Corpus Musicae Ottomanicae (CMO). Critical Editions of Middle Eastern Music Manuscripts

从19世纪20年代初，最初在伊斯坦布尔，奥斯曼帝国宫廷和城市音乐曲目被记录在越来越多的手稿中。主要是亚美尼亚人Hamparsum Limonciyan(1768-1839)在1813年之前开发的符号，这是一种非常适合转录艺术音乐曲目的系统，用于此目的。19世纪30年代中期以后，西方符号也越来越多地被使用。这两种符号形式的幸存手稿对于艺术音乐文化的传播具有重要意义，这种文化一直保存到20世纪初，在今天的土耳其、叙利亚和埃及的城市中心。这些资源不仅对音乐学研究具有重要意义，可以首次揭示音乐文化中的某些历史现象和过程，而且对于东方研究也具有重要意义。这一长期项目的目的是在7年的最初阶段准备19世纪主要手稿的汉帕苏姆记数法的关键版本。第二个为期5年的阶段将重点放在同一时期精选的西方符号手稿的批判版上。与此并行的是，声乐作品的文本将由一个跨学科的学者小组进行编辑。《奥托马尼察语体》(CMO)版。中东音乐手稿评论版将基于开放获取原则，由Max Weber基金会在线发布在perspectivia.net上。单本手稿的版本也将作为按需印刷的书籍提供。整个项目将在Westfälische-Wilhelms大学明斯特音乐学研究所与伊斯坦布尔东方研究所和perspectivia.net(两者都是马克斯·韦伯基金会的一部分)合作下实施。德国海外人文学院)和威斯特法利-威廉姆斯大学明斯特分校，阿拉伯和伊斯兰研究所。一个国际顾问委员会将支持该项目。

From the early 1820s, initially in Istanbul, the courtly and urban Ottoman music repertoire was recorded in a growing number of manuscripts. Mainly, the notation developed by Armenian Hamparsum Limonciyan (1768-1839) before 1813, a very suitable system for the transcription of the art music repertoire, was used for this purpose. The Western notation was also used increasingly after mid-1830s. The surviving manuscripts in both notation forms are significant for the transmission of an art music culture that has been maintained until the early 20th century in the urban centres of todays Turkey, Syria and Egypt. These resources are of primary importance not only for musicological research, which can reveal certain historical phenomena and processes in the music cultures for the first time, but also for the Oriental studies. This long-term project aims to prepare the critical editions of the main 19th century manuscripts in Hamparsum-notation in the initial phase of 7 years. The second phase of 5 years will focus on the critical edition of selected Western-notation manuscripts from the same period. Parallel to this process, texts of the vocal compositions will be edited by an interdisciplinary group of scholars. The edition of Corpus Musicae Ottomanicae (CMO). Critical Editions of Middle Eastern Music Manuscripts will be based on open-access principle and published online on perspectivia.net by Max Weber Foundation. Editions of single manuscripts will also be available as print-on-demand books. The project as a whole will be carried out at Westfälische-Wilhelms University Münster - Institute for Musicology, in cooperation with Orient-Institute Istanbul and perspectivia.net (both part of Max Weber Foundation. German Humanities Institutes Abroad) and Westfälische-Wilhelms University Münster, Institute for Arabic and Islamic Studies. An international board of advisors will support the project.