Synthetic research of Okinamai in folk performing arts

在民间表演艺术中，“冲菜”的意义在于它本身的价值，同时也在于它是“第一冲菜”的素材。在民间表演艺术中，既有“冲菜”传统，又有“冲菜”传统，例如，奈良彦神社的“冲菜”、兵库县加藤地区上上盖川神社的“冲菜”，以及科比市久留马的“大敏神社的”冲菜“。由于后两者已被详细报道，所以本研究选择了奈良彦神社的冲绳作为主要研究对象。因此，本研究的目的为：（1）了解奈良彦神社冲绳县的历史与现状;（2）将其定位于野之鸣与民间表演艺术鸣的关系中。关于第一点，作为藏于奈良彦神社和神社鸣鸣宫^^组的历史资料，被发现，研究 ...更多信息 根据这些资料以及从举报人那里得到的信息，在一定程度上了解了感性时代之后冲绳和冲绳高团体的舞蹈运动。此外，正如结果文件中所报告的那样，关于冲绳的现状，主要是音乐和舞蹈运动的详细文件已经完成。1989年制作的冲绳文献在未来肯定会变得非常有价值。关于第二点，证明了奈良彦神社的冲绳是上盖川神社或科比乙志神社的冲绳系列之一;也就是说，在奈良的泷木猿学中的大宫或春日的Onmatsuri祭祀中，江户时代的若宫神社。嫩代是室町时代之前猿学座部队中的赵^^座组（拥有表演权的高级成员）的后裔。这一事实使人们对戏曲表演艺术传统的强大力量以及戏曲在整个民间表演艺术中的意义和地位有了新的认识。少

The significance of Okina in folk performing arts is found in the value of itself and at the same time in being material of the Okina of No. There are Okina traditions in folk performing arts which possess both of characteristics, the examples being Okinamai of the Narazuhiko shrine, Okinamai of the Kamikamogawa shrine in Kato district of Hyo^^-go prefecture and Okinamai of the Otoshi shrine in Kuruma, Kobe city. Since the latter two had already been reported in details, Okinamai of the Narazuhiko shrine has been selected as the main object in this research. Therefore, the objectives of this research were as follows; (1) understanding the history and the present condition of Okinamai of the Narazuhiko shrine; and (2) locating it in the relationship both in the Okina of No and the Okina in folk performing arts.Concerning the first point, as the historical materials housed at the Narazuhiko shrine and the Okina Ko^^- group of the shrine, which had been unknown, were discovered, research … More based on these materials as well as information from the informants, made it possible to understand to a certain extent about the dance movement of the Okinamai and the Okina Ko^^- group after the Kansei era.Also, as reported in the result paper, concerning the present condition of the Okinamai, detailed documentation mainly of the music and the dance movement was completed. The documentation of the Okinamai made in 1989 may certainly become highly valuable in the future.Concerning the second point, it was proved that the Okinamai of the Narazuhiko shrine is in the series of the Okinamai of the Kamikamogawa shrine or the Otoshi shrine in Kobe; that is, it is the Okina which transmits the Nen'yo who had monopolized performing the in the Okina in the Takigi Sarugaku at Nara or in the Onmatsuri fete at the Kasuga Wakamiya shrine in the Edo period. Nen'yo is descendant of Jo^^-za-Shu group (senior members who possess the right to perform Okina) of in the Sarugaku-Za troop before the Muromachi period. This fact gave a new recognition on the strong power of the tradition of Okina as performing arts, and the meaning and location of Okina in the folk performing arts as a whole. Less