Research on Shotaro Koyama and His Private Art School "Fudosha"

在本研究中，我们对小山正太郎和他的私人艺术学校“扶多沙”的文献、图纸和其他资料进行了大量的拍照，旨在阐明以下几点。小山在西式绘画运动中的思想和行为。小山绘画风格的渊源及其变化。小山在《福岛》中的教育方式以及从小山到他的追随者的绘画风格的变化。我们拍摄了约70份文件，共计1500页，以及1000幅素描和绘画。虽然对所有这些材料的分析还没有完成，但我们发现了一些事实，如下所示。小山心目中理想的画家形象是一个意志坚强、身体坚韧、对国家有用的人。小山的绘画风格经历了三个阶段的变化。第一种是遵循丰塔内西的风格，第二种是粗线条的风格，第三种是细腻的线条风格。小山的绘画作品与他的龟句诗之间的关系应该加以分析。尽管小山的画和他的追随者的画看起来很相似，但每一幅都有自己的风格。本研究发现了《福岛沙》中的主题图画和设计练习材料。

In this research we took many photographs of documents, drawings and other materials of Koyama Shotaro and his private art school "Fudosha", and aimed at explicating the following points.l. Koyama's thoughts and conducts in western-style-painting movement.2. The origin of Koyama's drawing style and its changes.3. Koyama's way of education in "Fudosha", and changes of drawing style from Koyama to his followers.We took photographs of about 70 documents amounting to 1500 pages, and of 1000 drawings and paintings. Though analyses of all of these materials have not finished, we have found some facts like the following.l. Koyama's ideal image of a painter was a man who has tough mind and body and who is useful for a nation.2. Koyama's drawing style changed in three stages. The first was the style following Fontanesi's one, the second was the style using thick lines, the third was the style using delicate lines. A relation between Koyama's drawings and his haiku poems ought to be analyzed.3. Though Koyama's drawings and his followers' seem much alike, each has its own style. Subject drawing and design exercise materials in "Fudosha" were discovered in this research.