Source Repository of the Bach sons.Documentation and digitization of the primary sources (autograph scores and original performance parts) of the works of Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian Bach and i

巴赫儿子的源存储库。威廉·弗里德曼、卡尔·菲利普·伊曼纽尔、约翰·克里斯托夫·弗里德里希和约翰·克里斯蒂安·巴赫的作品的主要来源（亲笔签名和原始演奏部分）的文档和数字化

• 批准号: 325007971
• 负责人: Professor Dr. Achim Bonte, since 8/2018
• 金额: --
• 依托单位: Sächsische Landesbibliothek - Staats- und Universitätsbibliothek
• 依托单位国家: 德国
• 项目类别: Cataloguing and Digitisation (Scientific Library Services and Information Systems)
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2020-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/325007971?language=en
• 关键词: Source; Repository; Bach; sons.Documentation; digitization

The project covered by this new application comprises the digitization of autograph sources and original performance parts of the musical works composed by Johann Sebastian Bachs composer sons: Wilhelm Friedemann (1710-84), Carl Philipp Emanuel (1714-88), Johann Christoph Friedrich (1732-95) and Johann Christian Bach (1735-82). These manuscripts are preserved in collections owned by the main German libraries regarding these composers: Staatsbibliothek zu Berlin Preußischer Kulturbesitz (including the musical archive of the Sing-Akademie zu Berlin), Bach-Archiv Leipzig, and Staats- und Universitätsbibliothek Hamburg. The digital copies will be integrated into a suitable and well-established platform, hitherto mainly used to present the works of J.S. Bach: the database Bach digital (http://www.bachdigital.de/), built up with support from the DFG between 2008 and 2016. For the first time, a significant repository of musical sources will be made available which contains a cross-section of German music history from the second third of the 18th century (i.e. before the start of the First Viennese School). Although the sons of Bach were strongly influenced by their father, they were also in direct - and in some cases even personal - contact with Mozart and Haydn, and played prominent roles in the development of musical styles up to Beethoven. Their works thus rank among the most important documents of the era bridging between the Baroque and Classical periods (often referred to with terms such as Sturm und Drang, sentimental, and pre-classical); to make these sources generally accessible will be a major contribution for a proper understanding of this era. This project would make available: free of charge to scholars, musicians and editors a major portion of the primary sources of the works of the Bach sons. In addition to the digitization of the musical sources, images of the watermarks found in the papers will also be made available in electronic form; these images will be indexed and catalogued for subsequent retrieval in national watermark databases (via WZIS - the Watermark Information System). The new project also includes the following technical modifications and further developments: The integration of authority records from the GND Integrated Authority File in order to optimize searchability and further increase the networked use of metadata, new classifications of the compositions by the sons of Bach and their sources, the development of new modules and tools in order to expand a database focused on J.S. Bach to include compositions by other composers in the Bach family and their sources, improving the networking and scientific reusability of images and metadata from Bach digital in line with current standards in the digital humanities.

这个新应用程序涵盖的项目包括约翰·塞巴斯蒂安·巴赫的作曲家儿子威廉·弗里德曼（1710-84）、卡尔·菲利普·伊曼纽尔（1714-88）、约翰·克里斯托弗·弗里德里希（1732-95）和约翰·克里斯蒂安·巴赫（1735-82）创作的音乐作品的签名来源和原始表演部分的数字化。这些手稿保存在德国主要图书馆关于这些作曲家的收藏中：Staatsbibliothek zu Berlin Preußischer Kulturbesitz（包括柏林歌唱学院的音乐档案），bach - archiiv Leipzig和Staats- und Universitätsbibliothek Hamburg。这些数字拷贝将被整合到一个合适且完善的平台上，该平台迄今主要用于展示J.S.巴赫的作品：巴赫数字数据库（http://www.bachdigital.de/），该数据库是在DFG的支持下于2008年至2016年建立的。这是第一次，一个重要的音乐资源库将提供，其中包括18世纪后三分之二（即在第一维也纳学派开始之前）的德国音乐史的横截面。虽然巴赫的儿子们深受他们父亲的影响，但他们也与莫扎特和海顿有直接的——在某些情况下甚至是私人的——接触，并在贝多芬的音乐风格发展中发挥了重要作用。因此，他们的作品在巴洛克和古典时期（通常被称为Sturm und Drang，多愁善感和前古典）之间最重要的时代文件中名列前茅；使这些资料普遍可得将是对正确理解这个时代的重大贡献。这个项目将向学者、音乐家和编辑免费提供巴赫儿子们作品的主要来源。除了音乐资源的数字化，论文中发现的水印图像也将以电子形式提供；这些图像将被编入索引和目录，以便随后在国家水印数据库中检索（通过WZIS——水印信息系统）。新项目还包括以下技术修改和进一步发展：整合来自GND集成权威文件的权威记录，以优化可搜索性并进一步增加元数据的网络使用，对巴赫的儿子及其来源的作品进行新的分类，开发新的模块和工具，以扩展以J.S.巴赫为重点的数据库，以包括巴赫家族中其他作曲家及其来源的作品。根据数字人文学科的现行标准，改进巴赫数字图像和元数据的网络和科学可重用性。