Studies on Sienese colored wood sculpture in Fifteenth Century -its relation with the pictorial representations and its social role-

从2004年到2005年，我专注于收集锡耶纳彩色木雕以及与这些雕塑密切相关的当代绘画的基本资料，并从中受益（例如，1960年出版的恩佐·卡利的《意大利十二世十六世雕塑》）以及最近收集的木雕展览目录和摄影资料。在意大利，我调查了佛罗伦萨艺术史研究所、Soprintendeaza per il patrimonio storico、artitico e demoetonoantropologo di Siena e格罗塞托和锡耶纳大学有关锡耶纳彩色木雕的文献和照片资料。我还与锡耶纳和格罗塞托的Soprintendenza检查员Alessandro Bagnoli博士、佛罗伦萨大学副教授Alessandro Angelini博士和Roberto Bartalini博士一起，对佛罗伦萨的Bargello国家博物馆和其他地方的一些典型的世纪锡耶纳木雕进行了仔细的观察和研究。 ...更多信息 锡耶纳，我就锡耶纳彩木雕塑总体上交换了意见，更具体地说，就一些个别雕塑：例如，“圣卡西亚诺骑士”，一件马术雕塑，学者们对作者是雅格布·德拉·奎西亚还是他的助手弗朗西斯科·迪·瓦尔丹布里诺有分歧，“阿尔坎杰洛·加布里埃利，在比萨和卢卡，锡耶纳位于意大利中部的托斯卡纳地区的城市，优秀的木雕作品与锡耶纳艺术有着密切的联系。最近的出版物和展览向我们展示了比萨和卢卡彩色木雕学术研究取得重大进展的成果。特别注意这些贡献，我研究了Jacopo della Quercia和Francesco di Valdambrino的艺术形成，Domenico di Niccolo'dei科里和Il Vecchietta的彩色木雕，Neroccio dei Landi在与Francesco di Giorgio合作期间执行的木雕和绘画的特点。这些研究活动为我撰写并发表的关于世纪锡耶纳彩色木雕发展的最终报告提供了信息，它与绘画表现的关系，以及它在锡耶纳的社会背景下是如何被接受的。少

From 2004 to 2005, I have concentrated on gathering fundamental data on Sienese colored wood sculpture as well as contemporary paintings which show a close relationship with these sculptures, profiting by studies (for example, "La Scultura lignea italiana dal XII al XVI secolo" by Enzo Carli, published in 1960) and exhibition catalogues and photographic materials on recently-collected wood sculpture.In Italy, I did a survey of the bibliographic and photographic materials on Sienese colored wood sculpture in Kunsthistorisches Institut at Florence, Soprintendeaza per il patrimonio storico, artistico e demoetonoantropologo di Siena e Grosseto, and University of Siena. I also made close observation and study of some exemplary Fifteenth Century Sienese wood sculpture in the Museo Nazionale del Bargello at Florence and elsewhere.With Dr.Alessandro Bagnoli, inspector of Soprintendenza di Siena e Grosseto, Dr.Alessandro Angelini, and Dr.Roberto Bartalini, associate professors of University of … More Siena, I exchanged opinions on Sienese colored wood sculpture generally, and more specifically on some individual sculptures : for example, "Il Cavaliere di San Cassiano," an equestrian sculpture on which scholars are divided over whether Jacopo della Quercia or his assistant Francesco di Valdambrino was the author, and "Arcangelo Gabrieli," executed by Neroccio dei Landi who is also famous for his activities as painter.At Pisa and at Lucca, cities in Tuscany Region in Cental Italy where Siena is located, excellent wood sculptures which show a close connection with Sienese Art flourished. Recent publications and exhibitions present to us the fruits of significant advances in the scholarship on colored wood sculpture at Pisa and Lucca. Paying special attention to these contributions, I studied the artistic formation of Jacopo della Quercia and of Francesco di Valdambrino, colored wood sculptures by Domenico di Niccolo'dei Cori and by Il Vecchietta, the characteristics of wood sculptures and paintings executed by Neroccio dei Landi in the period of his collaboration with Francesco di Giorgio who was active as painter, sculptor and architect. These research activities inform the final report I have written and published on the development of Sienese colored wood sculpture in the Fifteenth Century, its relations with the pictorial representations, and how it has been received in social context at Siena. Less