Analysis of Materials and Techniques of Makie Urushi objects conseider to the Cnoservation and Restoration problem

莳江漆器的材料与工艺分析考虑保护与修复问题

• 批准号: 11680170
• 负责人: KITANO Nobuhiko
• 金额: $ 2.24万
• 依托单位: Kurashiki Sakuyo University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1999
• 资助国家: 日本
• 起止时间: 1999 至 2002
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11680170/
• 关键词: excavated Makie Urushi object; conservation and Rostovation; rusts phenomenon; Nashiji powder; Gold makie powder; Silver makie powder; Tin Makie powder; Orpiment pigments powder; 手板試料(標準サンプル); 金蒔絵〓; 人造石黄(As_2S_3); 劣化実験; 紫外線劣化; 蒔絵漆塗手板(標準サンプル)

Makie techniques is the decoration of the urushi surface with sprinkled gold, silver or other metal filings and pigment powders. These tradititinal urushi techniques are very famous in japan. The number of makie urushi objects from the site of Edo period (early 17th centuries 〜 middle 19th centuries) being conserved and stored is increasing these days. A lot of excavated makie urushi objects were very weak, so conservatin treatment and storage of these appear to be more difficult than that of other excavated wooden objects. This study discusses the scientific investigation of the many excavated makie urushi objects, and deciphered a series of old manuscripts related makie techniques in the Edo period. The results obtained are as follows. (1) Gold, silver and tin were confirmed as makie powders in the samples, and urushi mixed with Orpiment pigment were confirmed as makie powders in the samples, and urushi mixed with Orpiment pigment were confirmed as imitate makie in the samples. (2) Few excavated makie urushi objects used to Gold makie powder, and many objects used to gold- silver alloy, silver, tin makie powder and urushi mixed with Orpiment pigment. During Edo period, gold makie powder generally used in the early Edo period, Orpiment used generally in the first 〜 middle Edo period, silver used generally in the middle 〜 later Edo period, and tin used generally in the latter 〜 last Edo period. (3) Excavated makie urushi objects with gold or gold- silver alloy were generally composed of Zelkova serrate (wooden body), mixture of Ki- Urushi and clay powder (ground coating), vermillion: HgS (red colored urushi layer) and repeat many times urushi layer. These were high quality. Makie with silver, tin and Orpiment were generally composed of Aesculus turbinate or Fagus crenata (wooden body) mixture of persimmon tannin and charcoal powder (ground coating), Bengara: Fe2○3 (red colored urushi layer) and simple urushi layer. There ware mass production quality

莳绘技术是在漆表面撒上金、银或其他金属屑和颜料粉进行装饰。这些传统的漆艺技术在日本非常有名。如今，江户时代（17世纪初期〜19世纪中期）遗址的莳绘漆器被保存和保存的数量不断增加。许多出土的莳绘漆器都非常脆弱，因此它们的保护处理和储存似乎比其他出土的木器更加困难。本研究讨论了对许多出土的莳绘漆器的科学调查，并破译了一系列与江户时代莳绘技术相关的古老手稿。得到的结果如下。 (1)样品中确认金、银、锡为莳绘粉，样品中混合了雌黄颜料的漆确认为莳绘粉，样品中混合了雌黄颜料的漆确认为仿莳绘。 (2)出土的莳绘漆器中所用的金莳绘粉较少，多为金银合金、银、锡莳绘粉以及与雌黄颜料混合的漆器。江户时代，江户初期一般使用金莳粉，江户初期〜中期一般使用雌黄，江户中期〜后期一般使用银，江户后期〜末期一般使用锡。 （3）出土的金或金银合金莳绘漆器一般由榉木锯齿（木体）、木漆和粘土粉的混合物（底漆）、朱砂：HgS（红色漆层）和多次重复的漆层组成。这些都是高质量的。银、锡和雌黄的莳绘一般由七叶树或山毛榉（木体）、柿单宁和木炭粉（底漆）的混合物、Bengara：Fe2O3（红色漆层）和简单漆层组成。有洁具批量生产品质

项目成果

KITANO Noboru: "Coservation and Restoration of Waterlogged Urushi Objects"Scientific studies and Conservation for Archaeological Objects, KUBAPURO. 96-97 (2003)

北野升：“浸水漆器的保护和修复”考古物品的科学研究和保护，KUBAPURO。

北野信彦, 肥塚隆保: "近世出土蒔絵漆器の材質・技法に関する調査"考古学と自然科学-日本文化財科学会誌-. 38. 67-92 (2000)

北野信彦、日冢贵康：“近代早期出土的莳绘漆器的材料和技术调查”《考古学与自然科学》日本文化财产学会杂志38. 67-92（2000）。

北野信彦,肥塚隆保: "近世出土蒔絵漆器の材質・技法に関する調査"考古学と自然科学-日本文化財科学会誌-. 第38号. 1-26 (1999)

北野信彦、日冢高安：“近代早期莳绘漆器出土材料与技术的调查”《考古学与自然科学》日本文化财产学会杂志第38期1-26（1999年）。

北野信彦(分担): "「出土漆器の保存・修復」『遺物の保存と調査』"沢田正昭 クバプロ. 185 (2003)

Nobuhiko Kitano（撰稿人）：“‘出土漆器的保护和修复’，‘文物的保护和调查’”Masaaki Sawada Kuba Pro 185 (2003)

北野信彦(分担): "「出土漆器の保存と修復」『遺物の保存と調査』"沢田正昭 クバプロ. 185 (2003)

Nobuhiko Kitano（撰稿人）：“‘出土漆器的保存和修复’，‘文物的保存和调查’”Masaaki Sawada，Kuba Pro 185 (2003)