Studies on the Historical Contexts of "The End of Art" and its Significance at the Present Day

2004年8月21日、22日在山形、11月20日、21日在新泻、2005年8月6日、7日在新泻举行了三次研讨会（后两次为公开会议）。他们帮助调查人员对我们的主题有共同的理解。关于研究旅行，加藤久武和五名研究人员于2005年2月28日至3月7日在纽约学习;扎科塔、栗原和木多于2005年7月2日至10日在克劳斯·杜辛教授的指导下在凯宾斯基大学学习;加藤和六名研究人员于2005年8月27日至9月5日在德国和意大利学习。山崎骏与2005年10月来日本的沃尔特·雅施克教授进行了几次会谈。Jaeschke教授给了我们一些有趣的建议，并在我们的报告中写了一篇关于艺术终结的新文章。栗原隆从解释学的角度研究了艺术终结主题的背景，认为为了建立讨论艺术的艺术哲学，作为其对象的艺术已经终结。他跨 ...更多信息 把弗里德里希·阿斯特的解释学著作译成日文。加藤久武揭示了黑格尔美学的一个原型，认为黑格尔的“绝对”受到斯宾诺莎实体观的影响，艺术是绝对自我认识的精神形式之一。他还揭示了黑格尔的历史哲学不能接受过去的授权。Zakota Yutaka曾师从著名的黑格尔学者Klaus Dusing教授，并将一位参加黑格尔美学讲座（1820/21）的学生的不知名笔记本翻译成日语。伊坂清志在德国浪漫主义画家弗里德里希的绘画中注意到了“黑暗”和“坏”的原则，并认为当绘画是为了表达思想或情感时，艺术必须在哲学之前结束。木户敦研究了康德《判断力批判》中的崇高分析，探讨了康德的批判崇高与德国唯心主义的形而上学崇高的区别与同一。森本光一研究了艺术终结或其反终结的当代意义，认为艺术终结的命题对我们来说意味着支持艺术观念的“话语”的终结。少

We held three study conferences, i)in Yamagata on August 21/22, 2004, ii)in Niigata on November 20/21, 2004, iii)also in Niigata on August 6/7, 2005 (last two were held as public conferences). They helped the investigators to have common understandings of our themes. Concerning study trips, Hisatake Kato and five investigators studied in New York from February 28 to March 7, 2005 ; Zakota, Kurihara and Kido under Pr.Klaus Dusing at Koln University from July 2 to 10, 2005 ; Kato and six investigators in Germany and Italy from August 27 to September 5, 2005. Jun Yamasaki had several meetings with Pr.Walter Jaeschke who came to Japan in October 2005. Pr.Jaeschke gave us some interesting suggestions and wrote a new article on the End of Art in our report.Takashi Kurihara studied contexts of the themes of the End of Art from the hermeneutical point of view, arguing that, in order to establish the philosophy of art that discussed art, art as its object already had to come to an end. He trans … More lated hermeneutical works of Friedrich Ast into Japanese. Hisatake Kato revealed an archetype of Hegel's Aesthetics, arguing that "the Absolute" of Hegel had been influenced by Spinoza's view of substance, and art was one of the spiritual forms of self-recognition of the Absolute. He also revealed that the Hegelian philosophy of history could not accept the authorization of the past. Yutaka Zakota studied under Pr.Klaus Dusing, a leading Hegelian scholar, and translated an unknown notebook of a student who attended Hegel's Lectures on Aesthetics (1820/21) into Japanese. Seishi Isaka brought notice to the principles of "the darkness" and "the bad" on the paintings of C.D.Friedrich, painter of German Romanticism, and argued that art had to end before philosophy when the roll of painting was to express ideas or emotions. Atsushi Kido studied the Analytic of the Sublime in Kant's Critique of the Power of Judgment and discussed the difference and identity between the Kantian critical sublime and the metaphysical sublime of German Idealism. Kouichi Morimoto examined the present-day significance of the End of Art or its Anti-End, arguing that the thesis of the End of Art means for us that the "discourses" which have supported the idea of art come to end. Less