Understanding global diversity in music perception and production

了解音乐感知和制作的全球多样性

• 批准号: 19KK0064
• 负责人: サベジ パトリック
• 金额: $ 11.73万
• 依托单位: Keio University
• 依托单位国家: 日本
• 项目类别: Fund for the Promotion of Joint International Research (Fostering Joint International Research (B))
• 财政年份: 2019
• 资助国家: 日本
• 起止时间: 2019-10-07 至 2025-03-31
• 项目状态: 未结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-19KK0064/
• 关键词: music; cognition; cross-cultural; evolution; experimental

In FY2022 we published 6 articles in peer-reviewed journals (PLOS ONE; Nature Reviews Neuroscience), conference proceedings (International Workshop on Folk Music Analysis; Joint Conference on Language Evolution) and edited volumes (Oxford Handbook of Music Corpus Studies), bringing our total published outputs to 15. We also had two Registered Reports Accepted In Principle at Peer Community In Registered Reports, two book chapters accepted, and have several preprints under review, and presented research at various international conferences, particularly the International Council for Traditional Music World Conference, where we used KAKENHI funding to enable several of our workshop coauthors to travel to present our collaborative research together. Overall we have had good success in pivoting from our initial plans to achieve high-impact research despite the challenges of the pandemic.

于2022财政年度，我们在同行评审期刊（PLOS ONE; Nature Reviews Neuroscience）、会议论文集（International Workshop on Folk Music Analysis; Joint Conference on Language Evolution）及编辑卷（Oxford Handbook of Music Corpus Studies）上发表了6篇文章，使我们的总出版产出达到15篇。我们也有两个注册报告原则上被同行社区接受在注册报告中，两本书的章节被接受，并有几个预印本正在审查中，并在各种国际会议上提出研究，特别是国际传统音乐理事会世界会议，在那里我们使用KAKENHI资助，使我们的几个研讨会的共同作者能够旅行，共同展示我们的合作研究。总的来说，尽管面临大流行病的挑战，我们还是成功地从最初的计划转向了高影响力的研究。

项目成果

Building sustainable global collaborative networks: Recommendations from music studies and the social sciences

建立可持续的全球合作网络：音乐研究和社会科学的建议

• 发表时间: 2022
• 作者: Savage;P. S.;Hegde;Patel;A.;E.;Jacoby;N.;Margulis;E. H.;Daikoku;H.;Anglada-Tort;M.;Castelo-Branco;S. E.-S.;Nweke;F. E.;Fujii;S.;Chuan-Peng;H.;Jabbour;J.;Lew-Williams;C.;Mangalagiu;D.;McNamara;R.;Mullensiefen;D.;Opondo;P.
• 通讯作者: P.

Music science in Japan vs. North America

日本与北美的音乐科学

• 发表时间: 2021
• 作者: Fujii;S.
• 通讯作者: S.

Similarities and differences in a cross-linguistic sample of song and speech recordings

歌曲和语音录音的跨语言样本的异同

• 发表时间: 2022
• 期刊: Proceedings of the 2022 Joint Conference on Language Evolution
• 作者: Ozaki;Y.;Kuroyanagi;J.;McBride;J.;Proutskova;P.;Tierney;A. T.;Pfordresher;P. Q.;Benetos;E.;Liu;F.;& Savage;P. E.
• 通讯作者: P. E.

An Overview of Cross-Cultural Music Corpus Studies

跨文化音乐语料库研究概述

• DOI: 10.1093/oxfordhb/9780190945442.013.34
• 发表时间: 2022
• 期刊: Oxford Handbook of Corpus Studies
• 作者: Leong;S.;Eom;K.;Ishii;K.;Aichberger;M.;Fetz;K.;Muller;T.;Kim;H. S.;& Sherman;D. K.;金美連;永瀬伸子;Savage Patrick E.
• 通讯作者: Savage Patrick E.

Hearing music evolve

聆听音乐的进化

• 发表时间: 2020
• 作者: Savage;P. E.
• 通讯作者: P. E.