The Wall Painting Cycle on the Sciences and Arts in the Brandenburg Cathedral Cloister. Art Production and Organisation of Knowledge around 1450.

勃兰登堡大教堂中世纪晚期修道院前图书馆的“勃兰登堡白炮”壁画直到2001/2005年才被发现，到那时为止，人们主要从当代的描述中知道，这些描述是由人文主义者哈特曼·舍德尔以文本形式流传下来的。从那时起，就一直缺乏以艺术史的方法对这一突出对象进行深入研究。该项目将填补这一空白，并在其空间环境和精神环境中对这一装饰性和具象的壁画综合体进行系统的研究。该项目的目标将是从许多方面揭示和描绘这一独特复杂的突出特征：它在艺术史上的示范地位，勃兰登堡进行曲的欧洲参照系，其在15世纪中期迄今很少被研究的时期，作为艺术和科学中普遍和经典知识领域的“实践”的创新图片发展计划，以及它作为白色正典著名图书馆的多重功能，同时勃兰登堡大教堂的章节，被置于竞争和联盟的优先事项之间。我们的项目将与由认证保守师、希尔德海姆应用科学与艺术大学(HAWK-HHG)教授Nicole Riedl-Siedow博士开展的名为“勃兰登堡大教堂修道院的科学与艺术壁画周期。物质和内容的保护科学方法”的科学保护项目合作，以加强艺术史和修复之间迫切需要的跨学科合作，特别是在中世纪壁画领域。

Discovered and uncovered only in 2001/2005, the wall paintings at the "White Canons' in Brandenburg" in the former library of the late medieval cloister at the Brandenburg Cathedral had been known up to then primarily from a contemporary description, handed down in texts by the humanist Hartmann Schedel. Since then, thorough research on this outstanding object with the methods of Art History has been lacking. This project will fill the gap and provide a systematic study of this complex of ornamental and figurative wall painting within its spatial surroundings and spiritual context. It will be the project's goal to reveal and map out the outstanding features of this in many ways unique complex: its exemplary position in art history of the March of Brandenburg, with its European frame of reference in the hitherto little researched period of the mid-15th century, an innovative programme of pictorial development of "practice" in art as both a universal and quintessential field of knowledge in the arts and sciences and its manifold function as a prestigious library room of the White Canons, at the same time the chapter of Brandenburg Cathedral, placed between the priorities of competition and alliances. Our project will cooperate with the scientific conservation project titled "The Wall Painting Cycle on the Sciences and Arts in the Brandenburg Cathedral Cloister. A conservation science approach to substance and content" conducted by Dr. Nicole Riedl-Siedow, Certified Conservator and Professor at the Hildesheim University of Applied Sciences and Art (HAWK-HHG), to intensify, especially in the field of medieval wall paintings, urgently needed interdisciplinary teamwork between art history and restoration.