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POETICS AND ANTHROPOLOGY OF FRAGMENT : MORALIST LITERATURE RECONSIDERED

片段的诗学和人类学:道德主义文学的重新思考

基本信息

批准号：
11410123
负责人：
SHIOKAWA Tetsuya
金额：
$ 3.01万
依托单位：
THE UNIVERSITY OF TOKYO
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2001
项目状态：
已结题

项目摘要

Since the rise of the "Nouvelle Critique", French critics, more and more interested in fragmentary ways of writing, have appreciated various brief texts, for example, Pre-Socratic fragments and some twentieth century writings (Bataille, Valery). In the same way, new approaches arose in late 70s in the field of studies on seventeenth century moralists : one tried to enlarge the corpus with the view to clarify the concept of man, his passions, his characters and manners in this period, in regard to recent works on history of ideas, of religion and of mentalite ; another examined the patterns and senses of fragment form, typical of moralists' works, in the light of classical rhetoric and in comparison with lineal discourse. Following this movement, we tried to throw a new light on the subject, by means of a diachronic research and from a non-western point of view. Investigator Nakaji traced the destiny of Japanese "poeme en prose" - poetry not necessarily moralist, but essentially related to fragmentary writing - which developed under the influence of French literature. Head investigator Shiokawa reported in France the fact that the Japanese readers had received Pascal in the first place as a moralist. International symposium : 《Poetique et anthropologie du fragment : Moralistes reconsideres》, held in November 2001, was a fruit of three years' investigation, where three of our investigators, with two foreign researchers, exchanged their ideas. (For further details, see the booklet we publish in March 2002.) We'd like to add that, thanks to this grant-in-aid, we acquired a good collection of French moralists' works in the classical period.

自“新批评”兴起以来，法国批评家对零碎的写作方式越来越感兴趣，他们欣赏各种简短的文本，例如，前苏格拉底的片段和一些二十世纪的作品（巴塔耶，瓦列里）。同样，70年代后期，在对17世纪伦理学家的研究中也出现了新的方法：一种方法试图扩大语料库，以澄清这一时期的人的概念、人的激情、人的性格和人的举止，涉及到最近的思想史、宗教史和精神论者的著作;另一个则从古典修辞学的角度，通过与正统话语的比较，考察了道德家作品中典型的碎片形式的模式和意义。在这一运动之后，我们试图从非西方的角度，通过历时性的研究，对这一主题进行新的阐释。研究者Nakaji追溯了日本“散文诗”的命运-诗歌不一定是道德的，但基本上与零碎的写作有关-这是在法国文学的影响下发展起来的。首席研究员盐川在法国报告说，日本读者首先把帕斯卡当作一个道德家。国际专题讨论会：2001年11月举行的《碎片的诗学与人类学：道德家的反思》是我们三位研究者与两位外国研究者历时三年的研究成果。(For更多详细信息，请参阅我们于2002年3月出版的小册子。）我们想补充的是，由于这项补助金，我们获得了一个很好的收集法国道德家的作品在古典时期。