Late Medieval Panel Painting through the Prism of History, Material, and Technique. Interdisciplinary Object-Based Research at the Germanisches Nationalmuseum

通过历史、材料和技术的棱镜观察中世纪晚期的面板绘画。

• 批准号: 316587007
• 负责人: Professor Dr. Daniel Hess
• 金额: --
• 依托单位: Germanisches Nationalmuseum (GNM)
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2016
• 资助国家: 德国
• 起止时间: 2015-12-31 至 2019-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/316587007?language=en
• 关键词: Late; Medieval; Panel; Painting; through

The Germanisches Nationalmuseum boasts an outstanding collection of about 250 late-medieval panel paintings from the German-speaking lands. In breadth and quality, the collection stands among the most important of its kind worldwide. Paintings from Cologne and Nuremberg represent extraordinary strengths. Still today, however, an in-depth scholarly investigation of these holdings is lacking. In the proposed project, the museum's paintings from Cologne and northwestern Germany as well as the Middle and Upper Rhine regions are to be thoroughly researched and the results comprehensively analyzed and interpreted. The focus would lie on interdisciplinary art-historical and technical investigation, which forms a central desideratum and yields crucial new insights. The goal for each painting is a complete account of its material genesis, the reconstruction of the original context and condition, and the identification of later modifications, in order to understand the work with regard to its shifting functions and meanings. The results will be published in a scholarly collection catalogue. Additionally, research materials will be incorporated into a WissKI-database. On this basis, it will be possible to evaluate the individual findings on the 29 paintings from Cologne in the GNM, while also taking into account the discoveries of the collaborative project carried out 2009-2012 in Cologne and Munich on the "Technology of Panel Painting in Cologne." This will make it possible, for the very first time, to trace the history of technical developments in painting in the highly important artistic center Cologne over the crucial period 1400 to 1500. To be analyzed are the materials and techniques used, their specific manifestations and changes. In doing so, characteristics particular to time, place, and function will be investigated, as distinct from workshop-specific and individual features. Indispensable to understanding these findings is the art-historical and cultural-historical contextualization, which considers, on the one hand, the works' style, motifs, and iconography and, on the other, the economic, sociocultural, and religious framework of their making. Important preparatory work is being done as part of a research project devoted to the Franconian panel paintings in the GNM funded 2013-2016 by the Leibniz Association (Leibniz Gemeinschaft). Both projects form the basis for a comparative cross-evaluation of findings on panel paintings produced in Cologne and Nuremberg. This comparison will make a substantial contribution to scholarship on the development and diffusion of artistic materials and techniques. In doing so, it will decisively advance the field of technical art history. In addition, the project will prompt, from an art-technological perspective, a reexamination and redefinition of the important art-historical concept of "Kunstlandschaft."

日耳曼use菜拥有大约250个中世纪的大约250幅大约250幅大约250幅大约250幅中的绘画。在广度和质量方面，该系列是全球最重要的同类产品之一。科隆和纽伦堡的绘画代表了非凡的优势。然而，如今仍缺乏对这些持股的深入学术研究。在拟议的项目中，将对科隆和西北部的博物馆绘画以及中部和上部莱茵河地区进行彻底研究，结果对结果进行了全面的分析和解释。重点将放在跨学科的艺术历史和技术调查上，该研究构成了中心的避税并产生至关重要的新见解。每幅画的目标是完整地说明其物质起源，原始上下文和条件的重建以及后来修改的识别，以便理解有关其变化功能和含义的工作。结果将发布在学术收集目录中。此外，研究材料将纳入Wisski数据库。在此基础上，有可能评估GNM科隆的29幅画的个人发现，同时还考虑了2009 - 2012年在科隆和Munich进行的合作项目的发现。这将使在关键时期至1400年至1500年中最重要的艺术中心的绘画技术发展历史上，这将使这是可能的。待分析是使用的材料和技术，它们的具体表现和变化。这样一来，将研究时间，位置和功能的特定特征，与研讨会特定和个人特征不同。不可或缺的理解这些发现是艺术历史和文化历史上下文化，它一方面考虑了作品的风格，主题和肖像画，另一方面是其创造的经济，社会文化和宗教框架。作为一项研究项目的一部分，正在为弗朗尼亚人协会（Leibniz Gemeinschaft）2013 - 2016年资助的GNM绘画做出重要的准备工作。这两个项目构成了对科隆和纽伦堡制作的面板绘画研究结果进行比较交叉评估的基础。这种比较将对艺术材料和技术的发展和扩散奖学金做出重大贡献。这样一来，它将果断地推进技术艺术史的领域。此外，从艺术技术的角度来看，该项目将促使其重新审查和重新定义“ Kunstanlandschaft”的重要艺术历史概念。