Corpus Musicae Ottomanicae (CMO). Critical Editions of Middle Eastern Music Manuscripts

从19世纪20年代初开始，最初在伊斯坦布尔，宫廷和城市的奥斯曼音乐曲目被记录在越来越多的手稿中。主要是1813年前由亚美尼亚人Hamparsum Limonciyan（1768-1839）开发的记谱法，这是一种非常适合艺术音乐曲目转录的系统，用于此目的。19世纪30年代中期以后，西方的记谱法也被越来越多地使用。现存的两种记谱形式的手稿对于艺术音乐文化的传播具有重要意义，这种文化一直保持到20世纪初，在今天的土耳其、叙利亚和埃及的城市中心。这些资源不仅对音乐学研究具有重要意义，可以首次揭示音乐文化中的某些历史现象和过程，而且对东方研究也具有重要意义。这个长期项目的目标是在最初的7年时间里，以hamparsum符号准备19世纪主要手稿的关键版本。为期5年的第二阶段将重点关注同一时期选定的西方记谱手稿的批判版。与此同时，声乐作品的文本将由一个跨学科的学者小组编辑。《音乐语料库》（CMO）版。《中东音乐手稿批判版》将以开放获取原则为基础，由马克斯韦伯基金会在perspectivia.net上在线出版。单个手稿的版本也将作为按需印刷的书籍提供。整个项目将在Westfälische-Wilhelms国立<s:2>大学音乐学研究所进行，与伊斯坦布尔东方研究所和perspectivia.net合作（两者都是马克斯韦伯基金会的一部分）。德国海外人文研究所)和Westfälische-Wilhelms国立大学阿拉伯和伊斯兰研究所。一个国际顾问委员会将支持这个项目。

From the early 1820s, initially in Istanbul, the courtly and urban Ottoman music repertoire was recorded in a growing number of manuscripts. Mainly, the notation developed by Armenian Hamparsum Limonciyan (1768-1839) before 1813, a very suitable system for the transcription of the art music repertoire, was used for this purpose. The Western notation was also used increasingly after mid-1830s. The surviving manuscripts in both notation forms are significant for the transmission of an art music culture that has been maintained until the early 20th century in the urban centres of todays Turkey, Syria and Egypt. These resources are of primary importance not only for musicological research, which can reveal certain historical phenomena and processes in the music cultures for the first time, but also for the Oriental studies. This long-term project aims to prepare the critical editions of the main 19th century manuscripts in Hamparsum-notation in the initial phase of 7 years. The second phase of 5 years will focus on the critical edition of selected Western-notation manuscripts from the same period. Parallel to this process, texts of the vocal compositions will be edited by an interdisciplinary group of scholars. The edition of Corpus Musicae Ottomanicae (CMO). Critical Editions of Middle Eastern Music Manuscripts will be based on open-access principle and published online on perspectivia.net by Max Weber Foundation. Editions of single manuscripts will also be available as print-on-demand books. The project as a whole will be carried out at Westfälische-Wilhelms University Münster - Institute for Musicology, in cooperation with Orient-Institute Istanbul and perspectivia.net (both part of Max Weber Foundation. German Humanities Institutes Abroad) and Westfälische-Wilhelms University Münster, Institute for Arabic and Islamic Studies. An international board of advisors will support the project.