权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

Problem in Conservation Treatment for Excavated colored Urushi, Objects

出土彩色漆器的保护处理问题

基本信息

批准号：
07831017
负责人：
KITANO Nobuhiko
金额：
$ 1.28万
依托单位：
Gangouji Institute for Research of Cultural Property
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1997
项目状态：
已结题

项目摘要

Conservation treatment and strage of excavated colored-urushi objects appear to be very difficult, because they show a variety of color and crystal from, and some even change colorare. The number of red, green, yellow and black, colored urushi obujects from the site of Edo period, (17ct-19ct) being conserved and stored is increasing these days. Rough- and -ready synthetic pigments used in urushi objects during that period, made it possible to produce urushi obujects under mass production, and thus causing difficulty in their treatment.In this study the author present some interesting facts by deciphering a seroes of old manuscripts, and some Experiment for the Producrion of Synthetic pigments (Roha-Bengala, Tetsu-Tann Bengala, vermilion) used for the urushi-objects.(1) Some Experiment for the Producrion of Roha-BengalaSynthetic Bengara (red iron oxide : Fe2O3) is one of the most popular red-pigments used in the Edo period. One was Roha Bengala made from Roha (FeSO4.7H2O and the other w … More as Tetsu-Tann Bengala made from iron scraps. In the general process of Roha-Bengala at that time, workers used roha (FeSO4・7H2O) as raw material. They roasted the roha, and refined it in the water. We made some experiments in making Roha-Bengara, in order to understand its character.(2) some Experiments for the Production of Tetsu-Tann BengalaSome old maunscripts indicated that the origin of Tetsu-Tann Bengala was older than that of Roha-Bengala and the quality of the former one was not wo good. Thought the production techniques of Tetsu-Tann Bengala is transmit just in the documents, we have not enough information about it. In this paper, we made some experiments in making Tetsu-Tann Bengala, In order to understand its character and traditional production techniques.(3) Techniques for Producing SyntheticShu (Vermilion) Contained in Red Colored Urushi ObjectIn order to study the characteristic of these syu pigments, some old manuscripts and testimonies of some experienced workers who made syu werer consulted. As a result it was discovered that shu-vermilion was used for urushi objects. The method used to prosess shu followed traditional techniques transmitted from China and was composed of two processes : (the roasting process and the refining in water process). Less

出土的彩漆器物呈现出多种颜色和晶状，有的甚至会变色，因此其保护处理和保存显得十分困难。从江户时代遗址收集到的红、绿色、黄、黑、彩色漆（17克拉~ 19克拉）的保存和储藏数量近年来不断增加。在这一时期，漆制品中使用的合成颜料粗糙而现成，这使得大规模生产漆制品成为可能，从而造成了处理漆制品的困难。本文通过对一系列旧手稿的解读，提出了一些有趣的事实，以及一些用于漆制品的合成颜料（Roha-Bengala，Tetsu-Tann Bengala，朱红）的生产实验。(1)合成孟加拉红（红色氧化铁：Fe_2O_3）是江户时代最常用的红色颜料之一。一种是由Roha（FeSO4.7H2O）制成的Roha Bengala， ...更多信息用废铁做成的孟加拉铁桶在当时的Roha-Bengala的一般工艺中，工人使用Roha（FeSO 4·7 H2O）作为原料。他们烘烤罗哈，并在水中精制。为了了解罗哈本加拉的特性，我们在制作罗哈本加拉的过程中做了一些实验。(2)孟加拉铁丹的生产试验一些古老的手抄本表明，孟加拉铁丹的起源比孟加拉罗汉的起源要早，而且前者的质量不太好。虽然关于孟加拉铁丹的制作工艺只是在文献中流传，但资料并不充分，本文通过对孟加拉铁丹的制作实验，了解孟加拉铁丹的特点和传统制作工艺。(3)红色漆中合成朱红的生产技术为了研究这类漆料的特性，我们查阅了一些旧的手稿和一些有经验的漆工的证词。结果，人们发现，蜀红被用于漆的对象。熟蜀的方法沿袭了中国传下来的传统工艺，分为两道工序：焙炒法和水炼法。少