Study of the Epigraphic Culture inAncient Greece

古希腊金石文化研究

• 批准号: 16520450
• 负责人: MOROO Akiko
• 金额: $ 1.98万
• 依托单位: Chiba University of Commerce
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-16520450/
• 关键词: Ancient Greek History; Epigraphy; Epigraphic Culture; Votive Culture; Literacy; Monuments; Athens; 史料学; 碑文文化

I explored the characteristics of literacy and epigraphic culture in ancient Greece, particularly, in ancient Athens. I focus on the emergence of the public inscriptions, their functions and transformation through the period of time.The results are the following :1. All inscriptions were votive in nature, regardless of the genre. Therefore, almost all inscriptions were erected on the Akropolis. Because they were considered sacred, people had to obey them, and when an offence against an inscription was made, it was thought impious to the gods as well as dangerous to the society.2. The most important components of public inscriptions were : who proposed the decree ; who was responsible for the erection ; who proposed the amendment etc. Publishing the names of people involved in a decision, was one of the essential elements of public inscriptions, because they only proves who played an active role in a public decision perpetually. The elite could claim their presence and their importance in a society through inscriptions.Not only the elite, but also the ordinary people seem to have enjoyed epigraphic culture more than it has been generally thought recently. Though their literacy seems to have been much more simple, they still enjoy it, and they even parodied the elite's culture with an ironical remark.

我探索了古希腊，特别是古雅典的识字和铭文文化的特征。笔者重点研究了公共铭文的产生、作用以及一段时期内的转变。研究结果如下： 1．所有铭文本质上都是献身的，无论其类型如何。因此，几乎所有的铭文都竖立在卫城上。因为它们被认为是神圣的，所以人们必须服从它们，当对铭文进行冒犯时，人们会认为这是对神灵的亵渎，对社会也是危险的。2。公共铭文最重要的组成部分是：谁提出了该法令；谁负责安装；谁提出了修正案等。公布参与决策的人的姓名是公共铭文的基本要素之一，因为它们只能证明谁在公共决策中永远发挥了积极作用。精英可以通过铭文来宣称自己的存在和在社会中的重要性。不仅是精英，普通民众似乎也比最近普遍认为的更享受金石文化。尽管他们的识字看似简单多了，但他们仍然乐在其中，甚至用讽刺的话语戏仿精英文化。

项目成果

Those Who See Inscriptions, Those Who Read Inscriptions

见铭者，读铭者

• 发表时间: 2006
• 期刊: Intriguing Asis (Asia Yuugaku) 91
• 作者: Akiko;Moroo
• 通讯作者: Moroo

アテナイとイアソス:前412年-394年 IG II^2 3の再構成

雅典和伊索斯：公元前 412-394 年 IG II^2 3 的重建

• 发表时间: 2004
• 期刊: 千葉商大紀要 42-3
• 作者: Akiko;Moroo;師尾 晶子;Akiko MOROO;Akiko MOROO;師尾 晶子
• 通讯作者: 師尾 晶子

A Reconstruction of'the Regulations for Mietos,'IG I^321:Toward Dating to the 420s and Proposing its Historical Context

《Mietos 条例》的重建，IG I^321：追溯至 420 年代并提出其历史背景

• 发表时间: 2007
• 作者: Akiko;Moroo;Akiko MOROO
• 通讯作者: Akiko MOROO

How did People Enjoy Epigraphic Culture in Ancient Greece? Inscribing Names on Monuments,

古希腊人们如何享受金石文化？

• 期刊: Proceedings for the International Congress for Asian and North African Studies (ICANAS)(Ankara)(in processing) 38
• 作者: 山本明代;コメント;山本明代;山本明代;山本明代;山本明代;山本明代;北米エスニシティ研究会;木下正史;木下正史;木下正史;木下正史;木下正史;木下正史;木下正史・編著;木下正史;石坂尚武;石坂尚武;石坂尚武;石坂 尚武;石坂尚武;師尾晶子;師尾晶子;師尾晶子;師尾晶子;師尾晶子;佐久間 弘展;師尾 晶子;師尾晶子;Akiko MOROO;Akiko Moroo;師尾晶子
• 通讯作者: 師尾晶子

Epigraphic Culture in Ancient Greece

古希腊铭文文化

• 发表时间: 2006
• 作者: Akiko;Moroo
• 通讯作者: Moroo