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Problem in Conservation Treatment for Excavated colored Urushi, Objects

Problem in Conservation Treatment for Excavated colored Urushi, Objects
出土彩色漆器的保护处理问题
批准号:
07831017
负责人:
KITANO Nobuhiko
金额:
$1.28万
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
1995
资助国家:
日本
项目状态:
已结题
起止时间:
1995 至 1997

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中文摘要
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英文摘要
Conservation treatment and strage of excavated colored-urushi objects appear to be very difficult, because they show a variety of color and crystal from, and some even change colorare. The number of red, green, yellow and black, colored urushi obujects from the site of Edo period, (17ct-19ct) being conserved and stored is increasing these days. Rough- and -ready synthetic pigments used in urushi objects during that period, made it possible to produce urushi obujects under mass production, and thus causing difficulty in their treatment.In this study the author present some interesting facts by deciphering a seroes of old manuscripts, and some Experiment for the Producrion of Synthetic pigments (Roha-Bengala, Tetsu-Tann Bengala, vermilion) used for the urushi-objects.(1) Some Experiment for the Producrion of Roha-BengalaSynthetic Bengara (red iron oxide : Fe2O3) is one of the most popular red-pigments used in the Edo period. One was Roha Bengala made from Roha (FeSO4.7H2O and the other w … More as Tetsu-Tann Bengala made from iron scraps. In the general process of Roha-Bengala at that time, workers used roha (FeSO4・7H2O) as raw material. They roasted the roha, and refined it in the water. We made some experiments in making Roha-Bengara, in order to understand its character.(2) some Experiments for the Production of Tetsu-Tann BengalaSome old maunscripts indicated that the origin of Tetsu-Tann Bengala was older than that of Roha-Bengala and the quality of the former one was not wo good. Thought the production techniques of Tetsu-Tann Bengala is transmit just in the documents, we have not enough information about it. In this paper, we made some experiments in making Tetsu-Tann Bengala, In order to understand its character and traditional production techniques.(3) Techniques for Producing SyntheticShu (Vermilion) Contained in Red Colored Urushi ObjectIn order to study the characteristic of these syu pigments, some old manuscripts and testimonies of some experienced workers who made syu werer consulted. As a result it was discovered that shu-vermilion was used for urushi objects. The method used to prosess shu followed traditional techniques transmitted from China and was composed of two processes : (the roasting process and the refining in water process). Less
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北野 信彦: "根来塗と呼称される朱漆器類の製法について" 元興寺文化財研究所 創立三十周年記念誌. 143-150 (1997)
北野信彦:“论朱漆漆器的制作方法”元兴寺文化遗产研究所30周年纪念杂志143-150(1997年)。
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北野信彦・肥塚隆保: "近世におけるベンガラの製法に関する復元的実験" 文化財保存修復学会誌. 40. 35-47 (1996)
北野信彦和小冢贵康:“近代早期红加尔拉制作方法的修复实验”文化财产保护与修复学会杂志 40. 35-47 (1996)。
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北野 信彦・肥塚 隆保: "江戸時代における鉄丹ベンガラの製法に関する復元的実験" 文化財保存修復学会誌. 42. 印刷中 (1998)
北野信彦和小冢高康:“江户时代铁红赤铁制作方法的修复实验”文化财产保护与修复学会杂志42。出版中(1998年)。
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北野信彦: "根来塗と呼称される朱漆器類の製法について" 元興寺文化財研究所『創立三十周年記念誌』. 143-150 (1997)
北野伸彦:“论朱色漆器的制作方法”元兴寺文化遗产研究所,30周年纪念杂志143-150(1997年)。
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16
    Study on the Traditional and Historical coating pigments and development on new coating materials on wooden Architectures in Japan.
    Analysis of Materials and Techniques of Makie Urushi objects conseider to the Cnoservation and Restoration problem
    • 批准号:
      11680170
    • 项目类别:
      Grant-in-Aid for Scientific Research (C)
    • 资助金额:
      $2.24万
    • 财政年份:
      1999
    • 负责人:
      KITANO Nobuhiko
    • 依托单位:
    海外基金