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Three Kinds of "fin de siecle" in Arts <romantic / fin de siecle / post-modern> - arts and Philosophy of art at the turning-point -

艺术中的三种“世纪末”<浪漫主义/世纪末/后现代> - 转折点上的艺术与艺术哲学 -

基本信息

批准号：
07301064
负责人：
KAMBAYASHI Tsunemichi
金额：
$ 2.24万
依托单位：
Osaka University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (A)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1996
项目状态：
已结题

项目摘要

The title of this research is suggestive of a gloomy and stagnant mood of the end of the 19th century in arts, and we are now living at the end of the 20th cetury. From the association of the century we are capable of sympathizing with the aesthtic atmosphere of "fin de diecle". Certainly we can point out an artistic deadlock since the nineteen-sixties, which could not produce artistically anything inventive, but in spite of this circumstances we don't feel such a gloomy mood of "fin de siecle". Arthur C.Danto characterizes the present situation of arts as pluralistic. Namely today's artists produce whatever they like. This situation confronts the historical development of modern art, which has been criticized from the viewpoint of post-modemism. But the description of "post-modem" is a contradictionary statement. Because the word "modern" originated from the Latin Word "modo", which means the "present or now". Othewise "modern" is regarded as a historically past period, but to what date the origin of this period may be traced back? Then another end of the century, that is, the end of the 18th century appears, when the mew movement of "Romanticism" began to declare the modernity in arts. In this meaning the theme, which this research tried to accomplish, was an attempt, to inquire through the comparative investigation of three kinds of "fin de siecle" the essential problem of the "modern" in arts.

这项研究的标题暗示了19世纪末艺术的阴郁和停滞的情绪，而我们现在生活在20世纪末。从世纪的联想中我们能够体会到“fin de diecle”的审美氛围。当然，我们可以指出十九世纪六十年代以来的艺术僵局，在艺术上无法产生任何创造性的东西，但尽管如此，我们并没有感受到“世纪末”的阴郁情绪。阿瑟·C·丹托（Arthur C.Danto）将艺术的现状描述为多元化。也就是说，今天的艺术家创作他们喜欢的任何作品。这种状况面对着现代艺术的历史发展，受到了后现代主义观点的批判。但“后现代”的描述是一个矛盾的说法。因为“现代”一词源于拉丁文“modo”，意思是“现在或现在”。否则，“现代”就被视为历史上的一个过去时期，但这个时期的起源可以追溯到什么时候呢？随后又出现了一个世纪末，即18世纪末，新的“浪漫主义”运动开始宣告艺术的现代性。从这个意义上来说，本研究试图完成的主题就是试图通过对三种“世纪末”的比较研究来探寻艺术中“现代”的本质问题。