Joint Research Relating to the Influence of Korean Reliquaries on those of Japan

韩国遗物对日本遗物影响的共同研究

• 批准号: 63044043
• 负责人: NAKANO Masaki
• 金额: $ 3.07万
• 依托单位: Tokyo National University of Fine arts and music
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for international Scientific Research
• 财政年份: 1988
• 资助国家: 日本
• 起止时间: 1988 至 1990
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-63044043/
• 关键词: Reliquaries, (Sarira Containers); Sufuku-ji; Kamun-sa; Hwangryong-sa; Nanako, (a Stippling Technique); Fukurentenmon, (Pairs of Embossed Dots)

Ancient Japanese reliquaries (Sarira containers) are thought to have been made under direct influence from Korea. This joint research project was aimed at clarifying this point, examining in particular the metalwork techniques used in examples from both countries.During the term of this project (1988 to 1991), we have conducted three trips to Korea for research. Thanks to the kind support of the National Museum of Korea, we have been able to gather important data on this subject. In the first and second trips, we examined reliquaries in the collections of the National Museum of Korea in Seoul and the Kyongiu National Museum primarily the reliquaries from Kamun-sa, Pulguk-sa, Hwangryong-sa, and Hwangbog-sa. In the third, we surveyed the pagodas where these had originally been placed. In Japan, we have conducted in depth research on objects found at the site of the pagoda of Sufuku-ji.The research trips have enabled us to ascertain the following :the nanako, (a stippling technique) used in the reliquary of Kamun-sa (682 A. D.) and that of a reliquary and an iron mirror from Sufuku-ji (each 668 A. D.) are similar in shape. Nanako was a popular metalwork technique during the Unified Silla a Period, and no earlier example is known in Japan than in Japan than the Sufuku-ji objects. The fukurentenmon, (pairs of embossed dots) also appearing on the Kamun-sa, may be compared with the same technique seen on gilt bronze Buddhist images among the Horyu-ji Treasures. Therefore, we have confirmed that these metalwork techniques had been introduced to Japan from Unified Silla in the 660's A. D., around the time of the foundation of Sufuku-ji.Articles on this subject and one on the "Four Heavenly Kings" on the reliquary of Kamun-sa were published in "ARS BUDDHICA", no. 188, (1990).

人们认为，古老的日本复制品（Sarira容器）被认为是韩国直接影响的。该联合研究项目旨在澄清这一点，特别是研究了两个国家的示例中使用的金属制品技术。在该项目的术语（1988年至1991年）中，我们进行了三次前往韩国研究的旅行。得益于韩国国家博物馆的支持，我们能够收集有关此主题的重要数据。在第一次和第二次旅行中，我们在首尔国家博物馆和Kyongiu国家博物馆的收藏中进行了研究，主要是来自Kamun-SA，Pulguk-Sa，Hwangryong-Sa和Hwangbog-sa的Reliquaries。在第三章中，我们调查了最初放置这些的宝塔。在日本，我们对Sufuku-Ji塔所在物体发现的物体进行了深入的研究。研究之旅使我们能够确定以下内容：Nanako（一种（一种点画技术））在Kamun-Sa（公元682 A. D.）中使用的Nanako（一种点画技术），并从Sufuku-Ji（sufuku-ji of Sufuku-ji compory and of sufuku-ji and of Sufuku-ji）（均为66666888）。 Nanako是统一Silla A时期的一种流行的金属制品技术，日本没有比在日本更早的例子，而是Sufuku-Ji物体。可以将Fukurentenmon（一对浮雕的圆点）出现在Kamun-SA上，可以与Horyu-Ji宝藏中的Gilt铜佛教图像中看到的相同技术进行比较。因此，我们已经确认，在660年代的公元660年，这些金属制品技术是在苏福库·吉（Sufuku-ji。 188，（1990）。

项目成果

NAKANO, Masaki ;: NAKANO, masaki. Joint Research Relating to the Influence of Korean Reliquaries on those of Japan, 1-27 (1991)

中野正树；：中野正树。

中野 政樹 他: "昭和63・泰来元・平成2年度文部省科学研究費補助金(海外学術研究)研究成果報告書『日韓舎利器の調査およびその影響に関する共同研究』" 中野 政樹, (27)

中野正树等：《1988年、1983年、1990年文部科学省科学研究补助金（海外学术研究）研究成果报告》《调查》日本和韩国的舍利器及其影响的共同研究””中野正树，（27）

中野 政樹: "「〔滋賀〕崇福寺塔跡発見の舎利容器」" 『仏教芸術』. 188. 100-107 (1990)

中野正树：“在崇福寺宝塔遗址发现的[志贺]斜利容器”《佛教艺术》188. 100-107 (1990)。

NAKANO, Masaki: "Shiga Prefecture : Sarira Containers Discovered in the Pagoda of Sufuku-ji" Ars Buddhica. 188. 100-107 (1991)

中野正树：“滋贺县：在素福寺宝塔中发现的舍利容器”Ars Buddhica。

水野 敬三郎: "「〔韓国〕感恩寺申塔舎利具の四天王像」" 『仏教芸術』. 188. 70-79 (1990)

Keizaburo Mizuno：“[韩国]甘恩寺塔舍利上的四大天王雕像”佛教艺术 188. 70-79 (1990)。