Synthetic research of Okinamai in folk performing arts

奥金娜在民间表演艺术中的意义在于其自身的价值，同时也体现在它是《第一号奥金娜》的素材。在民间表演艺术中，有同时具有这两个特点的冲绳传统，例如，奈拉佐彦神社的冲绳传统，Hyo^^-Go县加藤区神宫神社的冲绳传统，以及神户市栗马市玉石神社的冲绳传统。由于后两者已经有了详细的报道，所以本研究选择了那津彦神社的冲绳为主要研究对象。因此，本研究的目的是：(1)了解那津彦神社冲绳的历史和现状；(2)在民间表演艺术中将其定位于冲绳和冲绳之间的关系。认识到第一点，由于发现了一直不为人知的那津彦神社和冲绳KO^^群的史料，研究…更多地基于这些材料以及来自线人的信息，使人们在一定程度上了解了冲绳和冲绳KO^-群在感性时代之后的舞蹈运动。此外，正如结果文件中所报告的，关于冲绳的现状，主要是关于音乐和舞蹈运动的详细记录已经完成。考虑到第二点，证明了奈良彦神社的冲绳神社是神谷若宫神社冲绳系列的一部分，也就是说，正是冲绳神社输送了垄断表演的冲绳人在奈良的高木若谷或江户时期若谷神社的元代祭祀。Nen‘yo是室町之前的Sarugaku-Za部队中Jo^^-za-shu集团(拥有执行Okina权的高级成员)的后代。这一事实使人们对Oina作为表演艺术的传统的强大力量以及Oina在整个民间表演艺术中的意义和位置有了新的认识。较少

The significance of Okina in folk performing arts is found in the value of itself and at the same time in being material of the Okina of No. There are Okina traditions in folk performing arts which possess both of characteristics, the examples being Okinamai of the Narazuhiko shrine, Okinamai of the Kamikamogawa shrine in Kato district of Hyo^^-go prefecture and Okinamai of the Otoshi shrine in Kuruma, Kobe city. Since the latter two had already been reported in details, Okinamai of the Narazuhiko shrine has been selected as the main object in this research. Therefore, the objectives of this research were as follows; (1) understanding the history and the present condition of Okinamai of the Narazuhiko shrine; and (2) locating it in the relationship both in the Okina of No and the Okina in folk performing arts.Concerning the first point, as the historical materials housed at the Narazuhiko shrine and the Okina Ko^^- group of the shrine, which had been unknown, were discovered, research … More based on these materials as well as information from the informants, made it possible to understand to a certain extent about the dance movement of the Okinamai and the Okina Ko^^- group after the Kansei era.Also, as reported in the result paper, concerning the present condition of the Okinamai, detailed documentation mainly of the music and the dance movement was completed. The documentation of the Okinamai made in 1989 may certainly become highly valuable in the future.Concerning the second point, it was proved that the Okinamai of the Narazuhiko shrine is in the series of the Okinamai of the Kamikamogawa shrine or the Otoshi shrine in Kobe; that is, it is the Okina which transmits the Nen'yo who had monopolized performing the in the Okina in the Takigi Sarugaku at Nara or in the Onmatsuri fete at the Kasuga Wakamiya shrine in the Edo period. Nen'yo is descendant of Jo^^-za-Shu group (senior members who possess the right to perform Okina) of in the Sarugaku-Za troop before the Muromachi period. This fact gave a new recognition on the strong power of the tradition of Okina as performing arts, and the meaning and location of Okina in the folk performing arts as a whole. Less