Iconophilia and Ornamenta Ecclesiae in Global Rome, AD 600-900. Patterns of Papal Patronage concerning Images, Objects and Ornaments

公元 600-900 年，全球罗马的圣像崇拜和教会装饰。

• 批准号: 466869686
• 负责人: Privatdozent Dr. Peter Seiler
• 金额: --
• 依托单位: Institut für Kunst- und Bildgeschichte
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/466869686?language=en
• 关键词: Iconophilia; Ornamenta; Ecclesiae; Global; Rome

The research project aims at a contribution to a sustainable intercultural update of art and image-making research perspectives, through a conceptual reorientation and expansion of current narratives on the question of images of the early Middle Ages. Against the background of criticism rooted in the Old Testamtent's ban on images, iconophilic positions of the popes (AD 600-900) are released from the previous graecocentric perspective and examined as an independent, culturally dynamic tradition within the broader use of ornamenta ecclesiae. Two thematic focal points are connected:Part I Iconophilia and Critical Response to Images. The Textual Tradition offers a systematic investigation of written documents of papal statements and activities on the question of images, both directly and indirectly handed down. Based on an analysis of the terminology of ornamenta ecclesiae and its conceptual background, Part II Ornamenta Ecclesiae: Patterns of Papal Patronage concerning Images, Objects and Ornaments examines the pictorial, object and ornamental repertoire of church furnishings (altars, imagines sacrae, vasa sacra, images of the emperor and the pope) with regard to their topography and sacral-aesthetic dimensions.

该研究项目旨在通过对当前关于中世纪早期图像问题的叙述进行概念上的重新定位和扩展，为艺术和图像制作研究视角的可持续跨文化更新作出贡献。在旧约时期禁止图像的批评背景下，教皇(公元600-900年)的亲偶像立场从以前的土地中心主义角度被释放，并作为一个独立的、文化上的动态传统在装饰性传道的更广泛使用中被考察。两个主题焦点相互关联：第一部分：嗜爱者和对图像的批判性反应。文本传统提供了关于直接和间接流传下来的关于图像问题的教皇声明和活动的书面文件的系统调查。在分析教会装饰的术语及其概念背景的基础上，第二部分：关于图像、物体和装饰品的教皇庇护模式研究了教堂家具(祭坛、圣坛、瓦萨·萨克拉、皇帝和教皇的图像)的图形、物体和装饰品的地形和神圣美学维度。