Theater Conversation. Linguistic appropriation practices during theater intermissions

基于会话和话语分析，该项目探讨了戏剧表演中的审美体验如何在中场休息时的谈话中被采用，以及与这些实践相关的交际目的是什么。本文的出发点是一个启发式的假设，即戏剧中可以使用的干预日常交流经验的美学方法，可以刺激观众对日常交流中的感知习惯以及与之相关的意义结构进行话语反思。该项目假设，个别艺术形式的传统特征是基于特定的结构和物质的沟通安排，其中他们审美协商和/或问题的感知例程，从而建立沟通的做法观众。在观众面前进行互动表演的条件下，剧场掌握着各种媒介资源，进行审美沟通，成为后续对话的锚点。在此背景下，本研究的目的是实证性地重建非正式的沟通实践，反映沟通和媒体的动机是由戏剧（包括对戏剧本身的反思）。对于实证研究，将建立一个语料库的数据，通过音频文件，将记录在阿波罗剧院锡根和科隆Schauspiel剧院演出期间游客的真实中场休息对话。在该项目的基础上，已经进行了试点研究的中心将是1。第二语言参考的方法和形式（重新表述、释义、引用、解释、评论、解释、日常审美转变等）。这些都是要分析其正式结构，并就其沟通功能的谈判，稳定或质疑通信建立结构的社会秩序; 2。对戏剧进行语言反思的互动过程，尤其是阐释和评价，以及在艺术非正式交流中对社会身份和地位的建构以及对共识和异议的处理;产生特定社会情境的间歇过程，即间歇谈话（例如，其时间设置及其作为晚间娱乐和社会事件的框架）。最后，将实证研究结果与其他艺术传播领域的研究进行比较，并与戏剧和艺术的社会作用理论相联系。

Based on conversation and discourse analysis, the project examines how the aesthetic experiences during theater performances are taken up in intermission talks and what type of communicative purposes are associated with these practices. The starting point is the heuristic assumption that aesthetic methods of interfering with routines of communicative experience, as they are available to the theater, can stimulate the audience to discursively reflect on perception habits in everyday communication and the structures of meaning related to them. The project assumes that the traditional characteristics of individual art forms are based on the specific structure and materiality of the communicative arrangements, in which they aesthetically negotiate and/or question the perceptive routines and thereby the established communicative practices of the audience. Under the conditions of a performance of interaction in front of an audience, the theater commands varied media resources for the aesthetic negotiation of communication that can become anchor points for subsequent conversations. Against this background, the study aims to empirically reconstruct the informal communication practices of reflecting communication and media that are motivated by the theater (including the reflection on the theater itself). For the empirical study, a corpus of data will be established by means of audio documentation that will document the authentic intermission conversations of visitors during theater productions in the Appollo Theater Siegen and the Schauspiel Köln. At the center of the project based on an already conducted pilot study will be 1. methods and forms of secondary linguistic reference (reformulations, paraphrases, quotations, interpretations, commentaries, explications, everyday aesthetic transformations etc.). These are to be analyzed in their formal structures and with regard to their communicative functions of negotiating, stabilizing or questioning communicatively established structures of social order; 2. interactional processes of linguistically reflecting on the theater, particularly elucidations and evaluations, also with regard to the construction of social identities and positions as well as the management of consensus and dissent in the informal communication about art; 3. interactional processes for the production of a specific social situation, the intermission talk (e.g. its setting with regard to time and its framing as an evening pleasure and social event). The empirical findings are finally to be compared to research on other areas of art communication and set into relation to theories on the social role of theater and art.