Microcosm Hadrian's Villa. An Artistic Interaction Space in 18th and 19th Century Europe

哈德良别墅的缩影。

• 批准号: 336598616
• 负责人: Dr. Cristina Ruggero
• 金额: --
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2016
• 资助国家: 德国
• 起止时间: 2015-12-31 至 2019-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/336598616?language=en
• 关键词: Microcosm; Hadrian; Villa.; Artistic; Interaction

My research plan investigates some perspectives about the various, primarily artistic, receptions of Hadrian s Villa in Tivoli in the Early Modern Age in Europe and thusly differs from more traditional archeological approaches.The project deals with two fundamental aspects:1. It shall emphasize the importance of the Villa as an ancient microcosm and globalized territory, as a dynamic contact zone and artistic interaction space, all aspects that have largely been neglected in recent times. The exceptional experience made particularly by foreign visitors of the site through the interaction with an ancient, cultural context elicited (first of all from artists) various kinds of suggestions. These were elaborated and conceptualized in different ways during the period of the formation of a national consciousness in 18th and 19th century Europe.2. The reception and the change of meaning of mobile decorative elements, due to their recontextualisation from the villa onto private collections and museums, in Italy as well as abroad, will be analyzed.My project aims to provide a new reading of the cultural transfer and interaction set in place by the reception of Hadrian s villa, a process so far confined to one-sided reductionist approaches, whose focus has been the simple takeover of works of art and architectural ideas. I would like to argue that Hadrian s villa served as a cradle where cultural experiences and interaction constituted a common, European-wide base for a shared discourse about national cultural identities, and ultimately broadened the intellectual horizons of those individuals involved in the study, fruition, and appreciation of the villa. This reality contributed to the formation of specific, national ideas. The ruins of the villa should have functioned as a dynamic contact zone, where a cultural and transnational transfer of concepts and forms took place, which were eventually translated into nationally forged ideas of identity. The 18th and 19th centuries are therefore the timespan here taken into account.The research will be mainly focused on artists, architects and draftsmen. In recording, measuring, sketching the villa representations and notions results and impressions, aspects and opinions about the roman villa were transferred to their peers and beyond them. All that brings up following questions: What suggestions, associations and effects derived from such experience and how were they translated into practice once home? What messages have been handed down and elaborated through the adoption of the decorative elements removed from the roman site in new contexts. And how did it affect the concept of cultural nation and national identity in the 18th through the 19th century?

我的研究计划调查了哈德良S别墅在欧洲提沃利早期的各种不同的、主要是艺术的接待，因此与更传统的考古方法不同。该项目涉及两个基本方面：1.它将强调别墅作为一个古老的缩影和全球化领土的重要性，作为一个动态的接触区和艺术互动空间，所有这些方面在近代基本上被忽视了。特别是外国游客通过与古代文化背景的互动而获得的特殊体验引发了(首先是来自艺术家的)各种建议。在18、19世纪欧洲民族意识的形成过程中，这些都被以不同的方式加以阐述和概念化。移动装饰元素的接受和意义的变化，由于它们从别墅到意大利和国外的私人收藏品和博物馆的重新语境，将被分析。我的项目旨在为哈德良·S别墅的接收提供一种新的解读，这一过程迄今仅限于片面的简约主义方法，其重点一直是简单地接管艺术作品和建筑理念。我想说的是，哈德良S别墅是一个摇篮，在那里，文化体验和互动构成了一个共同的、全欧洲范围内关于国家文化认同的共享话语的基础，并最终拓宽了那些参与别墅研究、成果和欣赏的个人的知识视野。这一现实促成了具体的民族思想的形成。别墅的废墟本应作为一个动态的接触区，在那里进行概念和形式的文化和跨国转移，最终转化为国家打造的身份认同理念。因此，18世纪和19世纪是这里考虑的时间跨度。研究将主要集中在艺术家、建筑师和绘图员身上。在记录、测量、素描别墅的表现和概念的结果和印象中，关于罗马别墅的方面和意见被传递给他们的同行和他们之外的人。所有这一切都带来了以下问题：从这样的经历中得出了什么建议、联想和影响，以及它们在回国后是如何转化为实践的？在新的背景下，通过采用从罗马遗址中移除的装饰元素，传递和阐述了哪些信息。它对18世纪至19世纪的文化国家概念和国家认同产生了怎样的影响？