The poetical concert community. Taste and performance of the middle class concert audience 1815-1848

诗意的音乐会社区。

• 批准号: 262790338
• 负责人: Professor Dr. Wolfram Pyta
• 金额: --
• 依托单位: Abteilung Neuere Geschichte
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2014
• 资助国家: 德国
• 起止时间: 2013-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/262790338?language=en
• 关键词: poetical; concert; community.; Taste; performance

In the course of the first half of the 19th century the audience in opera and classical concerts has fundamentally changed its taste as well as its attitude and behaviour (performance) towards music. Particularly the middle class established a silent audience and a new aesthetic paradigm in musical life. Relating to theoretic considerations and the realization of ideal requirements given by the musical art, which is formed by the romantic aesthetics of music that writers and critics have enunciated since 1800, the study intends to focus on the audience itself in order to analyse its original taste as well as its attitude and behaviour towards music. Taste is considered as an aesthetic distinction. Therefore, the study wants to analyse how music becomes a central category of taste, and by what middle class constitutes itself as an idiosyncratic community. The sources consist of comments given by professional performers like e.g. conductors, artists, organizers and critics. Thus, above all, the study has to examine ego documents and self-testimonies. The study focuses on papers from the most important German-speaking musical centres such as Berlin, Dresden, Leipzig, Munich, and Vienna from 1815 to 1848.

在19世纪上半叶的过程中，歌剧和古典音乐会的观众从根本上改变了其品味以及对音乐的态度和行为（表演）。特别是中产阶级在音乐生活中建立了沉默的观众和新的美学范式。这项研究与作家和批评家自1800年以来所阐明的浪漫音乐美学形成的理论考虑以及对音乐艺术所赋予的理想要求的实现有关，该研究旨在专注于观众本身，以分析其原始品味以及对音乐的态度和行为。味道被认为是一种美学区别。因此，该研究希望分析音乐如何成为一种中心类别，以及中产阶级作为一个特质社区的构成。资料来源包括由专业表演者提供的评论。指挥，艺术家，组织者和批评家。因此，最重要的是，该研究必须检查自我文件和自我测试。该研究重点是1815年至1848年的最重要的德语音乐中心，例如柏林，德累斯顿，莱比锡，慕尼黑和维也纳。