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Aesthetic culture and environment - from an environmental aesthetics perspective in the 21st century -

审美文化与环境——21世纪环境美学视角——

基本信息

批准号：
14310025
负责人：
YOSHII Akira
金额：
$ 7.62万
依托单位：
HIROSHIMA CITY UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-14310025/
关键词：
Environmental Aesthetics Phenomenology of Environment Nature Artificial Environmental City and Public Environmental Art Art as Memorial in the city Supe rreality of space 都市の公共性

项目摘要

The objective of the research from F.Y. 2002 to F.Y. 2004 was to establish the standards for aesthetic culture with regards to the environment in the 21^<st> century. In particular, common research overviews were proposed by the researchers of the study organizations for I. Theory research [range for environmental aesthetics] and 17. Individual research [aesthetic culture and environments].The overview of the findings in practical contents of I. Theory research is summarized as follows. In the research "Perspectives - environmental aesthetics in the 21st century", the research representative Dr. Muto structured a theoretical framework in which he categorized the environment into the natural environment (i.e.primary nature) and the artificial environment (i.e.third generation nature). In addition, he discussed the aesthetic behavior and works of humans, or artists, which comprise the secondary nature that intervenes between those preceding natures, and this discussion was done by explai … More ning in detail the structure of those behavior and works. In the research "Phenomenology for aesthetic environment", Kanata discussed nature that can be thus structured through phenomena occurring in human consciousness. In the research "Aesthetic environment formation theory", Okada suggested a theory to find directionality particularly in problems of urban space as a surreal environment that provides people with a strong sense of reality. Sekimura discussed environments as an objective for analysis from the `Standpoint of natural aesthetics'. In II. Individual research, the researchers dealt with the following issues; `Naturalism of aesthetic environments', `Environments and design', 'City formation for recollection purpose', 'Urban metaphorical expressions', City landscape', 'Aesthetic living and city', 'Aesthetic environments and human bodies', 'Aesthetic culture and publicness', etc. Additionally, report papers were created for the studies of 'Modeling and design in outdoor in urban environments' and `Urban environments and quotation of paintings', and the discoveries from this research were published in the research result report paper. Less

从2002年5月到2004年5月的研究目的是建立21世纪与环境有关的审美文化标准。特别是，研究组织的研究人员对1 .理论研究[环境美学范围]和17提出了共同的研究概述。个人研究[审美文化与环境]。第一章理论研究在实践内容上的研究成果概述如下：在研究“透视——21世纪的环境美学”中，研究代表武藤博士构建了一个理论框架，他将环境分为自然环境（即原生自然）和人工环境（即第三代自然）。此外，他还讨论了人类或艺术家的审美行为和作品，这些行为和作品包含了介入这些前性质的次要性质，并通过解释这些行为和作品的详细结构来进行讨论。在“美学环境的现象学”研究中，卡纳塔讨论了自然可以通过人类意识中出现的现象来结构化。在“美学环境形成理论”的研究中，冈田提出了一种寻找方向性的理论，特别是在城市空间的问题中，作为一种超现实的环境，给人一种强烈的现实感。Sekimura从“自然美学的角度”讨论了环境作为分析的客观对象。在II。个别研究中，研究人员处理了以下问题；“审美环境的自然主义”、“环境与设计”、“以回忆为目的的城市形成”、“城市隐喻表达”、“城市景观”、“审美生活与城市”、“审美环境与人体”、“审美文化与公共性”等。并针对“城市环境中的户外造型与设计”和“城市环境与绘画引用”的研究撰写了报告论文，并将本研究的发现发表在研究成果报告论文中。少