Research on the synthetic artistic expression system based on the knowledge representation of deep layered common ground between musical structure and architectural space

在这个研究项目中，我们构建了三个声音图像系统，从艺术/美学和工程的角度支持创作动态互动地连接人类视觉，听觉和身体感觉的艺术品。用这些系统制作的新艺术品可以被称为“建筑花园音乐”。在这个过程中，我们探索并揭示了——1。建筑与园林中象征空间的建构原则。2 .构建以时间轴呈现的音乐原则。这些原则（= 1 & 2）之间隐藏的和本质的共同点。有了这些，实际上整合了过去只有经验才能感受到的特定模糊的感知现象和关于人类感知的理论知识，我们已经完成了实现观众可以用自己的身体具体体验它们的系统。通过亲身体验这个系统，我们尽可能地掌握了它的有效性和局限性。这个研究项目最重要的成果是我们可以发现在我们人类的认知层面上，空间感知和音乐感知之间存在着某种具体的复杂的（不是任意的）对应关系。从经验上证实了这些不简单关系的各个方面，我们研究了这些真实的感知现象潜在包含的各种可能性。

In this research project we have constructed three sound-image systems that support for creating artworks which dynamically and interactively link human visual, acoustic and body sensations from the points of view of arts / aesthetics and of engineering.The new artworks that are able to be made with these systems can be called "architectural garden music."On pursuing this, we explored and revealed--1. Constructing principles of symbolical space in architectures and gardens.2. Constructing principles of music that is presented in time axis.3. Hidden and essential common ground between these principles (= 1 ＆ 2)With these, actually integrating particular vague perceptual phenomena that have been felt only empirically in the past and theoretical knowledge on human perception, we have completed to implement systems in which audiences can concretely experience them with their own bodies. Through experiencing that system by ourselves, we grasped validities, limits of it as possible as we could.The foremost achievement of this research project is that we could discover that there exist certain concrete complex (not arbitrary) correspondence relationships between the space perception and the musical perception on our human cognitive level.Experientially confirming the aspects of these not simple relationships, we examined the various possibilities these real perceptual phenomena potentially contain.