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RESEARCH OF "ART BOOK SERIES IN THE WEST-POPULAR DISCOURSES OF ARTS AND ITS HISTORY

西方流行艺术及其历史话语中的“艺术丛书”研究

基本信息

批准号：
15520097
负责人：
SHIMAMOTO Kan
金额：
$ 2.24万
依托单位：
Kyoto Seika University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2005
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520097/
关键词：
Art Book Series encyclopedia enlightenment of art history modern painting ideology of modern painting Art Book Series in Japan Taisho era 美術史教養近代絵画史美術図書美術通史伝記的記述パリロンドン

项目摘要

This is the outline of my research during these three years in which tree points are important:1 he "Art Book Series" in the West (especially in France) can trace its history back to the beginning of 19th century, and we can also find its origin in the "Recueil of Fine Pictures by printing" and "Encyclopedia" in the 18th Century. After appearance of several Series in the second half of the century, this Book gains its popularity in the beginning of 20th century. With this popularity this Book contributes to enlightenment of art history for public. This history of "Art Book Series" was not clear until now, because there were no studies about this field. So my research will give some fruits to art history.2 Among important parts of "Art Book Series" from a point of view of art history, we note a relation to formation of modern art ideology. This idea penetrates into Book from 1910's where is the new period of print technology. In this time "Modern Painting Series" is published by various editors with visual devices for grand public.3 On a parallel with research of western "Art Book Series" we consider a history of this Book in Japan. We can see the first "Art Book Series"(Bijutu-Zenshu) of western art history in the Tisho era. Influences by western Book of 1910's, it is colored by modern art ideology. So Japanese public first inclines for modern painting; impressionism, post-impressionism

这是我这三年来研究的一个纲要，其中有三个重点：1.西方（特别是法国）的“艺术丛书”可以追溯到19世纪初，也可以在18世纪的《印刷精美图画集》和《百科全书》中找到它的渊源。在世纪后半期出现了几个系列之后，这本书在世纪初获得了普及。此书的受欢迎程度有助于对公众进行艺术史的启蒙。“艺术丛书”的发展历史至今尚不清楚，因为这方面的研究尚不多见。从美术史的角度来看，《美术丛书》的重要组成部分，与现代美术意识形态的形成有着密切的关系。这一思想从1910年开始渗透到图书中，这是印刷技术的新时期。在这个时候，“现代绘画系列”是由各种编辑出版的视觉设备为广大公众。3在与西方“艺术书籍系列”的研究平行，我们认为这本书在日本的历史。我们可以看到，在天正时代，西方艺术史上的第一个“艺术丛书”（Bijutu-Zenshu）。受1910年代西方书籍的影响，带有现代艺术意识形态的色彩。所以日本公众首先倾向于现代绘画;印象派，后印象派