Jacopo Stradas Magnum ac Novum Opus: A 16th-Century Numismatic Corpus. Phase 2b

雅各布·斯特拉达 (Jacopo Strada) 的 Magnum ac Novum Opus：16 世纪钱币语料库。

• 批准号: 283692130
• 负责人: Professor Dr. Martin Mulsow
• 金额: --
• 依托单位: Forschungszentrum Gotha
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2015
• 资助国家: 德国
• 起止时间: 2014-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/283692130?language=en
• 关键词: Jacopo; Stradas; Magnum; ac; Novum

Jacopo Strada’s Magnum ac Novum Opus, a corpus of drawings of coins of the Roman Empire presents over 9.000 numismatic drawings, preserved in 30 volumes of Imperial coins now in the Forschungbibliothek Gotha, and 4 volumes of Roman Republican coins now in the British Library. Begun ca 1550 for Hans Jakob Fugger, the corpus entered the Kunstkammer of Duke Albrecht V of Bavaria in 1566. Strada complemented the drawings with a separate commentary, A. A. A. NumismatΩn Antiquorum Διασκευή, preserved in two 11-volume manuscripts now in Vienna and Prague. The project aims to unite and comment the images and texts, to present these in an on-line digital edition, and to study the material in its historical and artistic context. In Phase 1 Strada’s coin-drawings in Gotha and his coin-descriptions in Vienna have been digitized and transcribed. For the first “Twelve Emperors”, the drawings (Gotha vols. 1-14; ca 4.100 drawings) and related descriptions have been entered in the database of the Census of Antique Works of Art and Architecture Known in the Renaissance, and linked to one another and to the authentic coin-type that served as Strada’s source: an indispensable requirement for the subsequent investigation of Strada’s work, and its significance for the history of numismatics and of 16th-century antiquarian studies in general. By means of custom-designed software, drawings and descriptions will also be entered integrally into the database of the Translatio Nummorum project. The material has been physically examined, related to other numismatic material from Strada’s workshop, and studied within the context of Fugger’s intellectual patronage. It provides a critical assessment of Strada’s numismatic method, considered in the context of mid-16th century antiquarianism. In Phase 2, the Gotha volumes 16-30 (ca 4.600 drawings) will be included, and elaborated likewise, thus completing the digital edition. These volumes cover the coinage of the later Roman, Byzantine and Medieval Emperors, relatively unexplored fields both in the 16th century itself, and in modern studies of Renaissance scholarship. This will allow an analysis of Strada’s handling of these more unusual sources. The availability of the entire digitized corpus will afford more definitive conclusions as to Strada’s method, and an evaluation of the reception of his work. The function of Strada’s numismatic material will be studied in relation to the other visual documentation produced in his workshop; Fugger’s commission of the Magnum opus will be studied in the wider context of his political convictions and his close association with the Imperial court; and an overview and analysis of the coin-collections in Italy, France and Germany that served as Strada’s sources, will provide a detailed contribution the history of Renaissance collecting. To complete this second phase project, the funding for a final sixth year is urgently needed.

雅格布·斯特拉达的《Magnum ac Novum Opus》是一个罗马帝国钱币图集，提供了9.000多幅钱币图画，保存在30卷帝国钱币中，目前保存在Forschungbibliothek Gotha，以及4卷罗马共和制钱币，现在大英图书馆。汉斯·雅各布·福格从1550年开始，于1566年进入巴伐利亚州阿尔布雷希特五世公爵的库斯特卡默。斯特拉达还写了一篇单独的评论《A.NumismatΩn AntiquorumΔιασκευή》作为对这些图画的补充，这份评论保存在两份11卷的手稿中，目前保存在维也纳和布拉格。该项目旨在统一和评论这些图像和文本，以在线数字版本呈现这些图像和文本，并在其历史和艺术背景下研究这些材料。在第一阶段，斯特拉达在哥达的硬币图画和他在维也纳的硬币描述已经被数字化和转录。对于第一个“十二个皇帝”，绘画(哥达沃斯。1-14；约4.100图纸)和相关的描述已经输入到文艺复兴时期已知的古董艺术和建筑作品普查数据库，并相互链接到作为斯特拉达的来源的真迹硬币类型：一个不可或缺的必要的后续调查斯特拉达的工作，它的历史和16世纪古物学研究的意义一般。通过定制的软件，图纸和说明也将完整地输入翻译数字项目的数据库。这些材料已经过实物检验，与斯特拉达工作室中的其他货币材料有关，并在富格的智力赞助下进行了研究。它对斯特拉达的钱币方法进行了批判性的评估，该方法被认为是在16世纪中期古物主义的背景下被考虑的。在第二阶段，将收录哥达第16-30卷(约4.600幅图纸)，并同样加以阐述，从而完成数字版。这些卷涵盖了后来的罗马、拜占庭和中世纪皇帝的创造，这些领域在16世纪本身和文艺复兴学术的现代研究中都是相对未被探索的领域。这将有助于分析斯特拉达对这些更不寻常的来源的处理。整个数字化语料库的可获得性将为斯特拉达的方法提供更明确的结论，并对他的作品的接受程度进行评估。斯特拉达的钱币资料的功能将结合他的工作室中制作的其他视觉文件进行研究；富格对Magnum Opus的委托将在他的政治信念和他与帝国宫廷的密切联系的更广泛的背景下进行研究；对作为斯特拉达来源的意大利、法国和德国的硬币收藏品的概述和分析，将为文艺复兴时期的收藏史提供详细的贡献。为了完成这一第二阶段项目，迫切需要为最后一个第六年提供资金。