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A COMPARATIVE CULTURAL STUDY OF WOMEN IN PERFORMING ARTS

女性表演艺术的比较文化研究

基本信息

批准号：
06610451
负责人：
IKEUCHI Yasuko
金额：
$ 1.22万
依托单位：
RITSUMEIKAN UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for General Scientific Research (C)
财政年份：
1994
资助国家：
日本
起止时间：
1994 至 1995
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-06610451/
关键词：
The First Second Wave of Feminism Sexual Politics Representation Debate on `New Woman'`New Theater' Movement Gender Construction Deconstruction Asymmetrical Relationship Between Man and Women Multiculturalism Discourse 第二波のフェミニズム

项目摘要

Women's Liberation Movement in the 1960s to the 1970s in the United States spread beyond the national and racial boundaries concurrently in all the industrial world, and is called the second wave of feminism historically compared with the first wave around the turn of the century. Since the exaltation of the second wave of feminism, a number of women have been trying to challenge for new ways and styles in many fields. Along with the visible improvement in the status of women, we can read a voluminous work of writings on feminist thoughts, critical studies, and theories. Those works have brought some radical and fruitfull changes by establishing Women's Studies or Gender Studies in the regular curricula of colleges and universities.In the avant-garde little theater movement as well as in the commercial show business there used to be a hierarchical and patriarchal world in which men are dominant and centerd in acting, directing, playwriting, and producing. However, after the second wave … More of feminism, a certain amount of women have become very active in playwriting, directing, producing as well as in acting, and have brought their own aesthetics, perspectives, and analyzes on theater/performance arts. What I try to explore here is that what possibilities are open in terms of representation, especially when we see women's own cultural activities without separating their social and political movementsFirstly, I made a comparative study about American/British women's theater activities in the context of the first wave of feminism, especially the suffrage movement, the Japanese women's movement, their debate of "New Woman", and the birth of "actresses" in the Japanese new theater movement in its modernization. Secondly, in the context of the second wave of feminism, I made another comparative study of contemporary American/British women's theater activities and contemporary Japanese women's ones. They have a lot of common characteristics in deconstructing gender, the stereotypical representation of women, reading sexual politics, creating their own experimental theater. In the so-called postmodrn and post-colonial world, women are not afraid to be different from other women when they explore, define and redefine their own multicultural identities. Less

20世纪60 - 70年代美国的妇女解放运动超越了国家和种族的界限，同时在所有工业化国家中展开，与世纪之交的第一次女权主义浪潮相比，被称为历史上的第二次女权主义浪潮。自第二次女权主义浪潮兴起以来，许多女性在许多领域都试图挑战新的方式和风格。沿着妇女地位的显著提高，我们可以读到大量关于女性主义思想、批评研究和理论的著作。这些作品通过在大学的常规课程中设立妇女研究或性别研究，带来了一些激进而富有成效的变化。在前卫的小剧场运动以及商业表演业中，曾经存在着一个等级制和父权制的世界，男性在表演、导演、编剧和制作中占据主导地位。然而，在第二次浪潮之后， ...更多信息在女权运动的推动下，一部分女性在编剧、导演、制作和表演方面变得非常活跃，并带来了自己的美学、观点和对戏剧/表演艺术的分析。本文试图探讨的是，在再现方面，尤其是当我们看到妇女自身的文化活动而不把她们的社会和政治运动分开时，有哪些可能性是开放的。首先，本文对第一次女权主义浪潮背景下的美英妇女戏剧活动进行了比较研究，特别是选举权运动、日本妇女运动、“新女性”之争、日本新戏剧运动中“女演员”的诞生。其次，在第二次女性主义浪潮的背景下，对当代美英女性戏剧活动和当代日本女性戏剧活动进行了比较研究。他们在解构性别、对女性的刻板表征、阅读性政治、创造自己的实验剧场等方面有很多共同的特点。在所谓的后现代和后殖民世界中，妇女在探索、界定和重新界定自己的多元文化身份时，并不害怕与其他妇女不同。少