Joint Research Relating to the Influence of Korean Reliquaries on those of Japan

韩国遗物对日本遗物影响的共同研究

• 批准号: 63044043
• 负责人: NAKANO Masaki
• 金额: $ 3.07万
• 依托单位: Tokyo National University of Fine arts and music
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for international Scientific Research
• 财政年份: 1988
• 资助国家: 日本
• 起止时间: 1988 至 1990
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-63044043/
• 关键词: Reliquaries, (Sarira Containers); Sufuku-ji; Kamun-sa; Hwangryong-sa; Nanako, (a Stippling Technique); Fukurentenmon, (Pairs of Embossed Dots)

Ancient Japanese reliquaries (Sarira containers) are thought to have been made under direct influence from Korea. This joint research project was aimed at clarifying this point, examining in particular the metalwork techniques used in examples from both countries.During the term of this project (1988 to 1991), we have conducted three trips to Korea for research. Thanks to the kind support of the National Museum of Korea, we have been able to gather important data on this subject. In the first and second trips, we examined reliquaries in the collections of the National Museum of Korea in Seoul and the Kyongiu National Museum primarily the reliquaries from Kamun-sa, Pulguk-sa, Hwangryong-sa, and Hwangbog-sa. In the third, we surveyed the pagodas where these had originally been placed. In Japan, we have conducted in depth research on objects found at the site of the pagoda of Sufuku-ji.The research trips have enabled us to ascertain the following :the nanako, (a stippling technique) used in the reliquary of Kamun-sa (682 A. D.) and that of a reliquary and an iron mirror from Sufuku-ji (each 668 A. D.) are similar in shape. Nanako was a popular metalwork technique during the Unified Silla a Period, and no earlier example is known in Japan than in Japan than the Sufuku-ji objects. The fukurentenmon, (pairs of embossed dots) also appearing on the Kamun-sa, may be compared with the same technique seen on gilt bronze Buddhist images among the Horyu-ji Treasures. Therefore, we have confirmed that these metalwork techniques had been introduced to Japan from Unified Silla in the 660's A. D., around the time of the foundation of Sufuku-ji.Articles on this subject and one on the "Four Heavenly Kings" on the reliquary of Kamun-sa were published in "ARS BUDDHICA", no. 188, (1990).

古代日本的圣物箱（舍利容器）被认为是在韩国的直接影响下制造的。本研究项目的目的就是为了弄清这一点，特别是对两国实例中使用的金属加工技术进行研究。在本研究项目期间（1988年至1991年），我们曾三次前往韩国进行研究。多亏了韩国国家博物馆的大力支持，我们才得以收集到有关这一主题的重要数据。在第一次和第二次旅行中，我们检查了首尔的韩国国立博物馆和京畿道国立博物馆收藏的圣骨匣，主要是来自金门寺、佛国寺、黄龙寺和黄堡寺的圣骨匣。在第三个项目中，我们调查了这些宝塔最初被放置的地方。在日本，我们对在寿福寺塔遗址发现的物品进行了深入的研究，通过考察，我们确定了以下内容：Kamun-sa（公元682年）的圣物箱中使用的nanako（一种点画技术）。D.）和一个圣物箱和一面铁镜从Sufuku-ji（每个668 A. D.）形状相似菜子是统一新罗时期流行的金属工艺，在日本没有比Sufuku-ji对象更早的例子。福连天门（成对的浮雕圆点）也出现在Kamun-sa上，可以与法隆寺宝藏中镀金青铜佛教图像上看到的相同技术进行比较。因此，我们确认这些金属加工技术是在公元660年代从统一新罗传入日本的。D、关于这个主题的文章和一篇关于Kamun-sa圣物箱上的“四天王”的文章发表在“ARS BUDDHICA”，第188号，（1990）。

项目成果

NAKANO, Masaki ;: NAKANO, masaki. Joint Research Relating to the Influence of Korean Reliquaries on those of Japan, 1-27 (1991)

中野正树；：中野正树。

中野 政樹 他: "昭和63・泰来元・平成2年度文部省科学研究費補助金(海外学術研究)研究成果報告書『日韓舎利器の調査およびその影響に関する共同研究』" 中野 政樹, (27)

中野正树等：《1988年、1983年、1990年文部科学省科学研究补助金（海外学术研究）研究成果报告》《调查》日本和韩国的舍利器及其影响的共同研究””中野正树，（27）

中野 政樹: "「〔滋賀〕崇福寺塔跡発見の舎利容器」" 『仏教芸術』. 188. 100-107 (1990)

中野正树：“在崇福寺宝塔遗址发现的[志贺]斜利容器”《佛教艺术》188. 100-107 (1990)。

NAKANO, Masaki: "Shiga Prefecture : Sarira Containers Discovered in the Pagoda of Sufuku-ji" Ars Buddhica. 188. 100-107 (1991)

中野正树：“滋贺县：在素福寺宝塔中发现的舍利容器”Ars Buddhica。

水野 敬三郎: "「〔韓国〕感恩寺申塔舎利具の四天王像」" 『仏教芸術』. 188. 70-79 (1990)

Keizaburo Mizuno：“[韩国]甘恩寺塔舍利上的四大天王雕像”佛教艺术 188. 70-79 (1990)。