Research on the Drawing Books for Craft and Design in Meiji and Taisho Period

19世纪末20世纪初设计选集研究：世纪末设计的同化及其启示。在三年项目的最后一年2001财年，我们整理了1999财年和2000财年的研究成果。具体来说，我们整合了9个研究机构检查的约1600本现代日本设计选集的书目数据，并使用数码相机收集了719个收藏的图像。各研究机构选集数量如下：1)东京美术音乐大学图书馆(约；550年波动率。，图片来自175伏。);2) Unsod6(约；630年波动率。，图片来自136卷。);3)千叶大学图书馆(约；300年波动率。，图片来自300伏。);4)京都工业大学图书馆(约；50波动率。，图片来自22卷。);5)濑户市(约。10波动率。，图片来自10卷。);绪方家族（约）10波动率。，图片来自10卷。);7)研究和信息中心，东京…更多的国家博物馆(约。25日波动率。，图片来自25卷。);8)伦敦大英图书馆(约；20波动率。，图片来自11卷。);9)塞夫尔国家陶瓷厂(约。5波动率。，图片来自1卷)。在这些资料的基础上，研究者和研究合作者分别对日本现代设计文集进行了分析和研究。即将发布的报告的作者和标题如下：hidea Toyojiro，“工艺设计作为消失的前现代形式的安魂曲”；IWAKIRI Shin' ichiro，“19世纪晚期艺术出版视角下的设计选集：以Unsodo为中心”；MATSUBARA Ryuichi和HIGA Akiko，“京都的设计师和工匠的关系”；YOKOMIZO Hiroko，“东京国立博物馆和东京美术音乐大学收藏的19世纪晚期西方设计选集”；OKUMA Toshiyuki，“被消费的帝国主义世界观：现代日本对亚洲、欧洲和美国刻板形象的感官接受，催生了折衷主义的设计”；北村仁美，“在塞夫尔国立陶瓷厂接待NUMATA Ichiga的陶瓷雕塑”；MORI Hitoshi，“艺术学校收藏中的设计选集：东京美术学院，东京高等工业学校和京都高等工业学校”；TSUCHIDA Maki，“19世纪晚期的设计选集和新艺术运动”。少

Research on Design Anthologies during the Late Nineteenth and Early Twenty Centuries: Assimilation of Fin-de-Siecle Designs and Its Implications.In fiscal 2001, the last year of the three-year project, we put in order the research results of fiscal 1999 and 2000. Specifically, we consolidated bibliographical data of approximately 1,600 modern Japanese design anthologies examined at nine research institutions, and gathered images from 719 collections using digital cameras. Numbers of anthologies by research institutions follow :1) Library, Tokyo University of Fine Arts and Music (approx. 550 vols., images from 175 vols.) ; 2) Unsod6 (approx. 630 vols., images from 136 vols.) ; 3) Library, Chiba University (approx. 300 vols., images from 300 vols.) ; 4) Library, Kyoto Institute of Technology (approx. 50 vols., images from 22 vols.) ; 5) Seto city (approx. 10 vols., images from 10 vols.) ; 6) Ogata family (approx. 10 vols., images from 10 vols.) ; 7) Research and Information Center, Tokyo … More National Museum (approx. 25 vols., images from 25 vols.) ; 8) British Library, London (approx. 20 vols., images from 11 vols.) ; and 9) National Ceramics Factory, Sevres (approx. 5 vols., images from 1 vol.).Based on these materials, the researchers and research collaborators made respective analyses and researches on modern Japanese design anthologies. Authors and titles of the forthcoming reports will be as follows : HIDA Toyojiro, "Craft designs as the requiem for disappearing premodern forms" ; IWAKIRI Shin' ichiro, "Design anthologies from the perspective of late-nineteenth-century art publishing : Centering on Unsodo" ; MATSUBARA Ryuichi and HIGA Akiko, "On the relationship between designers and craftspeople in Kyoto" ; YOKOMIZO Hiroko, "The late-nineteen-century Western design anthologies in the collections of the Tokyo National Museum and the Tokyo University of Fine Arts and Music" ; OKUMA Toshiyuki, "Imperialistic view of the world to be consumed : Sensuous reception of Asian, European, and American stereotyped images in modern Japan that gave birth to eclectic designs" ; KITAMURA Hitomi, "Reception of NUMATA Ichiga's ceramic sculpture at the National Ceramics Factory, Sevres" ; MORI Hitoshi, "Design anthologies in art school collections : ( Tokyo School of Fine Arts, Tokyo Higher Polytechnic School, and Kyoto Higher Polytechnic School" ; and TSUCHIDA Maki, "Late-nineteenth-century design anthologies and Art Nouveau." Less