Carl Reinecke as key figure of musical life in late-19th-century Leipzig. Studies on his institutional networks and pedagogical impact

卡尔·赖内克 (Carl Reinecke) 是 19 世纪末莱比锡音乐生活的关键人物。

• 批准号: 508998328
• 负责人: Professor Dr. Christoph Hust
• 金额: --
• 依托单位: Institut für Musikwissenschaft
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/508998328?language=en
• 关键词: Carl; Reinecke; key; figure; musical

The project investigates the extent to which a versatile musician and composer like Carl Reinecke was able to exert influence on the increasingly broadening and differentiating Leipzig musical life of the late 19th century. It explores the consequences resulting from the tight network of the city’s musical institutions, paradigmatically embodied by Reinecke, regarding the development of musical culture both inside and outside the city. By examining this central actor’s fields of activity, a more concrete understanding of the complex structures and processes of Leipzig’s musical life will be gained, enabling a reassessment of both Reinecke’s role and the phase of Leipzig’s musical history that he helped to shape. In the second half of the 19th century, comprehensive professionalisation led to an increasing differentiation in the European music culture, in which the older, versatile type of musician embodied by Reinecke was gradually replaced by highly qualified specialists. Against this background, it will be discussed whether Reinecke’s long activity in key positions of Leipzig’s music scene actually inhibited its further development (as is often assumed) or whether Reinecke was able to hold his own for so long precisely because his type of musician was necessary (or perceived such) for the closely entangled structure that had developed in Leipzig earlier in the 19th century. In order to answer these questions, the project will focus on two areas of Reinecke’s activity: On the one hand, his multifaceted networking with Leipzig’s music publishers (especially Breitkopf & Härtel) and as Gewandhaus conductor will be elaborated; on the other hand, the contents (music theory, composition, aesthetics) and impact of his teaching at the Conservatory will be examined. These two fields illuminate Reinecke’s diverse activities from two complementary perspectives that are closely intertwined. Thus it can be assumed that there were substantial overlaps between the repertoire used in his teaching and that presented in his concerts. The same is likely to be true of the technical and aesthetic criteria that he communicated as a teacher and on which he based his expert’s reports on new compositions offered to music publishers. In addition, Reinecke was able to effectively promote his students as a conductor and expert. His own compositions also played a role in both fields, as performed and published works as well as didactic models. Looking from both perspectives combined, it is also important to clarify the extent to which Reinecke’s preferences and aesthetic principles were bound to Leipzig traditions that already existed before 1860, and whether he was able to enforce new approaches and thus shaped the city’s musical life.

该项目调查了像卡尔·赖内克这样多才多艺的音乐家和作曲家在多大程度上能够对世纪后期日益扩大和分化的莱比锡音乐生活施加影响。它探讨了城市的音乐机构的紧密网络所产生的后果，典型地体现了Reinecke，关于城市内外的音乐文化的发展。通过考察这位核心演员的活动领域，将对莱比锡音乐生活的复杂结构和过程有更具体的了解，从而重新评估赖内克的角色和他帮助塑造的莱比锡音乐历史阶段。在19世纪后半叶，全面的职业化导致欧洲音乐文化的日益分化，其中以赖内克为代表的年长的、多才多艺的音乐家类型逐渐被高素质的专家所取代。在此背景下，我们将讨论赖内克长期活跃在莱比锡音乐舞台的关键位置实际上是否抑制了它的进一步发展（正如人们经常假设的那样），或者赖内克是否能够保持自己的地位如此之久，正是因为他的音乐家类型是必要的（或认为这样），在19世纪世纪早期在莱比锡发展的紧密交织的结构。为了回答这些问题，该项目将重点关注赖内克的两个活动领域：一方面，他与莱比锡音乐出版商（特别是Breitkopf & Härtel）的多方面联系以及作为布商大厦指挥家的关系将得到详细阐述;另一方面，他在音乐学院的教学内容（音乐理论，作曲，美学）和影响将被检查。这两个领域从两个相辅相成的角度阐明了赖内克的各种活动。因此，可以假设，在他的教学中使用的曲目和在他的音乐会上呈现的曲目之间有大量的重叠。他作为一名教师所传达的技术和美学标准可能也是如此，他根据这些标准编写了关于提供给音乐出版商的新作品的专家报告。此外，Reinecke能够有效地促进他的学生作为指挥家和专家。他自己的作品也在这两个领域发挥了作用，作为表演和出版的作品以及教学模式。从这两个角度来看，同样重要的是要澄清赖内克的偏好和美学原则在多大程度上与1860年之前已经存在的莱比锡传统相结合，以及他是否能够实施新的方法，从而塑造城市的音乐生活。