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The Mechanism of Intercultural Contacts concerning Japanese Music and Drama : Mutual Transformation of Views in the East and West around the 1900 Paris Universal Exposition

日本音乐和戏剧的跨文化接触机制:1900年巴黎万国博览会前后东西方观点的相互转变

基本信息

批准号：
13410018
负责人：
INOUE Satsuki
金额：
$ 4.61万
依托单位：
Aichi Prefectural University of Fine Arts and Music
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2001
资助国家：
日本
起止时间：
2001 至 2003
项目状态：
已结题

项目摘要

The aim of this study is to clarify the mechanism of intercultural contacts by analyzing Japanese Music and Drama performed in Europe around the turn of the last century.At Loie Fuller's Theatre, set up for the 1900 Paris Universal Exposition, Sada Yacco made her debut, together with her husband, Otojiro Kawakami and his troupe. Sada Yacco become so famous and popular that Loie Fuller, an American-born dancer-manager, decided to engage them for a long tour the following year.It is now possible to recover portions of performances of the Kawakami troupe from early recordings. There are two different sources. Most of the recordings this troupe made for the Gramophone & Typewriter Company during the 1900 Paris Universal Exposition have been digitalized for Toshiba-EMI. Abraham and Hornbostel also recorded and transcribed portions of the troupe's performances in Berlin in 1901 : these recordings of the Kawakami troupe as well as recordings made in Japan(1911/1913), now in the holdings of the Berlin Phonogramm-Archiv, were digitalized in 2003.Inoue studied the relationship between the Kawakami troupe's play, adapting or abridging scenes from Kabuki, and the "avant-garde" dances of Loie Fuller. A program at the Loie-Fuller Theatre usually consisted of a play of the Kawakami troupe with Loie Fuller's performance. The public found the Japanese-American-French cultural contacts in their performances.Terauchi showed in full detail the actual music performed by the Kawakami troupe from the early recordings and articles concerning Japanese music written at that time. These performances provided scholars of Japanese music in Europe with a wealth of materials.Watanabe directed his attention to the early recordings made in Japan mentioned above, especially that of "Oiwake", a kind of folk music. These recordings reveal the conditions surrounding Japanese folk music immediately before the modernization and reorganization, which occurred amidst the cultural contact with the West.

本研究的目的是通过分析世纪之交在欧洲演出的日本音乐和戏剧，来阐明跨文化接触的机制。在1900年为巴黎万国博览会而设立的洛伊·富勒剧院，佐田由纪夫与她的丈夫川上乙次郎及其剧团首次亮相。Sada Yakami变得如此出名和受欢迎，以至于美国出生的舞蹈家经理Loie Fuller决定在第二年聘请他们进行长期巡回演出。现在可以从早期录音中恢复川上剧团的部分表演。有两个不同的来源。这个剧团在1900年巴黎世界博览会期间为留声机和打字机公司录制的大部分录音都已为东芝EMI数字化。亚伯拉罕和霍恩博斯特尔还记录和转录部分剧团的表演在柏林于1901年：这些川上剧团的录音以及在日本制作的录音（1911/1913），现藏于柏林唱片档案馆，于2003年数字化。井上研究了川上剧团的戏剧，改编或删节歌舞伎的场景，以及洛伊·富勒（Loie Fuller）的“前卫”舞蹈。Loie-Fuller剧院的节目通常由川上剧团的戏剧和Loie Fuller的表演组成。寺内从早期的录音和当时的日本音乐文章中，详细地展示了川上剧团的实际音乐。这些演奏为欧洲研究日本音乐的学者提供了丰富的资料。渡边把注意力集中在上面提到的日本早期录音中，特别是民间音乐“Oiwake”的录音。这些录音揭示了日本民间音乐在与西方文化接触中发生的现代化和重组之前的状况。