions to methods of critical art history after 1989.

该研究项目的重点是调查战后现代主义在年轻的德意志联邦共和国外交背景下的发展，考虑1945年至1960年间巴西艺术在德国的出现，并提出对其传统西方概念的改变阅读。该项目阐述了巴西艺术家在不同流派中对西德艺术界动态和日益分化的重要贡献。一个特别的重点在于分析人际交往和文化误解，挪用和西方化的巴西概念到德国的情况下，没有折磨欧洲中心主义的艺术史。巴西的话语艺术再现具象主义和neoconretimo出现在德国的现代艺术展览，并在平面设计中吸收。混凝土诗歌在巴西的发展同样与该国的混凝土绘画联系在一起，并通过现有的网络到达德国。跨学科的研究探讨了艺术史辩论的必要性，即抽象作为国际语言在区分东德社会主义艺术发展方面的扩展，并审查了最近关于现代性多元化的讨论。这项研究补充了以前的德裔美国人和德裔法国人对1945年后西德自我曝光和文化政治倡议的历史研究，通过一个新的外部视角，利用广泛的档案为基础的研究。此外，该研究项目通过将全球背景下的当代艺术史和展览史的跨文化研究概念与1989年后的批判艺术史方法联系起来，做出了重大的方法论贡献。