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Research on the synthetic artistic expression system based on the knowledge representation of deep layered common ground between musical structure and architectural space

基于音乐结构与建筑空间深层共通知识表征的综合艺术表达系统研究

基本信息

批准号：
17600009
负责人：
FURUKAWA Kiyoshi
金额：
$ 2.11万
依托单位：
Tokyo National University of Fine Arts and Music
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2005
资助国家：
日本
起止时间：
2005 至 2006
项目状态：
已结题

项目摘要

In this research project we have constructed three sound-image systems that support for creating artworks which dynamically and interactively link human visual, acoustic and body sensations from the points of view of arts / aesthetics and of engineering.The new artworks that are able to be made with these systems can be called "architectural garden music."On pursuing this, we explored and revealed--1. Constructing principles of symbolical space in architectures and gardens.2. Constructing principles of music that is presented in time axis.3. Hidden and essential common ground between these principles (= 1 ＆ 2)With these, actually integrating particular vague perceptual phenomena that have been felt only empirically in the past and theoretical knowledge on human perception, we have completed to implement systems in which audiences can concretely experience them with their own bodies. Through experiencing that system by ourselves, we grasped validities, limits of it as possible as we could.The foremost achievement of this research project is that we could discover that there exist certain concrete complex (not arbitrary) correspondence relationships between the space perception and the musical perception on our human cognitive level.Experientially confirming the aspects of these not simple relationships, we examined the various possibilities these real perceptual phenomena potentially contain.

在这个研究项目中，我们构建了三个声像系统，从艺术/美学和工程学的角度支持创作动态、交互地链接人类视觉、听觉和身体感觉的艺术品。用这些系统制作的新艺术品可以称为“建筑花园音乐”。在追求这一点的过程中，我们探索和揭示了--1。建筑与园林象征空间的构建原则2．时间轴上呈现的音乐构建原理3．这些原则之间隐藏的和本质的共同点（= 1＆2）通过这些，实际上将过去仅凭经验感受到的特定模糊感知现象与人类感知的理论知识相结合，我们完成了实现观众可以用自己的身体具体体验它们的系统。通过亲身体验这个系统，我们尽可能地掌握了它的有效性和局限性。这个研究项目最重要的成果是我们发现，在我们人类的认知层面上，空间感知和音乐感知之间存在着某种具体的、复杂的（不是任意的）对应关系。通过经验确认这些不简单的关系的各个方面，我们检验了这些真实的感知现象潜在包含的各种可能性。