Property and Function in a Traditional Local Culture : Around the Case of Hitoyama Kabuki in Shodo-Jima.

传统地方文化中的属性和功能：以小豆岛人山歌舞伎为例。

• 批准号: 09610178
• 负责人: ONO Mitchikuni
• 金额: $ 0.96万
• 依托单位: Kobe University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1997
• 资助国家: 日本
• 起止时间: 1997 至 1998
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-09610178/
• 关键词: Expressive Culture; Rural Kabuki; Hitoyama Kabuki; Rotation System; Community; Reciprocity; Tourism; Sociology of Culture; 伝統文化; 保存会; 自治会・組; 地域文化; 表出文化; 共同態

This project attempts to elucidate an immanent structure and a cultural-social function of the Local Rural Kabuki (or the Farmers' Kabuki) which may be regarded as one of "transformations" of the Metropolitan Kabuki as expressive culture. Hitoyama Kabuki will be chosen for a case study. It is said that Hitoyama Kabuki has been transmitted from generation to generation 300 years before in Hitoyama district, Shodo-Jima Kagawa-Ken. Our research results as follows.1. As a historical fact, Hitoyama Kabuki was a dedicatory Kabuki to Gods of Hitoyama Rikyu Yahata Shrine. It was one of transformations of the Professional Urban Kabuki and it is thought to be a mix of the Urban Kabuki Drama, and the Folk Manners and Customs.2. Hitoyama Kabuki has a Dual Structure with two aspects : the religio-ritual and the theatrico-recreational. This seems to show that this Kabuki is a dramatic and symbolic expression of common value and identity of the community.3. Hitoyama Kabuki's public performances are produced and managed by 6 Kumi (neighbourhood groups) through in a rotation system. And the open air gallery is also put to use in rotation. Here we can find "Communal Equality" and "Reciprocity as rondo", which are functional for an integration of the community.4. Hitoyama Kabuki, viewed from a different angle, seems to be undergoing some changes by several external influences, such as a farm retirement and a tourism, etc.5. From the above findings, it will be suggested that we could emphasize an relative autonomy of cultural factors from social factors in analyzing socio-cultural phenomena.

该项目试图阐明当地乡村歌舞伎（或农民歌舞伎）的内在结构和文化社会功能，这可以被视为都市歌舞伎作为表现文化的“转变”之一。人山歌舞伎将被选为案例研究。据说人山歌舞伎在 300 年前就在小豆岛香川县人山地区代代相传。我们的研究结果如下： 1．据史实记载，人山歌舞伎是供奉人山离宫八幡神社诸神的歌舞伎。它是专业都市歌舞伎的转型之一，被认为是都市歌舞伎戏剧与民间风俗的融合。 2．人山歌舞伎具有宗教-仪式和戏剧-娱乐两方面的双重结构。这似乎表明，歌舞伎是社会共同价值和身份的戏剧性和象征性表达。 3．人山歌舞伎的公开演出由6个居委会（居委会）轮流制作和管理。露天画廊也轮流使用。在这里我们可以看到“社区平等”和“互惠回旋”，这对于社区的融合具有功能性。4．从不同的角度来看，人山歌舞伎似乎正在经历一些外部影响，例如农场退休和旅游业等5。从以上研究结果来看，我们在分析社会文化现象时可以强调文化因素相对于社会因素的相对自主性。