Source Repository of the Bach sons.Documentation and digitization of the primary sources (autograph scores and original performance parts) of the works of Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian Bach and i

这一新应用程序涵盖的项目包括对约翰·塞巴斯蒂安·巴赫作曲家之子：威廉·弗里德曼(1710-84)、卡尔·菲利普·伊曼纽尔(1714-88)、约翰·克里斯托弗·弗里德里希(1732-95)和约翰·克里斯蒂安·巴赫(1735-82)创作的音乐作品的签名来源和原始表演部分进行数字化。这些手稿保存在与这些作曲家有关的德国主要图书馆的藏品中：Staatsbibliothek zu柏林Preuçischer Kulbuesitz(包括柏林Sing-Akademie zu音乐档案馆)、巴赫-莱比锡档案馆和Staats-and Universityätsbibliothek Hamburg。数字复制品将被整合到一个合适的、成熟的平台中，到目前为止，该平台主要用于展示J.S.巴赫的作品：巴赫数字(http://www.bachdigital.de/)，)数据库，该数据库是在2008年至2016年期间在DFG的支持下建立的。将首次提供一个重要的音乐资源库，其中包含18世纪下三分之一(即第一个维也纳学派开始之前)德国音乐史的横截面。尽管巴赫的儿子们受到了父亲的强烈影响，但他们也与莫扎特和海顿有直接的--甚至是个人的--接触，并在直到贝多芬的音乐风格的发展中发挥了突出的作用。因此，他们的作品在巴洛克时期和古典时期之间的桥梁时代最重要的文件之一(经常提到的术语，如Sturm和Drang，感伤，和前古典)；使这些来源普遍可访问将是对这个时代的正确理解的重大贡献。该项目将向学者、音乐家和编辑免费提供巴赫之子作品的主要来源。除了音乐来源的数字化外，论文中发现的水印图像也将以电子形式提供；这些图像将被编入索引和编目，以便随后在国家水印数据库中检索(通过WZIS--水印信息系统)。新项目还包括以下技术修改和进一步发展：整合GND综合权威档案的权威记录，以优化可搜索性并进一步增加元数据的联网使用；对巴赫的儿子及其来源的作品进行新的分类；开发新的模块和工具，以便扩大以J.S.巴赫为重点的数据库，以包括巴赫家族其他作曲家的作品及其来源；按照数字人文学科目前的标准，改进来自巴赫数字图像和元数据的联网和科学可重用性。

The project covered by this new application comprises the digitization of autograph sources and original performance parts of the musical works composed by Johann Sebastian Bachs composer sons: Wilhelm Friedemann (1710-84), Carl Philipp Emanuel (1714-88), Johann Christoph Friedrich (1732-95) and Johann Christian Bach (1735-82). These manuscripts are preserved in collections owned by the main German libraries regarding these composers: Staatsbibliothek zu Berlin Preußischer Kulturbesitz (including the musical archive of the Sing-Akademie zu Berlin), Bach-Archiv Leipzig, and Staats- und Universitätsbibliothek Hamburg. The digital copies will be integrated into a suitable and well-established platform, hitherto mainly used to present the works of J.S. Bach: the database Bach digital (http://www.bachdigital.de/), built up with support from the DFG between 2008 and 2016. For the first time, a significant repository of musical sources will be made available which contains a cross-section of German music history from the second third of the 18th century (i.e. before the start of the First Viennese School). Although the sons of Bach were strongly influenced by their father, they were also in direct - and in some cases even personal - contact with Mozart and Haydn, and played prominent roles in the development of musical styles up to Beethoven. Their works thus rank among the most important documents of the era bridging between the Baroque and Classical periods (often referred to with terms such as Sturm und Drang, sentimental, and pre-classical); to make these sources generally accessible will be a major contribution for a proper understanding of this era. This project would make available: free of charge to scholars, musicians and editors a major portion of the primary sources of the works of the Bach sons. In addition to the digitization of the musical sources, images of the watermarks found in the papers will also be made available in electronic form; these images will be indexed and catalogued for subsequent retrieval in national watermark databases (via WZIS - the Watermark Information System). The new project also includes the following technical modifications and further developments: The integration of authority records from the GND Integrated Authority File in order to optimize searchability and further increase the networked use of metadata, new classifications of the compositions by the sons of Bach and their sources, the development of new modules and tools in order to expand a database focused on J.S. Bach to include compositions by other composers in the Bach family and their sources, improving the networking and scientific reusability of images and metadata from Bach digital in line with current standards in the digital humanities.