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PASTICCIO - Ways of Arranging Attractive Operas

PASTICCIO - 编排有吸引力的歌剧的方法

基本信息

批准号：
381548153
负责人：
Professorin Dr. Gesa zur Nieden
金额：
--
依托单位：
Institut für Kirchenmusik und Musikwissenschaft
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2017
资助国家：
德国
起止时间：
2016-12-31 至 2021-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/381548153?language=en
关键词：
PASTICCIO Ways Arranging Attractive Operas

项目摘要

Within the current field of studies on the mobilities of Early Modern musicians, the operatic pasticcio (i.e. a most popular genre consisting of the arrangement of pre-existing musical material for opera perfor-mances) has emerged as a paradigmatic musical genre of European musical life during the 18th century. Its structure and aesthetics were not only based on the European-wide distribution and knowledge of musical material, but also on developing concepts of artistic talent, compositional models, and musical ownership. All those concepts were shaped not only by travelling musicians and by the transregional reception of operatic productions, but by political-symbolic intentions and economics. The project aims to investigate the under-researched operatic pasticcio as a genre characterized by the mobilities of Early Modern musicians. For that, it will analyse the material basis, the compositional and performative creation, as well as the musical reception of pasticcios within a European-wide network of metropolises and courts like Venice, London, Hamburg, Munich, Dresden, Wroclaw (Breslau) and Warsaw. On the one hand, tracing such modes of musical transfer and distribution will elucidate the circum-stances for the creation and production of pasticcios. On the other hand, an analysis of the musical and literary authorship and its political, social and cultural functions encompassed by the models of pasticcio fragments and by the pasticcios themselves will give insight into both the central aesthetic and cultural developments of the 18th century and the mobilities of its musicians.The project team which has been working together for three years on questions of the mobilities of Early Modern musicians will undertake this research through a series of individual projects tightly linked through the collaborative initiatives of a joint database, the creation of online musical editions of chosen pasticcios, as well as through regular workshops. Within these individual projects, both Italy as a model culture and the musical activities of the Polish crown will cover central points of common investigation. The main objective is the development of an innovative digital infrastructure that combinates musical editions and a historical database in order to reflect the cultural and aesthetic hybridities of 18th-century music.

在当前对早期现代音乐家的流动性的研究领域中，歌剧pasticcio（即由预先存在的音乐材料组成的歌剧表演的最流行的体裁）已经成为世纪欧洲音乐生活的典范音乐体裁。它的结构和美学不仅基于欧洲范围内的音乐材料的分布和知识，而且还基于艺术天赋，作曲模式和音乐所有权的发展概念。所有这些概念不仅是由旅行的音乐家和跨区域接受歌剧作品形成的，而且是由政治象征意图和经济学形成的。该项目的目的是调查研究不足的歌剧pasticcio作为一个流派的特点是早期现代音乐家的流动性。为此，它将分析物质基础，作曲和表演创作，以及在整个欧洲的大都市和法院网络，如威尼斯，伦敦，汉堡，慕尼黑，德累斯顿，弗罗茨瓦夫（布雷斯劳）和华沙的音乐接受。一方面，追溯这种音乐传递和传播的方式，可以阐明模仿作品创作和生产的环境。另一方面，分析音乐和文学的作者及其政治，通过对拼贴碎片模型和拼贴作品本身所包含的社会和文化功能的研究，我们将深入了解18世纪的主要美学和文化发展以及音乐家的流动性。项目团队已经合作了三年，研究早期现代艺术的流动性问题。音乐家将通过一系列个别项目进行这项研究，这些项目通过联合数据库的合作倡议紧密联系在一起，创造选定的pasticcios的在线音乐版本，以及通过定期讲习班。在这些单独的项目中，意大利作为一个示范文化和波兰王室的音乐活动将涵盖共同调查的中心点。其主要目标是开发一个创新的数字基础设施，将音乐版本和历史数据库结合起来，以反映18世纪音乐的文化和美学杂交。