Staging of Propaganda: Music Theatre in Nuremberg 1920-1950. A Transfer-project.

宣传演出:1920-1950 年纽伦堡音乐剧院。

基本信息

项目摘要

Aesthetics and politics in fascism are not only closely related to each other, but also have a strong bond to performativity. The project seeks to analyse performances, which were arranged to act in favour of Nazi propaganda. These performances were set up on theatre stage (opera, operetta) as well as on an urbane stage (parades, festivities) to create collective experiences, especially by using music as a promoter. Nuremberg and its topography brought together historical and contemporary aspects of Nazi propaganda, being the town of Wagner s Meistersinger as well as the town of the party rallies. Accordingly, it established a perfect stage for propaganda performances. Nuremberg s music theatre in times of National Socialism was an excessive production, which was initiated by Hitler himself and highly appealed by his people. The Nazi regime picked up on the concept of the total work of art with its immersive character. Bracingly, the collective experience was made possible through this concept by aesthetically transformed political performances in music theatre. Therefore, most important, the analysis of specific performances will be in focus of the project. An analysis of the repertoire chosen by the five managing directors of the opera house between 1920 and 1950 will shed light on the aspects of continuity or discontinuity within the programming. In addition we will deal with both performances on the party rally ground and the ones in the opera house. This Transfer-project was jointly developed with two cooperation partners, the Staatstheater Nürnberg and the Dokuzentrum der Stadt Nürnberg. According to the concept of historical performance analysis modelled in the context of the Stimme-project founded by the German Research Foundation (2010-2015), we suggest to create an exhibition on the topic in order to present results of music theatre research as an event with a focus on the methodological point of view. As a further work on historical performance analysis the exhibition is to be understood as an instrument for transfer. Correspondingly, the exhibition will create its own presence based on the connection of theatrical and museum practises to visualise and communicate academic findings to a broader audience. The cooperation partners are involved from a conceptual, an artistic and practical point of view in the common work of creating the exhibition under the direction of Hermann Feuchter (stage designer and installation artist) for the congress hall on Nuremberg s party rally ground. Consisting of seven paradigmatic areas, each showing one theme in order to present the relationship between theatre and propaganda, the exhibition starts with Meistersinger and Nuremberg and continues amongst others with party rally or the building of the opera house. The show closed with an area named Götterdämmerung: With this track we attempt to present a continuous line from party festivity to the catastrophe of war and destruction.
法西斯主义中的美学与政治不仅紧密相连,而且与表演性有着密切的联系。该项目旨在分析被安排为支持纳粹宣传的表演。这些表演在戏剧舞台(歌剧,轻歌剧)以及城市舞台(游行,庆祝活动)上进行,以创造集体体验,特别是通过使用音乐作为促进剂。纽伦堡及其地形汇集了纳粹宣传的历史和当代方面,是瓦格纳的梅斯特辛格的城镇,也是党集会的城镇。因此,它建立了一个完美的舞台宣传表演。国家社会主义时期的纽伦堡音乐剧是希特勒亲自倡导、人民群众喜闻乐见的一种过度生产。纳粹政权以其沉浸式的特点接受了整体艺术作品的概念。令人振奋的是,通过音乐剧中美学上改变的政治表演,这种集体体验成为可能。因此,最重要的是,对具体性能的分析将是项目的重点。对1920年至1950年期间歌剧院五位总经理所选剧目的分析,将有助于了解节目编排中的连续性或不连续性。此外,我们将处理在党的集会场和歌剧院的表演。这个转移项目是与两个合作伙伴共同开发的,即纽伦堡国家剧院和施塔特城市中心。根据德国研究基金会(2010-2015)创立的Stimme项目背景下的历史表演分析概念,我们建议创建一个关于该主题的展览,以展示音乐戏剧研究的成果,作为一个活动,重点是方法论的观点。作为对历史表现分析的进一步研究,展览应被理解为一种转移的工具。相应地,展览将基于戏剧和博物馆展览的联系创造自己的存在,以可视化和向更广泛的观众传达学术发现。在Hermann Feuchter(舞台设计师和装置艺术家)的指导下,合作伙伴从概念、艺术和实践的角度参与了为位于纽伦堡政党集会地的国会大厅举办展览的共同工作。展览由七个典型区域组成,每个区域展示一个主题,以呈现戏剧和宣传之间的关系,展览从梅斯特辛格和纽伦堡开始,并继续与其他政党集会或歌剧院的建设。展览以一个名为Götterdämmerung的区域结束:通过这条赛道,我们试图呈现一条从派对庆典到战争和破坏灾难的连续线。

项目成果

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Professor Dr. Anno Mungen其他文献

Professor Dr. Anno Mungen的其他文献

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{{ truncateString('Professor Dr. Anno Mungen', 18)}}的其他基金

SängerInnen und Rollen. Geschlechtskonzeptionen in der Oper des 19. Jahrhunderts
歌手和角色。
  • 批准号:
    210744241
  • 财政年份:
    2011
  • 资助金额:
    --
  • 项目类别:
    Research Grants
act: Musik / Performance
表演:音乐/表演
  • 批准号:
    106044499
  • 财政年份:
    2009
  • 资助金额:
    --
  • 项目类别:
    Science Communication, Research Data, eResearch (Scientific Library Services and Information Systems)
Dynamics of Institutionalization in Independent Music Theater
独立音乐剧制度化的动态
  • 批准号:
    388363525
  • 财政年份:
  • 资助金额:
    --
  • 项目类别:
    Research Units
Wagner singing in the 21st century - historically informed. A knowledge transfer project with Concerto Köln
瓦格纳在 21 世纪歌唱——历史渊源。
  • 批准号:
    438068239
  • 财政年份:
  • 资助金额:
    --
  • 项目类别:
    Research Grants (Transfer Project)

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