"Schinkels network and his designs and expert's reports for buildings in german Bundesstaaten outside Prussia – cultural exchange as a contribution of competition between cultural states in the 19th. century" (short titel of the first confirmation ME 1857

延续项目也是Schinkels法庭和职业网络的重要发现，以及德国联邦议院的物品设计。建筑目录包含建筑历史的来源和计划，以及委员的详细情况。其中，汉堡星空剧场、汉诺威泽格豪斯剧场、莱比锡奥古斯都剧场、德累斯顿阿尔茨塔尔剧场和哥达霍夫剧场是最杰出的。新发现的原始材料和艺术史之外的创新问题引发了新的主题，这些主题包括在Schinkel与当代艺术家、外交官和商人的结构网络的全景中。我们设立了A部分，即扩展的主题和B部分，即新的主题。A部分的4个主题包括为非普鲁士联邦制国家发现的另外11个设计；辛克尔通过王储的茶话会而成长起来的宫廷人脉；柏林剧院网络以及与波兰贵族的联系。B部分的新主题涉及辛克尔在莱茵兰、汉堡、萨克森、普鲁士军事领导人以及知识分子C.F.Rumohr和K.A.BötTiger之间未被发现的联系，这些都是有待研究的。关于Schinkel成就的估值第一次可以通过原始材料记录下来。对卡塞尔理论家J·H·沃尔夫的批评，W·A·舒可夫斯基和C·冯·罗瑟的评价，以及对辛克尔在《昆斯布拉特》中的设计的评价，都是需要研究的。对诺比尔的信件和1821年希托夫的旅行日记的分析，有助于从国外展示这一观点。人们可能会发现围绕辛克尔被任命为柏林“艺术学院”参议院成员的十字路口，以及他与哥尼斯堡大学未被调查的关系。Schinkel的柏林网络“Verein der Kustfreunde im Preuçischen Staate”以及他与Chateauneuf、Moller和Geutebrück的交流是第一次展示。这成功地说明了辛克尔通过他的创新，将品牌推广到普鲁士出口模式的起源。也有可能证明，出于保护设计免受批评的原因，辛克尔和外国建筑师选择设计模型是出于政治原因。辛克尔对巴洛克建筑的早期处理可以通过专家报告的方式得到证明。通过对S.Boisserée书信的分析，我们不仅能够重建普鲁士和其他德国联邦共和国早期古迹保护中的互动关系，而且还可以将Schinkel的开创性理论刺激和他的实践措施归类为比Wallraf、Moller和Boisseré更晚的开始。延续项目为文化传播和加强普鲁士作为文化主导力量的作用做出了贡献。选定的文件将存储在TU数据储存库“DepositOnce”中。

The continuation project delievers important discoveries of Schinkels court- and professional network as well as the designs for objects in german Bundesstaaten too. The catalogue of buildings contains sources and plans of their construction history and details on commissioners. Among them the Stadttheater Hamburg, the Zeughaus Hannover, the Augusteum Leipzig, the Altstädtische Wache Dresden and the Hoftheater Gotha are the most outstanding. Newly discovered source material and innovative questions outside of art history have given rise to new topics that are included in the panorama of Schinkel’s structural network with contemporary artists, diplomats and merchants. We establish the section A, the expanded topics and B, the new topics. The 4 subjects in section A include the 11 additional discovered designs for non-Prussian federal states; the court contacts of Schinkel that grew through the tea parties at the Crown Prince’s; the Berlin theatre network and the contacts with Polish nobility. The new topics in section B concern Schinkel’s undiscovered connections in the Rhineland, to Hamburg, with Saxony, with the Prussian military leaders, and with the intellectuals C. F. Rumohr and K. A. Böttiger, which are to be researched. For the first time the valuations about Schinkel’s achievements can be documented by source materials. The criticism of the Kassel theorist J. H. Wolff, the estimations of W. A. Shukowskis and C. von Rother and the evaluations of Schinkel’s designs in the "Kunstblatt" are to be researched. The analysis of letters from Nobile and the diary of Hittorff’s journey 1821 serves to present the view from abroad. It is possible to discover the crossroads surrounding Schinkel’s appointment to the Senate of the Berlin "Academy of Arts" as well as his uninvestigated relationship with the University of Königsberg. Schinkel's Berlin network around the "Verein der Kunstfreunde im Preußischen Staate" and his exchange with Chateauneuf, Moller and Geutebrück is presented for the first time. This succeeds in illuminating the genesis of Schinkel’s "branding" to a prussian export model through his innovations. It is also possible to prove a political reason for a comission to Schinkel and the choice of design models from foreign architects for reasons of design protection against criticism. Schinkel’s early handling of baroque buildings can be proven by means of expert reports. The analysis of the letters of S. Boisserée enables us not only to reconstruct the interactions within the early preservation of monuments in Prussia and other German Bundesstaaten, but also to classify Schinkel’s pioneering theoretical stimulus and his practical measures that began later than those of Wallraf, Moller and Boisserée. The continuation project provide contributions to cultural transfer and to Schinkel’s role within the strenghtening of Prussia as cultural leading power. A selection of documents will be stored in the TU Data Repositorium "DepositOnce".