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A Fundamental Study on the Tokiwazu Ballad

常盘津谣的基础研究

基本信息

批准号：
59510216
负责人：
YASUDA BUNKICHI
金额：
$ 1.54万
依托单位：
NANZAN UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for General Scientific Research (C)
财政年份：
1984
资助国家：
日本
起止时间：
1984 至 1986
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-59510216/
关键词：
Bungo-bushi Tokiwazu Mojitayuh Kishizawa Shikisa banzuke ( program )Shamisen Hyohbanki ( Books on popularity of performance )Shoh-hon 稽古本

项目摘要

The playbooks (Shoh-hon) and the exercise books (Keiko-bon) on Tokiwazu I have surveyed during the research period (1984-1986) are from Kagetsu-bunko at Ueda Municipal Library ( about 300 pieces ); the mogue on Japanese Music at Ueno Gakuin University (400); the private library of Mr Takeuchi Michitaka (400); Hohsa-bunko of Nagoya City (100); the library at Tokyo National University of Fine Arts and Music (100); Kuroki-bunko at Tokyo University (185); the library at Tokyo University (30); Kaga-bunko at Tokyo Metropolitan Central Library (100); Kanoh-bunko at Tohoku University(30) and my own collection (1,500).A larger number of "Tamazawa Shinshichi" Edition are found to exist than we expected. Those printed in Edo are mostly published by Igaya Kanzaemon and Sakagawa Heiichiro who succeeded Kanzaemon. But more than half of the collected materials proved to be the Tamazawaya Edition. Since the publishing activities of Tamazawaya was found to have been done on a large scale, it is now necessary to reexamine the past studies on the publishers.Besides, there are many unknown things about the publishing conditions of the Shoh-hons and Keiko-bons from these publishers ( e.g. the number of copies of one ballad, or the price and copyright of one piece ) and there remains several problems to be solved.Moreover, the periods when these works were presented on the stage were not known, even after we referred to the secondary materials as "banzuke" ( programs ), so they must be solved in the near future.Continuing to collect the secondary materials on Tokiwazu to construct as complete a collection of these materials as possible, I am thinking of giving the entire picture of Tokiwazu along with the studies on Tomimoto-bushi, Kiyomoto-bushi, Shinnai-bushi, and Nagauta following the same method used here, and consequently of making clear the historical significance of Hohgaku on the whole.

行动手册（Shoh-hon）和练习本（Keiko-bon）我在研究期间调查了常盘津（1984-1986）出自上田市立图书馆影月文库（约300件）;上野学院大学的日本音乐之谜（400件）;竹内通高先生的私人图书馆（400件）;名古屋市的Hohsa文库（100件）;东京国立美术音乐大学图书馆（100）;东京大学黑木文库（185）;东京大学图书馆（30）;东京都中央图书馆加贺文库（100）;东北大学的鹿野文库（30本）和我自己的收藏（1,500本）。发现《玉泽新七》的数量比我们预期的要多。在江户印刷的，主要是井谷神左卫门和神左卫门的继任者坂川平一郎。但超过一半的收集材料被证明是玉泽谷版。由于玉泽屋的出版活动被发现是大规模进行的，现在有必要重新审视过去对出版社的研究。此外，这些出版社对昭勋和庆子邦的出版状况也有许多不为人知的东西（例如，一首民谣的拷贝数，或者一首民谣的价格和版权），还有几个问题需要解决。此外，这些作品在舞台上出现的时间并不清楚，即使在我们将次要材料称为“banzuke”之后，（程序），所以他们必须在不久的将来解决。继续收集Tokiwazu上的二级材料，以构建尽可能完整的这些材料的集合，我想用这里同样的方法，把常盘津的全貌沿着，连同对富本布什、清本布什、新内布什和长尾田的研究，一起介绍出来，从而从整体上弄清北学的历史意义。