Roles in relation: The poetic I in different genres in Pindar

关系中的角色：品达不同流派中的诗意我

• 批准号: 394803053
• 负责人: Privatdozent Dr. Thomas Kuhn-Treichel
• 金额: --
• 依托单位: Seminar für Klassische Philologie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2023-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/394803053?language=en
• 关键词: Roles; relation; poetic; different; genres

This project is concerned with the speaking persona in the poems of the early Greek lyric poet Pindar (henceforth labelled poetic I). Early Greek lyric is characterized by a highly present poetic I; how the poetic I is to be understood, is therefore a question of great importance for the interpretation of the poems. This question, however, is debated among scholars, and it is especially debated with regard to Pindar, whose extant corpus is by far the largest in early Greek lyric. This project aims to offer a new perspective on the problem, investigating a neglected, but nevertheless crucial aspect, viz. how the poetic I establishes relations to other figures mentioned or implied in the text, this way defining its own role. The study will not only deal with the completely preserved epinicia but with the whole of Pindar's poetry, including all known genres. Consequently, a special focus will be on the fragments, which amount to only one quarter of the preserved text but represent the by far larger portion of Pindar's original production (13 out of 17 books, according to the catalogue in the Vita Ambrosiana) and are still forming a respectable corpus (177 Teubner pages according to Maehler's edition). The comparative study of the different genres will, at the same time, shed new light on the question of unity and diversity in Pindar's oeuvre.

这个项目关注的是早期希腊抒情诗人品达（Pindar）诗歌中的说话人（以下称为诗歌I）。早期希腊抒情诗的特点是高度呈现的诗意的我;因此，如何理解诗意的我，对于诗歌的解释是一个非常重要的问题。然而，这个问题在学者中存在争议，尤其是关于品达的争论，品达的现存语料库是迄今为止最大的早期希腊抒情诗。这个项目旨在提供一个新的视角来看待这个问题，研究一个被忽视但却至关重要的方面，即诗意的我如何与文本中提到或暗示的其他人物建立关系，从而确定自己的角色。这项研究将不仅涉及完整保存的epinicia，但与整个品达的诗歌，包括所有已知的体裁。因此，一个特别的重点将是碎片，这只占保存文本的四分之一，但代表了品达的原始生产的大部分（17本书中的13本，根据目录中的Vita Ambrosiana），仍然形成了一个值得尊敬的语料库（根据Maehler的版本，177 Teubner页）。同时，对不同体裁的比较研究，也为品达作品的统一性与多样性问题提供了新的视角。