The Epigrammatic Gaze: The Italian Rediscovery of the Planudean Anthology and the Transformation of the Renaissance Culture of Viewing Art.

警句凝视：意大利对普拉努德文集的重新发现和文艺复兴时期观看艺术文化的转变。

• 批准号: 435279030
• 负责人: Dr. Diletta Gamberini
• 金额: --
• 依托单位: Institut für Kunstgeschichte
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2019
• 资助国家: 德国
• 起止时间: 2018-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/435279030?language=en
• 关键词: Epigrammatic; Gaze; Italian; Rediscovery; Planudean

Recent decades have seen a steady surge of critical interest in the relations between the “sister arts” in Renaissance Italy, and in the exemplary role that ancient sources had in how artists and writers from that historical context understood and experimented with the interaction of visual and verbal media. In this vein, scholars have paid significant attention to the receptiveness of early modern Italian poets to the encomiastic topoi on images disseminated in the Anthologia Planudea, a florilegium of Hellenic and Hellenistic epigrams that, from the second half of the 15th century, circulated extensively and gave rise to myriad translations and imitations in the Peninsula. Some consideration has also been given to the relevance of that collection for clarifying the iconographies of many Renaissance artworks. However, the art-historical import of the rediscovery, in early modern Italy, of that unique literary gateway to retrieving the visual cultures of Greek antiquity remains largely undetected. The proposed project sets out to assess, for the first time, the centrality of the Planudea as a source for a number of pivotal ways in which Italian literati verbalized the experience of looking at, evaluating, and interpreting images. At the same time, the study aims at illuminating how the deep transformations at the discursive level brought about by the appropriation of the Anthology mirrored the challenges posed by an evolving artistic landscape. Research will focus on a wide range of early modern texts on art that were produced in numerous cultural centers of the Peninsula and span the nearly 150-year period of greatest popularity of the florilegium (ca. 1470‒1610). By means of a strongly interdisciplinary approach, it will interrogate these materials – including numerous Italian and Neolatin poems, in part previously unpublished, on the creations of such artists as Andrea Mantegna, Leonardo, Vittore Carpaccio, Dosso Dossi, and Baccio Bandinelli, as well as treatises such as Pomponius Gauricus’s De Sculptura (1504) – to understand the ways in which the reception of the Planudea intersected with new modes of production, presentation and consumption of artworks. By doing this, the project will reconstruct a most meaningful, and largely unexplored, aspect of the interchange between literary and artistic cultures in Renaissance Italy, one in which words and images informed each other in a fluid, two-way process of cross-fertilization.

近几十年来，人们对意大利文艺复兴时期“姐妹艺术”之间的关系，以及古代文献在艺术家和作家如何理解和实验视觉和语言媒体的相互作用方面所起的示范作用，产生了稳定的兴趣。在这种情况下，学者们非常关注早期现代意大利诗人对《Planudea Anthologia》中传播的赞美意象的接受程度。《Planudea Anthologia》是一本希腊语和希腊语警句的集锦，从15世纪下半叶开始广泛流传，并在半岛上产生了无数的翻译和模仿。一些考虑也给予相关性的收集澄清许多文艺复兴时期的艺术作品的肖像。然而，在近代早期的意大利，重新发现了希腊古代视觉文化的独特文学门户，其艺术史的重要性在很大程度上仍未被发现。提议的项目首次开始评估Planudea的中心地位，作为意大利文人用语言表达观看、评估和解释图像的经验的一些关键方式的来源。同时，本研究旨在阐明《选集》的挪用所带来的话语层面的深刻转变如何反映了不断发展的艺术景观所带来的挑战。研究将集中在广泛的早期现代艺术文本，这些文本产生于半岛的许多文化中心，跨越了近150年的花艺最受欢迎的时期（约1470-1610）。通过强有力的跨学科方法，它将询问这些材料-包括许多意大利和拉丁诗歌，部分以前未发表的，关于Andrea Mantegna， Leonardo, Vittore Carpaccio， Dosso Dossi和Baccio Bandinelli等艺术家的创作，以及Pomponius Gauricus的De Sculptura（1504）等论文-了解Planudea的接受与新的生产模式相交的方式。艺术作品的呈现和消费。通过这样做，该项目将重建文艺复兴时期意大利文学和艺术文化之间交流的一个最有意义的、很大程度上未被探索的方面，其中文字和图像以一种流动的、双向的交叉受精过程相互告知。