Late Medieval Panel Painting through the Prism of History, Material, and Technique. Interdisciplinary Object-Based Research at the Germanisches Nationalmuseum

通过历史、材料和技术的棱镜观察中世纪晚期的面板绘画。

• 批准号: 316587007
• 负责人: Professor Dr. Daniel Hess
• 金额: --
• 依托单位: Germanisches Nationalmuseum (GNM)
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2016
• 资助国家: 德国
• 起止时间: 2015-12-31 至 2019-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/316587007?language=en
• 关键词: Late; Medieval; Panel; Painting; through

The Germanisches Nationalmuseum boasts an outstanding collection of about 250 late-medieval panel paintings from the German-speaking lands. In breadth and quality, the collection stands among the most important of its kind worldwide. Paintings from Cologne and Nuremberg represent extraordinary strengths. Still today, however, an in-depth scholarly investigation of these holdings is lacking. In the proposed project, the museum's paintings from Cologne and northwestern Germany as well as the Middle and Upper Rhine regions are to be thoroughly researched and the results comprehensively analyzed and interpreted. The focus would lie on interdisciplinary art-historical and technical investigation, which forms a central desideratum and yields crucial new insights. The goal for each painting is a complete account of its material genesis, the reconstruction of the original context and condition, and the identification of later modifications, in order to understand the work with regard to its shifting functions and meanings. The results will be published in a scholarly collection catalogue. Additionally, research materials will be incorporated into a WissKI-database. On this basis, it will be possible to evaluate the individual findings on the 29 paintings from Cologne in the GNM, while also taking into account the discoveries of the collaborative project carried out 2009-2012 in Cologne and Munich on the "Technology of Panel Painting in Cologne." This will make it possible, for the very first time, to trace the history of technical developments in painting in the highly important artistic center Cologne over the crucial period 1400 to 1500. To be analyzed are the materials and techniques used, their specific manifestations and changes. In doing so, characteristics particular to time, place, and function will be investigated, as distinct from workshop-specific and individual features. Indispensable to understanding these findings is the art-historical and cultural-historical contextualization, which considers, on the one hand, the works' style, motifs, and iconography and, on the other, the economic, sociocultural, and religious framework of their making. Important preparatory work is being done as part of a research project devoted to the Franconian panel paintings in the GNM funded 2013-2016 by the Leibniz Association (Leibniz Gemeinschaft). Both projects form the basis for a comparative cross-evaluation of findings on panel paintings produced in Cologne and Nuremberg. This comparison will make a substantial contribution to scholarship on the development and diffusion of artistic materials and techniques. In doing so, it will decisively advance the field of technical art history. In addition, the project will prompt, from an art-technological perspective, a reexamination and redefinition of the important art-historical concept of "Kunstlandschaft."

德国国家博物馆（Germanisches Nationalmuseum）收藏了大约250幅来自德语地区的中世纪晚期嵌板绘画。在广度和质量上，该系列是世界上最重要的同类产品之一。来自科隆和纽伦堡的绘画代表了非凡的力量。然而，直到今天，对这些藏品的深入学术调查仍然缺乏。在拟议的项目中，博物馆的绘画来自科隆和德国西北部以及中，上莱茵河地区将进行深入研究，并全面分析和解释的结果。重点将在于跨学科的艺术历史和技术调查，这形成了一个中心的迫切需要，并产生重要的新见解。每幅画的目标是对其材料起源的完整描述，原始背景和条件的重建，以及后来修改的识别，以便了解作品的功能和意义。研究结果将发表在一份学术收藏目录中。此外，研究材料将被纳入WissKI数据库。在此基础上，将有可能评估GNM中来自科隆的29幅绘画的个别发现，同时还考虑到2009-2012年在科隆和慕尼黑进行的关于“科隆的面板绘画技术”的合作项目的发现。“这将使人们有可能，第一次，追溯绘画技术发展的历史，在非常重要的艺术中心科隆在关键时期1400年至1500年。要分析的是所使用的材料和技术，它们的具体表现和变化。在这样做时，特定的时间，地点和功能的特点将进行调查，从车间特有的和个人的功能。理解这些发现的前提是艺术历史和文化历史的语境化，一方面考虑作品的风格、主题和图像，另一方面考虑作品制作的经济、社会文化和宗教框架。重要的准备工作正在做的一个研究项目的一部分，致力于在GNM资助2013-2016年由莱布尼茨协会（莱布尼茨Gemeinschaft）的弗兰肯面板画。这两个项目构成了对科隆和纽伦堡的面板画进行比较交叉评估的基础。这种比较将对艺术材料和技术的发展和传播的学术研究做出重大贡献。这样做，它将决定性地推进技术艺术史领域。此外，该项目还将从艺术技术的角度，重新审视和重新定义“艺术史”这一重要的艺术史概念。"