Studies on Sienese colored wood sculpture in Fifteenth Century -its relation with the pictorial representations and its social role-

从2004年到2005年，我专注于收集锡耶纳彩色木雕的基本数据，以及与这些雕塑有密切关系的当代绘画，并通过研究（例如恩佐·卡利（Enzo Carli）于1960年出版的“La Scultura ligna italana dal XII al XVI secolo”）和最近收集的木雕的展览目录和摄影材料获利。在意大利，我在佛罗伦萨艺术史学院、Soprintendeaza per il patrimonio storico、Siena e Grosseto的artitico e demoetonoantropologo di Siena e Grosseto和锡耶纳大学对锡耶纳彩色木雕的书目和摄影资料进行了调查。我还在佛罗伦萨的巴尔杰罗国家博物馆和其他地方对一些典型的15世纪锡耶纳木雕进行了仔细的观察和研究。我与Siena e Grosseto Soprintendenza di Siena e Grosseto的督查Dr.Alessandro Bagnoli， University of…More Siena的副教授Dr.Alessandro Angelini, Dr.Roberto Bartalini就Siena的彩色木塑进行了总体的交流，更具体的是对一些个体雕塑进行了交流：例如，关于骑马雕塑《圣卡西亚诺骑士》的作者是雅各布·德拉·Quercia还是他的助手弗朗切斯科·迪·瓦尔丹布里诺，学者们产生了分歧，而由画家尼罗西奥·德·兰蒂创作的《阿尔基罗·加布里埃利》也是如此。在锡耶纳所在的意大利中部托斯卡纳地区的比萨和卢卡，与锡耶纳艺术密切相关的优秀木雕蓬勃发展。最近的出版物和展览向我们展示了在比萨和卢卡的彩色木雕学术的重大进展的成果。我特别关注这些贡献，研究了Jacopo della Quercia和Francesco di Valdambrino的艺术形成，Domenico di Niccolo'dei Cori和Il Vecchietta的彩色木雕，Neroccio dei Landi在与Francesco di Giorgio合作期间所创作的木雕和绘画的特点，Francesco di Giorgio是活跃的画家、雕塑家和建筑师。这些研究活动为我撰写并发表的最后报告提供了信息，该报告涉及15世纪锡耶纳彩色木雕的发展，它与图像表现的关系，以及它如何在锡耶纳的社会背景下被接受。少

From 2004 to 2005, I have concentrated on gathering fundamental data on Sienese colored wood sculpture as well as contemporary paintings which show a close relationship with these sculptures, profiting by studies (for example, "La Scultura lignea italiana dal XII al XVI secolo" by Enzo Carli, published in 1960) and exhibition catalogues and photographic materials on recently-collected wood sculpture.In Italy, I did a survey of the bibliographic and photographic materials on Sienese colored wood sculpture in Kunsthistorisches Institut at Florence, Soprintendeaza per il patrimonio storico, artistico e demoetonoantropologo di Siena e Grosseto, and University of Siena. I also made close observation and study of some exemplary Fifteenth Century Sienese wood sculpture in the Museo Nazionale del Bargello at Florence and elsewhere.With Dr.Alessandro Bagnoli, inspector of Soprintendenza di Siena e Grosseto, Dr.Alessandro Angelini, and Dr.Roberto Bartalini, associate professors of University of … More Siena, I exchanged opinions on Sienese colored wood sculpture generally, and more specifically on some individual sculptures : for example, "Il Cavaliere di San Cassiano," an equestrian sculpture on which scholars are divided over whether Jacopo della Quercia or his assistant Francesco di Valdambrino was the author, and "Arcangelo Gabrieli," executed by Neroccio dei Landi who is also famous for his activities as painter.At Pisa and at Lucca, cities in Tuscany Region in Cental Italy where Siena is located, excellent wood sculptures which show a close connection with Sienese Art flourished. Recent publications and exhibitions present to us the fruits of significant advances in the scholarship on colored wood sculpture at Pisa and Lucca. Paying special attention to these contributions, I studied the artistic formation of Jacopo della Quercia and of Francesco di Valdambrino, colored wood sculptures by Domenico di Niccolo'dei Cori and by Il Vecchietta, the characteristics of wood sculptures and paintings executed by Neroccio dei Landi in the period of his collaboration with Francesco di Giorgio who was active as painter, sculptor and architect. These research activities inform the final report I have written and published on the development of Sienese colored wood sculpture in the Fifteenth Century, its relations with the pictorial representations, and how it has been received in social context at Siena. Less