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Circulation in Spaces of Knowledge Between Asia and Europe: G.E. Rumphius and his Texts, circa 1670-1755

亚洲和欧洲之间知识空间的流通：G.E.

基本信息

批准号：
268670304
负责人：
Professorin Dr. Maria-Theresia Leuker-Pelties
金额：
--
依托单位：
Institut für Niederlandistik
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2014
资助国家：
德国
起止时间：
2013-12-31 至 2018-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/268670304?language=en
关键词：
Circulation Spaces Knowledge Between Asia

项目摘要

This project contributes to the history of knowledge in the context of the European colonial enterprise in Asia in the 17th and 18th centuries. The interaction of European officials of the Dutch East India Company (VOC) with the indigenous population in what is Indonesia today will be exemplified by the VOC-merchant G.E. Rumphius, who was stationed on the Moluccas, and the texts he produced there to show that the production of knowledge about nature overseas cannot be located exclusively in Europe. On the contrary, the production and reception of knowledge about natural history is situated in cultural contact between Asian and European actors and framed as a process of circulation with dynamics that constituted new spaces of knowledge between Europe and Asia. Within this productive Third Space a hybridisation of diverse forms of knowledge took place, as will be proven with analyses of the Amboinsche Rariteitkamer (Ambonese Curiosity Cabinet, Amsterdam 1705) and the six volumes of the Amboinsche Kruid-boek (Ambonese Herbal, Amsterdam 1741-1750). The project aims to describe and analyse the mediality and materiality of those dynamic spaces of knowledge that have been constituted by Rumphius´ texts and their contexts. The project makes accessible the two compendia, which are still in use as botanical and zoological references, from the perspective of cultural studies. The Kruid-boek, produced for an expert audience, is structured by systematic description, while the Rariteitkamer was assembled with collectors in mind and relies heavily on anecdotes. Therefore the project can compare and analyse a broad spectrum of methods and strategies for production and presentation. The Rariteitkamer will be analysed in phase I. The historical part I.1 analyses the circulation between European and Asian actors around Rumphius on the basis of a network in Latour´s sense, following the exchanged objects and written source materials. The complementary philological part I.2 reconstructs the sources of the knowledge inventories used - empirical observation by the authors, Moluccan local knowledge, and European book knowledge - as well as the hybridisation of traditional subject matter and narrative patterns. The Kruid-boek will be investigated in phase II The historical part II.1 maps the explorative practices that were initiated by plant parts, herbaria, and books. The philological part II.2 analyses the display strategies by comparing selected lemmata as well as the ambivalence of the narrative integration of the habitat Ambon and its fragmentation by systematic-taxonomic ordering. For the first time, this project merges findings from cultural studies as postcolonial history of knowledge in a joint publication and additionally integrates early modern Dutch colonial history and its texts, illustrations and objects in a wider European-Asian context.

该项目有助于了解17世纪和18世纪欧洲在亚洲的殖民企业背景下的知识史。荷兰东印度公司（VOC）的欧洲官员与今天印度尼西亚的土著居民的互动将以VOC商人G. E.鲁菲乌斯，他驻扎在摩鹿加群岛，以及他在那里制作的文本，以表明海外自然知识的生产不能只在欧洲进行。相反，自然历史知识的产生和接受是在亚洲和欧洲行为者之间的文化接触中进行的，并被视为一个动态的循环过程，构成了欧洲和亚洲之间的新知识空间。在这个富有成效的第三空间中，各种形式的知识发生了混合，这一点将通过对Amboinsche Rariteitkamer（Ambonese Currency Cabinet，阿姆斯特丹1705）和六卷Amboinsche Kruid-boek（Ambonese Herbal，阿姆斯特丹1741-1750）的分析得到证明。该项目旨在描述和分析由Rumphius的文本及其上下文构成的动态知识空间的中介性和重要性。该项目从文化研究的角度提供这两本简编，这两本简编仍被用作植物学和动物学参考。为专业观众制作的Kruid-boek是通过系统描述构建的，而Rariteitkamer则是根据收藏家的想法组装的，并且严重依赖轶事。因此，该项目可以比较和分析广泛的制作和演示方法和策略。Rariteitkamer将在第一阶段进行分析。历史部分I.1分析了欧洲和亚洲演员之间围绕Rumphius在拉图尔意义上的网络的基础上，根据交换的对象和书面原始材料的流通。补充文献学部分I.2重建了所使用的知识清单的来源-作者的经验观察，摩鹿加地方知识和欧洲书籍知识-以及传统主题和叙事模式的混合。该Kruid-boek将在第二阶段进行调查的历史部分II.1地图的探索性做法，发起了植物部分，植物标本，和书籍。语言学部分II.2通过比较选定的lemmata以及栖息地安汶的叙事整合和系统分类排序的碎片化的矛盾心理，分析了显示策略。这是第一次，该项目将文化研究的结果作为知识的后殖民历史合并在一个联合出版物中，并将早期现代荷兰殖民历史及其文本，插图和对象整合在更广泛的欧亚背景下。