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Between Spanish Harlem, Funky Colón, and Black Rio. Soul, Migration of Music, and Translocal Identity Constructions in the Black Power Era (1965-1975)

介于西班牙哈林区、时髦科隆和黑色里约之间。

基本信息

批准号：
290430412
负责人：
Professor Dr. Wilfried Raussert
金额：
--
依托单位：
Department Anglistik (British and American Studies)
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2015
资助国家：
德国
起止时间：
2014-12-31 至 2018-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/290430412?language=en
关键词：
Between Spanish Harlem Funky Col

项目摘要

The project proposes to explore the role of Soul music - which was closely linked to the rise of the African American freedom movement in the USA in the 1960s - for the reception of Black Power discourses and the formation of black identity movements in Latin America. In the light of recent debates on the transnational dimensions of African American movements and cultures, transculturations in the Western Hemisphere and the relations between music migration and identity constructions, the genre Soul shall be examined for its role asmanifestation of a new black consciousness raised in the context of Civil Rights and Black Power movements. This project will outline how Soul with its symbolic representations of black pride was received across the US borders as a soundtrack for the departure of the African Americans into a new era, arguing that it had a significant role in the transnationalization of the Black Power Movement. By focusing on the translocal distribution of Soul in urban Latin American contexts during the peak phase of the movement between 1965 and 1975, it will explore a largely unstudied aspect of inter-American cultural transfers and and contribute to the bridging of existing demarcations between African American and Latin American studies. As the investigation aims to shed light on the multidimensional implications of the collective consumption of Soul at different sites (Marcus 1995) and within overlapping scapes (Appadurai 2000), it recurs on methodological approaches which serve to conceptualize the mobility of cultural practices, discourses, and actors. Based on the analysis of soul, which is often overlooked by its political dimensions, we will examine how and through which ways this genre contributed to transferring messages and aesthetic manifestations of the Black Power Movement in Afro-hairstyles, clothing, and slogans such as Black isbeautiful, to Latin American localities and how these collided with the dominant mestizaje- and democracia racial-ideologies. Besides the diffusion of these symbols and contents through the expansion of the record industry, the role of translocal actors as musicians, DJs, and activists is crucial here. By highlighting the forms of appropriating Soul in the West-Indian communities of Colón (Panama) and the Brazilian Black Rio-movement as well as the significant importance of the migrant neighborhood Spanish Harlem in New York as the hemispheric centre of Afro-diasporic transculturation, an underexplored chapter of the globalization of Afro-US-American cultural goods shall be analyzed in various locations of the hemispheric exchange processes and in its relations to the divergent connotations of nation, race, and ethnicity origin within the respective societies.

该项目旨在探索灵魂音乐的作用-这与20世纪60年代美国非裔美国人自由运动的兴起密切相关-对于黑人权力话语的接受和拉丁美洲黑人身份运动的形成。鉴于最近关于非裔美国人运动和文化的跨国维度，西半球的跨文化以及音乐迁移和身份构建之间的关系的辩论，灵魂流派将被检查其作为在民权和黑人权力运动背景下提出的新黑人意识的表现形式的作用。这个项目将概述灵魂与其象征性的代表黑人自豪感是如何在美国边境接受作为一个配乐的非洲裔美国人进入一个新时代的离开，认为它在黑人权力运动的跨国化中发挥了重要作用。通过专注于1965年至1975年之间的运动的高峰阶段在城市拉丁美洲的灵魂的跨区域分布，它将探索美洲文化转移的一个基本上未研究的方面，并有助于弥合非洲和拉丁美洲研究之间现有的分界线。由于调查的目的是揭示在不同地点（马库斯1995）和重叠的场景（Appadurai 2000）的灵魂集体消费的多维影响，它采用了方法论方法，用于概念化文化实践，话语和演员的流动性。基于灵魂的分析，这是经常被忽视的政治层面，我们将研究如何以及通过何种方式，这种体裁有助于转移信息和黑人权力运动的审美表现在非洲发型，服装和口号，如黑色是美丽的，拉丁美洲的地方，以及这些如何与占主导地位的mestizaje和democracia种族意识形态发生冲突。除了通过唱片业的扩张传播这些符号和内容之外，跨地方的演员，如音乐家，DJ和活动家的作用也至关重要。通过强调科隆（巴拿马）西印度社区和巴西黑里约运动中占用灵魂的形式，以及纽约的西班牙裔移民社区哈莱姆作为非洲人散居地跨文化交流的半球中心的重要性，美国黑人全球化的一个未被充分探索的篇章，美国文化产品应在半球交流过程的各个位置进行分析，并在其与国家，种族和民族起源的不同内涵在各自的社会关系。