Imperial/Colonial Modernity and Gender: On Circulating Cultural Representation in Japan, Korea, and Taiwan

本研究项目的重点是在日本帝国扩张和朝鲜、台湾殖民时期（1895-1945），在日本、朝鲜和台湾作为戏剧或电影传播和上演的故事或戏剧。本研究还明确了在这些戏剧的舞台和电影制作中，性别和性的建构是如何与文化表征的混合和分化过程相关联的。最后，韩国或台湾的许多当代电影或小说关注于帝国/殖民时期的文化生产和谈判，并引起对这些时代的反思。本研究项目认识到当代电影和小说处理帝国/殖民时期这一事实的重要性，并在此基础上深入研究这些文化作品。

This research project focused on stories or dramas that were circulated and staged as plays orproduced as films in Japan, Korea and Taiwan during the period of Japan's Imperial expansion andcolonization of Korea and Taiwan (1895-1945). This study also made clear how the construction ofgender and sexuality were related to the process of mixture and differentiation of culturalrepresentations in the staging and film production of these dramas. Finally, many contemporaryfilms or novels in Korea or Taiwan focus on cultural productions and negotiations during theimperial/colonial periods, and invite reflection on these times. This research project recognized thesignificance of the fact that contemporary films and novels deal with the imperial/colonial period,and delved deeply into these cultural productions with this in mind.