Outdoor Architectural Museums 1880–1930: Contact zones of regional and national architecture in transnational exchange

户外建筑博物馆1880-1930：跨国交流中地区和国家建筑的接触区1900年前后的几十年里，户外建筑博物馆是一个纪念性的建筑群，旨在真实地展示一个国家或地区以前被低估的乡村建筑文化。这种建筑博物馆，特别是那些代表周边地区的建筑博物馆，经常在欧洲各国建立，与国家展览和博物馆有关。与以往的研究相比，该项目侧重于他们的双重视角，因为他们既在内部发挥文化自我肯定的作用，又在外部向外部世界展示该地区自己的文化。该项目考察了至今仍存在的四个乐团：都灵（1884年）、布达佩斯（1896年）、赫尔辛基（1909年）和巴塞罗那（1929年）。受欢迎的合成结构与科学的野心和新兴的现代文化学科有关，代表了受到现代化威胁和/或被视为值得尊敬的建筑类型。在动态的展览中，它们形成了异居，而不是与现代建筑相对立，而是承担了补充作用。这个时代的展览相互竞争，各国周边也成为了谈判的空间。该项目第一次将这些建筑博物馆群的特殊性作为一个跨国和跨学科的纠缠历史。

Outdoor Architectural Museums 1880–1930: Contact zones of regional and national architecture in transnational exchangeOutdoor architectural museums in the decades before and after 1900 were monumental complexes intended to give a realistic presentation of the previously underrepresented rural architectural culture of a country or region. Such architectural museums, especially those representing the periphery, were frequently set up in in various European countries in connection with national exhibitions and museums. In contrast to previous research, the project focuses on their dual perspective, for they functioned both internally as cultural self-affirmation and externally as a way of presenting the region’s own culture to the outside world. The project examines four ensembles still in existence today: Turin (1884), Budapest (1896), Helsinki (1909) and Barcelona (1929). The popular synthetic structures built with scientific ambition and related to the emerging modern cultural disciplines represented building types threatened by modernization and/or regarded as worthy of veneration. Within the dynamic exhibitions, they formed heterotopes which, instead of being in opposition to modern architecture, assumed a complementary role. Given that the exhibitions of this era competed with each other, the peripheries of the various countries also became spaces of negotiation. For the first time, the project examines the peculiarity of these architectural museum ensembles as a transnational and transdisciplinary entangled history.