Research on new narrative expression through digital sound

通过使用IRCAM Tools和KYMA等声音设备，我们能够确认在图像的叙事表达中也可以带来“异化效应”。通过重新审视奥山junnosuke Okuyama， Walter Murch， Andrew Tarkvosky的电影作品中声音的使用，以及汉斯·季默（Hans Zimmer）的电影音乐的表达和技术，我们也能够确认它可以引领结合数字技术的生产环境的重要研究。由于《路边恐慌》是作为一件试验作品而制作的，值得注意的是，我们能够在制作过程中发现新的可能性，即“以声音设计为起点的图像制作”，这是一个重要的成就。

By using sound equipment such as IRCAM Tools and KYMA, we were able to confirm that it was also possible to bring about the 'alienation effect' within the expression of storytelling in images. By reexamining both the use of sound in works by Junosuke Okuyama, Walter Murch, Andrew Tarkvosky's films and the researchers as well as the expression and techniques of the film music by Hans Zimmer, we are also able to confirm it could lead important research on production environments that incorporate digital technology. Due to Roadside Panic that was made as a test piece, it should be noted that, furthermore, we were able to discover new possibilities in processes of production, namely, 'image production based on sound design as a starting point,' which was an important accomplishment.