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Multilayered Structure of Japanese Culture : An Historical Overview on Multicultural Elements in Modern Japanese Art,1900-1980

日本文化的多层结构:现代日本艺术中多元文化元素的历史概述,1900-1980

基本信息

批准号：
14310035
负责人：
OSAKI Masaaki
金额：
$ 7.36万
依托单位：
The National Museum of Modern Art, Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-14310035/
关键词：
Art History Multi Cultrure Center Region Climate Home Regionalism Folklore 芸術学

项目摘要

Aiming at providing a more pluralistic perspective in the generally monolinear descriptions of Japanese art history, this project examined multicultural aspects of Japanese art in the period mainly from around 1900 to the 1980s, with the focus on various "regions" in Japan that have developed their unique cultures. Our goal was to discover a new pluralistic approach to recapturing Japanese art by examining the expression developed as the result of relationships with the region or between regions.Suzuki's introduction, centering on minzokugaku (folklore studies) founded by Kunio Yanagita, aims at tracing the changes in the significance attached to the theme of "region" in Japanese art during the said period. Otani's essay examines the relationships between the avant-garde and regionalism/homeland, guided by the prewar writings on regionalism in art by the two avant-garde painters, Shu Ogawara and Noboru Kitawaki. Masuda investigates Snow Country and Coast of the Japan Sea by the photographer Hiroshi Hamaya to reveal the complexity of regionalist attitudes and the intertwining of various thoughts on modernity and the country against the background of the social upheavals around the end of World War II. Hosaka' essay critically examines the issue of "presentativeness" in modern and contemporary Japanese architecture in the light of its relationship with regionalism, and discovers the possibility of regionalist architecture in the work of architects who attach importance to the communicatioji during_the design_and construction processes. Ozaki introduces a document entitled Kagaku Tsuioku (Memories of Kagaku) comprising letters and scraps by Kagaku Murakami, a Kansai-based painter whose work was closely connected to the region's culture, and publishes twenty letters of the artist for the first time.

本项目旨在为日本艺术史的单一线性描述提供一个更加多元化的视角，主要从1900年左右到1980年代这一时期的日本艺术的多元文化方面进行研究，重点关注日本发展了独特文化的各个“地区”。我们的目标是通过考察与地域或地域之间的关系而发展起来的表达方式，发现一种新的多元化的方法来重新把握日本艺术。铃木的介绍以柳田邦夫创立的民俗学为中心，旨在追溯这一时期日本艺术中“地域”主题的意义的变化。大谷的文章以两位先锋派画家小川原秀和北胁升在战前关于艺术中的地方主义的著作为指导，探讨了先锋派和地方主义/家园之间的关系。增田以摄影家滨谷浩史的《雪国与日本海之滨》为研究对象，揭示了在二战结束前后的社会动荡背景下，地方主义态度的复杂性以及对现代性和国家的各种思考的交织。保坂的文章结合日本现当代建筑与地域主义的关系，批判性地审视了日本现当代建筑中的“表现性”问题，并发现了在设计和施工过程中注重传达的建筑师的作品中地域主义建筑的可能性。尾崎介绍了一份名为《Kagaku Tsuioku》（Kagaku的回忆）的文件，其中包括来自关西的画家Kagaku Murakami的信件和碎片，他的作品与该地区的文化密切相关，并首次出版了20封艺术家的信件。