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Italian Traces in Musical Culture at Wettin Courts during the Sixteenth Century

十六世纪韦廷宫廷音乐文化中的意大利痕迹

基本信息

批准号：
255039864
负责人：
Dr. Michael Chizzali
金额：
--
依托单位：
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2014
资助国家：
德国
起止时间：
2013-12-31 至 2017-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/255039864?language=en
关键词：
Italian Traces Musical Culture Wettin

项目摘要

The project examines little-known or up to now uninvestigated ways of transferring, distributing and receiving Italian music and musical culture at representative courts of Ernestine and Albertine Wettins during the sixteenth century. The Wettin courts (in particular those of the electors) seem to be most suitable, because in the course of their cultural evolution since 1500 a striking continuity of (well-documented) musical transmission from Italy is noticeable. Starting from a wide-ranging concept of »court music« (which is recommended by the variety of contexts), decisive phenomena of this primarily unidirectional (i.e. from the south to the north) intercultural communication should be discussed. Amongst others, these concern constellations of source funding and musical traditions associated with close music-political background (for instance, relating to the concentration of Italian styles in certain mass repertoire of the Jena Choirbooks or to the »Italian« music in the prints of Georg Rhaw), not-hitherto reflected stylistic and technical peculiarities (e.g. the subtle treatment and adoption of lighter Italian genres in the Saxon-Thuringian countries from the second half of the sixteenth century) or also close cultural interlinkings such as the triangular-relationship Florence-Dresden-Prague around the decades of 1600. The aim of the project is to question and to extend the functional connections and their historico-cultural contexts regarding the multi-layered relations of Wettin court cultures to Italian music, to explore new relevant sources and hitherto scarcely noted courts (for example, relating to the fluctuating musical environment of the Ernestine court in Weimar) as well as to investigate neglected or unknown aesthetic discourses concerning foreign-music reception in Middle Germany from the end of the Middle Ages to the eve of Thirty Years War.

该项目考察了16世纪欧内斯丁和艾伯丁·韦廷斯的代表性宫廷中鲜为人知或迄今未被调查的转移、传播和接受意大利音乐和音乐文化的方式。Wettin宫廷(特别是选举人的宫廷)似乎最合适，因为在自1500年以来的文化演变过程中，来自意大利的音乐传播(有良好记录)的惊人连续性是显而易见的。从宫廷音乐的广泛概念(这是根据不同的背景而推荐的)开始，应该讨论这种主要是单向的(即从南到北)跨文化传播的决定性现象。在其他方面，这些涉及的来源资金和音乐传统星座与密切的音乐政治背景(例如，集中在某些意大利风格集中在耶拿合唱团的某些大众曲目中，或在乔治RHAW印刷品中的意大利音乐)，迄今没有反映出风格和技术的特殊性(例如，从16世纪下半叶开始，撒克逊-图林根国家对较轻的意大利流派的微妙处理和采用)，或者也有密切的文化联系，如大约1600年的佛罗伦萨-德累斯顿-布拉格的三角关系。该项目的目的是质疑和扩展关于Wettin宫廷文化与意大利音乐的多层次关系的功能联系及其历史文化背景，探索新的相关来源和迄今鲜有人注意的宫廷(例如，与魏玛Ernestine宫廷起伏的音乐环境有关)，以及调查从中世纪结束到三十年战争前夕德国中部关于外国音乐接受的被忽视或未知的美学话语。