A Synthetic Research on the Conceptual Change of History and Mythology in the German Thought and Literature since 1970

1970年以来德国思想文学中历史与神话观念变迁的综合研究

• 批准号: 01450069
• 负责人: SUGIURA Hiroshi
• 金额: $ 3.2万
• 依托单位: Tokyo University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for General Scientific Research (B)
• 财政年份: 1989
• 资助国家: 日本
• 起止时间: 1989 至 1991
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-01450069/
• 关键词: Concept of History; Concept of Mythology; Usual or Private Literature; Neo-Conservatism; Neo-Subjectivism; Aesthetic-Subjectivity; Post-Modern; Enlightenment Thought after the War; 神話概念の転換; 歴史概念の転換; 「新主体性」文学; 美的主体性; 歴史家論争

For this reseach-project we set up several topics as follows :1) The end of the student-power movements in the nineteen-sixties2) Interests in the usual-private aspects--autobiographical and local literature, Everyday-poetry,3) Literature of so-called Neo-Subjectivity or Neo-Sensibitity,4) Postmodern conception of History,5) Changed interpretations of the concept of History,6) to understand the world through the aesthetic Subjecitivity, etc.As the result of this project we could confirm that since 1970 especially in the ex-West-Germany the concepts of History and Myth have changed in the thoughts and Literature very largely. This change is related to the situation, where the social behaviors of individuals have fundamentally turned into a conservative course after the students-rebellion in 1968 and, in addition to this situation, the people came to enjoy the political stabilization and the economical prosperity in the seventies, so that the country has no place for the changes. Through this reseach we verified the fact that the negative implications of the concept of Myth turned out positive, while the eschatological nuances of the concept of History vanished into the production of the imagination, that is, Story. This process was chiefly owing to the thoretical activities of Hans Blumenberg, Odo Marquard and others against the way of thinking of the Frankfurt-School which was very influential hitherto. The result of the reseach shows that this change of values occurred not only in the world of thoughts but also in literature of Germany, as remarkable phenomena of which we can indecate the prevalence of autobiographies, localism, or everyday-poetry.

在本研究项目中，我们设置了以下几个主题：1）19世纪60年代学生权力运动的终结2）对自传体和地方文学，日常诗歌的兴趣，3）所谓的新主体性或新敏感性文学，4）后现代历史观，5）改变历史观的解释，6）通过审美主体性来理解世界，等等。作为本项目的结果，我们可以证实，自1970年以来，特别是在前西德国，历史和神话的概念在思想和文学中发生了很大的变化。这一变化与1968年学生运动后个人的社会行为从根本上转向保守有关，再加上70年代以来政治稳定、经济繁荣，国家没有空间进行这种变化。通过这一研究，我们证实了神话概念的消极含义变成了积极含义，而历史概念的末世性的细微差别则消失在想象的产物即故事中。这一过程主要是由于汉斯·布鲁门贝格、奥多·马夸尔等人反对法兰克福学派思想方式的理论活动。研究结果表明，这种价值观念的转变不仅发生在思想界，也发生在德国的文学中，表现为自传、地方主义和日常诗歌的盛行。

项目成果

杉浦博: "ドイツの詩をよむ(季節のうた)" NHKラジオ・ドイツ語講座. 平成3年4月より同5年3月まで連載.

杉浦浩：《读德国诗歌（季节歌曲）》NHK 广播电台德语课程，1991 年 4 月至 1991 年 3 月连载。

池田信雄: "ルンゲ-コンセプチュアル・アートの祖-" ルプレザンタシオン. 2. 70-78 (1991)

池田伸夫：“龙格 - 观念艺术之父”Le Presents 2. 70-78 (1991)。

TSUNEKAWA,Takao: "Swende Merian "The Died Prince"" The Magazine "Hikoh". Vol.24. 68-75 (1991)

常川高雄：《斯文德·梅里安《死去的王子》》杂志《Hikoh》。

中澤 英雄: "カフカの『万里の長城』における民族,国家,宗教" 思想. 796号. 112-127 (1990)

中泽秀夫：“卡夫卡《中国长城》中的民族、民族和宗教”思想，第796期。112-127 (1990)。

杉橋陽一: "ユダヤ的想像力の行方-ベンヤミン・アドルノ論集-" 世界書院, 306 (1992)

杉桥洋一：《犹太想象的未来——本杰明·阿多诺散文集》《世界书院》，306（1992）