Studies on Sienese colored wood sculpture in Fifteenth Century -its relation with the pictorial representations and its social role-

从2004年到2005年，我一直致力于收集关于锡耶纳彩色木雕以及与这些雕塑关系密切的当代绘画的基本数据，并从研究(例如恩佐·卡利于1960年出版的《La Scultura Lignea italiana dal Xii al XVI Secolo》)以及最近收集的木雕展览目录和摄影材料中获益。我还仔细观察和研究了佛罗伦萨国家博物馆和其他地方的一些15世纪锡耶纳木雕的典范。与…大学副教授亚历山德罗·巴格诺利博士、Soprintendenzi di Siena e Grosseto检查员Alessandro Angelini博士和Roberto Bartalini博士一起在更多的锡耶纳，我就锡耶纳彩色木雕总体上交换了意见，更具体地说就一些个人雕塑交换了意见：例如，学者们对雅各布·德拉·奎西亚或他的助手弗朗西斯科·迪·瓦尔丹布里诺是作者的马术雕塑《Il Cavaliere di San Cassiano》和与锡耶纳艺术密切相关的Neroccio dei Landi的作品《Arcangelo Gabrieli》交换了意见。在比萨和卢卡，在锡耶纳所在的意大利中部托斯卡纳地区的城市，与锡耶纳艺术密切相关的优秀木雕蓬勃发展。最近的出版物和展览向我们展示了比萨和卢卡彩色木雕学术取得重大进展的成果。为了特别注意这些贡献，我研究了雅各布·德拉·奎西亚和弗朗西斯科·迪·瓦尔丹布里诺的艺术构成，多梅尼科·迪·尼科洛·科里和伊尔·维奇埃塔的彩色木雕，尼罗西奥·代伊·兰迪在与弗朗西斯科·迪·乔治合作期间创作的木雕和绘画的特点，弗朗西斯科·迪·乔治是画家、雕塑家和建筑师。这些研究活动为我撰写和出版的关于锡耶纳彩色木雕在15世纪的发展、它与绘画表现的关系以及它在锡耶纳的社会背景下如何被接受的最终报告提供了信息。较少

From 2004 to 2005, I have concentrated on gathering fundamental data on Sienese colored wood sculpture as well as contemporary paintings which show a close relationship with these sculptures, profiting by studies (for example, "La Scultura lignea italiana dal XII al XVI secolo" by Enzo Carli, published in 1960) and exhibition catalogues and photographic materials on recently-collected wood sculpture.In Italy, I did a survey of the bibliographic and photographic materials on Sienese colored wood sculpture in Kunsthistorisches Institut at Florence, Soprintendeaza per il patrimonio storico, artistico e demoetonoantropologo di Siena e Grosseto, and University of Siena. I also made close observation and study of some exemplary Fifteenth Century Sienese wood sculpture in the Museo Nazionale del Bargello at Florence and elsewhere.With Dr.Alessandro Bagnoli, inspector of Soprintendenza di Siena e Grosseto, Dr.Alessandro Angelini, and Dr.Roberto Bartalini, associate professors of University of … More Siena, I exchanged opinions on Sienese colored wood sculpture generally, and more specifically on some individual sculptures : for example, "Il Cavaliere di San Cassiano," an equestrian sculpture on which scholars are divided over whether Jacopo della Quercia or his assistant Francesco di Valdambrino was the author, and "Arcangelo Gabrieli," executed by Neroccio dei Landi who is also famous for his activities as painter.At Pisa and at Lucca, cities in Tuscany Region in Cental Italy where Siena is located, excellent wood sculptures which show a close connection with Sienese Art flourished. Recent publications and exhibitions present to us the fruits of significant advances in the scholarship on colored wood sculpture at Pisa and Lucca. Paying special attention to these contributions, I studied the artistic formation of Jacopo della Quercia and of Francesco di Valdambrino, colored wood sculptures by Domenico di Niccolo'dei Cori and by Il Vecchietta, the characteristics of wood sculptures and paintings executed by Neroccio dei Landi in the period of his collaboration with Francesco di Giorgio who was active as painter, sculptor and architect. These research activities inform the final report I have written and published on the development of Sienese colored wood sculpture in the Fifteenth Century, its relations with the pictorial representations, and how it has been received in social context at Siena. Less